Step 1: Understanding "contrary".
In classical logic, the contrary of a universal affirmative proposition \( (\forall x)Px \) is the universal negative: \[ (\forall x) \sim P(x) \] This asserts that no individual in the domain satisfies \(P(x)\), which is directly contrary to every individual satisfying it.
Step 2: Difference from contradiction.
Note that the contradiction of \( (\forall x)Px \) is \( \sim (\forall x)Px \equiv (\exists x)\sim Px \), but the contrary here is another universal statement: \( (\forall x)\sim Px \), asserting the opposite property universally.
The 12 musical notes are given as \( C, C^\#, D, D^\#, E, F, F^\#, G, G^\#, A, A^\#, B \). Frequency of each note is \( \sqrt[12]{2} \) times the frequency of the previous note. If the frequency of the note C is 130.8 Hz, then the ratio of frequencies of notes F# and C is:
Here are two analogous groups, Group-I and Group-II, that list words in their decreasing order of intensity. Identify the missing word in Group-II.
Abuse \( \rightarrow \) Insult \( \rightarrow \) Ridicule
__________ \( \rightarrow \) Praise \( \rightarrow \) Appreciate