In the study of fashion, the origin and need for clothing can be interpreted through various perspectives. Among the different fields that examine human behavior and cultural practices, Anthropologists offer unique insights. They explore how taboos and the desire for personal adornment have historically influenced the development and use of clothing. Anthropology examines cultural norms and values, considering how they shape our understanding and practices of clothing. Hence, the viewpoint that connects the origins and need for clothing with taboo and personal adornment is primarily provided by anthropologists.
The viewpoint regarding the origin and need for clothing, associated with taboo as well as the desire for personal adornment, is typically discussed by anthropologists.
Anthropologists study human societies, cultures, and their development. They have explored the role of clothing not only for practical purposes (such as protection from the environment) but also in terms of cultural significance, social status, and taboos. Clothing is often seen as a cultural symbol, and the desire for adornment and expression is considered an important aspect of human development.
Let’s look at why the other options are less relevant:
(1) Psychologists: Psychologists study human behavior and mental processes, and while they may explore clothing in terms of individual identity or self-expression, the focus on taboo and cultural adornment is more rooted in anthropology.
(2) Ethnologists: Ethnologists are a subset of anthropologists, focusing specifically on the study of cultures and communities. While they also study cultural practices like clothing, the broader framework and theories are provided by anthropologists as a whole.
(3) Economists: Economists would focus on the economic aspects of clothing (such as production, consumption, and trade) rather than its cultural or taboo significance.
Thus, the correct answer is (4) Anthropologists.
Read the following passage carefully and answer the following questions.
Draping is one of the initial forms of clothing as in ancient times, people used to drape fabric or other material around their body to protect and cover themselves. Prevalence of draping has been witnessed since 3500 BC, as part of the Egyptian culture, Roman clothing, Mesopotamian, Greek fashion, Vedic period etc., through sculptures, cave paintings, wood
carvings, and other antique pieces.
Draping has been a hallmark of famous designers such as Madame Gres, Pauline Trig ` ere, and ` Madeleine Vionnet, each known for their unique approaches to draping garments directly on live models or miniature mannequins. In modern fashion, draping is essential for designers as it allows them to experiment with fabric, understand its behavior, and create new designs by manipulating fabric on a dress form. Draping techniques like bias draping, flat pattern draping, and couture draping offer designers the flexibility to achieve different fits, styles, and textures in their garments.
Overall, draping as a method of clothing design is a creative and essential technique that enables designers to bring their designs to life in a three-dimensional form, offering a more hands-on and intuitive approach to garment creation.
List-I (Identification Mark) | List-II (Identification Type) |
---|---|
(A) Restrictive sumptuary laws | (I) Identification of profession |
(B) Wedding band on ring finger | (II) Identification of marital status |
(C) Robes and wigs of judges | (III) Identification of individual status in a tribe |
(D) Special clothes, mask, and carrier accessories | (IV) Identification of social status |