List of practice Questions

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These are indicators of the process of globalisation of agriculture, or the incorporation of agriculture into the larger global market a process that has had direct effects on farmers and rural society. For instance, in some regions such as Punjab and Karnataka, farmers enter into contracts with multinational companies (such as PepsiCo) to grow certain crops (such as tomatoes and potatoes), which the companies then buy from them for processing or export. In such 'contract farming' systems, the company identifies the crops to be grown, provides the seeds and other inputs, as well as the knowhow and often also the working capital. In return, the farmer is assured of a market because the company guarantees that it will purchase the produce at a predetermined fixed price. Contract farming is very common now in the production of specialised items such as cut flowers, fruits such as grapes, figs and pomegranates, cotton and oil seeds. While contract farming appears to provide financial security to farmers, it can also lead to greater insecurity as farmers become dependent on these companies for their livelihoods. Contract farming of export-oriented products such as flowers and gherkins also means that agricultural land is diverted from food grain production. Contract farming has sociological significance in that it disengages many people from the production process and makes their own indigenous knowledge of agriculture irrelevant. In addition, contract farming caters primarily to the production of elite items, and because it usually requires high doses of fertilisers and pesticides, it is often not ecologically sustainable.
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Kathakali is a classical dance form which originated in Kerala. Katha in Sanskrit means story and kali in Malayalam means play. So Kathakali is a play based on a story. Kathakali, like other classical dances of India, has its origins in Bharata Muni's Natyasastra. It is an art which has evolved from many social and religious theatrical art forms like Cakiarottu, Kudiattam, Krsnattam, Ramattam which existed in the Southern region in ancient times. The main custodian of Kathakali is the famous poet Vallathol Narayan Menon who established Kerala Kalamandalamin in 1930 for the preservation of this art form.
Kathakali, a stylised art form, is a blend of dance music and acting and dramatizes stories mostly adapted from the Indian epics. All the four aspects of abhinaya - angika, vacika, aharya, Sattrika and the three components of the dance - natya, nrtta and nrtya are unified flawlessly in this form. As far as the costume of this dance form is concerned, it is elaborate and designed to heighten the effect of physical strength. The large overcoats, the flawing scarves, the bulging skirts, the antique ornaments, the strikingly opulent head dresses with streaming hair flowing down to the waist and covering the back all create enlarged figures well benefitting the sculptured facial features and produce tremendously impressive impersonations. If the characters are Sattvika (a righteous character or hero), the basic make up is pacca (green); if the characters are rajsika (a character with particular vices or anti hero) the basic make up is cutti (white); and if the characters are tamsika (an evil character or villian), the basic green make up is broken up by red patches. Also, on the basic green make up, an oral red and white design is made on the nose and on the upper nose.