In fashion studies, the belief that certain parts of animals like claws, hooves, and teeth can enhance the wearer’s strength falls under the factor of clothing known as Ritualistic. This concept is rooted in the cultural or spiritual significance that certain objects possess. Ritualistic clothing and accessories are often used in ceremonies, religious practices, or as symbols of power and protection, derived from the belief system of a community.
In this context, wearing parts of animals is believed to transfer the strength and spirit of the animal to the wearer. Such practices have historical and cultural roots, where the wearer seeks a symbolic connection to the attributes of the animal, such as strength, bravery, or protection.
The correct answer is (3) Ritualistic.
Ritualistic clothing refers to garments and accessories that are worn for symbolic or spiritual reasons, often in the context of customs, traditions, or beliefs. In many cultures, items such as claws, hooves, and teeth from animals were worn as accessories to symbolize strength, power, or protection. These items were believed to carry special significance, such as invoking the strength of the animal or protecting the wearer from harm.
Let’s consider the other options:
(1) Protection: Protection is primarily associated with clothing or accessories designed to physically shield the wearer from the environment, such as armor or weather-resistant clothing. It’s not focused on symbolic or spiritual meaning like ritualistic items.
(2) Utility: Utility refers to clothing or accessories designed for practical purposes, such as pockets, durability, or comfort. This is not related to the belief in strength enhancement through animal parts.
(4) Identification: Identification refers to using clothing to indicate membership in a group or community, such as uniforms, badges, or insignia. It does not specifically relate to ritualistic beliefs about strength or power.
Thus, the correct answer is (3) Ritualistic, as the belief in enhancing strength by wearing animal parts is rooted in rituals and symbolic practices.
Read the following passage carefully and answer the following questions.
Draping is one of the initial forms of clothing as in ancient times, people used to drape fabric or other material around their body to protect and cover themselves. Prevalence of draping has been witnessed since 3500 BC, as part of the Egyptian culture, Roman clothing, Mesopotamian, Greek fashion, Vedic period etc., through sculptures, cave paintings, wood
carvings, and other antique pieces.
Draping has been a hallmark of famous designers such as Madame Gres, Pauline Trig ` ere, and ` Madeleine Vionnet, each known for their unique approaches to draping garments directly on live models or miniature mannequins. In modern fashion, draping is essential for designers as it allows them to experiment with fabric, understand its behavior, and create new designs by manipulating fabric on a dress form. Draping techniques like bias draping, flat pattern draping, and couture draping offer designers the flexibility to achieve different fits, styles, and textures in their garments.
Overall, draping as a method of clothing design is a creative and essential technique that enables designers to bring their designs to life in a three-dimensional form, offering a more hands-on and intuitive approach to garment creation.
List-I (Identification Mark) | List-II (Identification Type) |
---|---|
(A) Restrictive sumptuary laws | (I) Identification of profession |
(B) Wedding band on ring finger | (II) Identification of marital status |
(C) Robes and wigs of judges | (III) Identification of individual status in a tribe |
(D) Special clothes, mask, and carrier accessories | (IV) Identification of social status |