| List I | List II | ||
|---|---|---|---|
| (A) | New Criticism | (I) | A literary text is situated within the totality of the institutions and social practices of a particular time of and place |
| (B) | New Historicism | (II) | A positive programme which has undertaken to connect formal aspects of literature to the historical, political and worldly concerns. |
| (C) | New Formalism | (III) | It argues for a return to humanistic education. |
| (D) | New Humanism | (IV) | The concern of literary criticism with the detailed consideration of the work itself. |
| LIST I | LIST II | ||
| A. | Verbal Irony | I. | The introduction of a structural feature that serves to sustain a double meaning throughout the work. |
| B. | Structural Irony | II. | A mode of narrative writing in which the author builds up the illusion of representing reality and then shatters it. |
| C. | Dramatic Irony | III. | A statement in which the meaning that the speaker implies differs from the meaning that is expressed |
| D. | Romantic Irony | IV. | A situation in which the reader audience shares with the authors knowledge of circumstances of which the character is ignorant. |
| LIST I | LIST II | ||
| A. | Fin-de-siecle | I. | God from the machine |
| B. | Deucox machina | II. | Comic drama |
| C. | Commedia dell'arte | III. | A name which is different from his/her real name is used by an author |
| D. | Nom de pluma | IV. | end of a century |



