| LIST I | LIST II | ||
| A. | Fin-de-siecle | I. | God from the machine |
| B. | Deucox machina | II. | Comic drama |
| C. | Commedia dell'arte | III. | A name which is different from his/her real name is used by an author |
| D. | Nom de pluma | IV. | end of a century |
| LIST I | LIST II | ||
| A. | Verbal Irony | I. | The introduction of a structural feature that serves to sustain a double meaning throughout the work. |
| B. | Structural Irony | II. | A mode of narrative writing in which the author builds up the illusion of representing reality and then shatters it. |
| C. | Dramatic Irony | III. | A statement in which the meaning that the speaker implies differs from the meaning that is expressed |
| D. | Romantic Irony | IV. | A situation in which the reader audience shares with the authors knowledge of circumstances of which the character is ignorant. |
Match List-I with List-II 
Match List-I with List-II\[\begin{array}{|c|c|} \hline \textbf{Provision} & \textbf{Case Law} \\ \hline \text{(A) Strict Liability} & \text{(1) Ryland v. Fletcher} \\ \hline \text{(B) Absolute Liability} & \text{(II) M.C. Mehta v. Union of India} \\ \hline \text{(C) Negligence} & \text{(III) Nicholas v. Marsland} \\ \hline \text{(D) Act of God} & \text{(IV) MCD v. Subhagwanti} \\ \hline \end{array}\]