The passage given below is followed by four alternate summaries. Choose the option that best captures the essence of the passage.
Tamsin Blanchard,curator of Fashion Open Studio,an initiative by a campaign group showcasing the work of ethical designers says, "We're all drawn to an exquisite piece of embroidery,a colourful textile or even a style of dressing that might have originated from another heritage. [But] this magpie mentality, where all of culture and history is up for grabs as 'inspiration', has accelerated since the proliferation of social media...Where once a fashion student might research the history and traditions of a particular item of clothing with care and respect,we now have a world where images are lifted from image libraries without a care for their cultural significance. It's easier than ever to steal a motif or a craft technique and transfer it on to a piece of clothing that is either mass produced or appears on a runway without credit or compensation to their original communities."
Tamsin Blanchard,curator of Fashion Open Studio,an initiative by a campaign group showcasing the work of ethical designers says, "We're all drawn to an exquisite piece of embroidery,a colourful textile or even a style of dressing that might have originated from another heritage. [But] this magpie mentality, where all of culture and history is up for grabs as 'inspiration', has accelerated since the proliferation of social media...Where once a fashion student might research the history and traditions of a particular item of clothing with care and respect,we now have a world where images are lifted from image libraries without a care for their cultural significance. It's easier than ever to steal a motif or a craft technique and transfer it on to a piece of clothing that is either mass produced or appears on a runway without credit or compensation to their original communities."
- Copying an embroidery design or pattern of textile from native communities who own them is tantamount to stealing and they need to be compensated.
- Cultural collaboration is the need of the hour. Beautiful design ideas of indigenous people need to be showcased and shared worldwide.
- Taking fashion ideas from any cultural group without their consent is a form of appropriation without giving due credit, compensation, and respect.
- Media has encouraged mass production; images are copied effortlessly without care or concern for the interests of ethnic communities.
The Correct Option is C
Solution and Explanation
The passage discusses the issue of cultural appropriation in the fashion industry, highlighting the ethical concerns that arise when fashion designers borrow elements from different cultures without proper recognition, respect, or compensation. Tamsin Blanchard criticizes the growing trend facilitated by social media, where cultural designs are often used as mere 'inspiration' without acknowledging their origins or significance. This practice undermines the cultural heritage and rights of the original creators.
Among the provided summaries, the most accurate one encapsulates the essence of the passage by emphasizing that taking fashion ideas from any cultural group without their consent constitutes appropriation. This practice disregards giving due credit, compensation, and respect to the cultures being borrowed from.
Hence, the correct option is:
"Taking fashion ideas from any cultural group without their consent is a form of appropriation without giving due credit, compensation, and respect."
Top Questions on Para Summary
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In 1903, left-wing feminist Elizabeth Magie invented The Landlord’s Game, the original version of what became Monopoly. It was designed as a powerful teaching tool to illustrate the dangers of monopolies and how wealth could concentrate in the hands of a few. The game featured a circular path, properties, and a “Go to Jail” space. Magie created two rule sets: one “monopolist” version where players crushed opponents through accumulation, and another, more radical “Prosperity” version, where everyone shared in the wealth, promoting fairness and equity. Years later, unemployed Charles Darrow sold a simplified version to Parker Brothers. They paid Magie only 500 Dollar for her patent—without royalties—and credited Darrow as the sole inventor. For decades, his tale of inventing the game in his basement remained the official story, while Magie’s name and her original, anti-capitalist message were left in the shadows. - The passage given below is followed by four summaries. Choose the option that best captures the essence of the passage.
The return to the tailor is the juxtaposition of three key things for the mindful Indian shopper. The first is the conscious shift away from the homogeneity of fast fashion, the idea of a hundred other people owning exactly the same Zara trench coat or H & M pleated skirt. The second is an actual understanding of the waste behind the fast fashion market, and wanting not to contribute to that anymore. The last is the shift toward customisation and fit—the idea of having imaginations brought to life and to have them fit exactly; without paying exorbitant rates for that bespoke tailoring. For the individual with a keen fashion sense and a genuine desire to move away from the waste and uniformity of fast fashion without paying the premium for it that indie brands would invariably demand, the tailor is the perfect crossover. The passage given below is followed by four summaries. Choose the option that best captures the essence of the passage.
In investigating memory-beliefs, there are certain points which must be borne in mind. In the first place, everything constituting a memory-belief is happening now, not in that past time to which the belief is said to refer. It is not logically necessary to the existence of a memory-belief that the event remembered should have occurred, or even that the past should have existed at all. There is no logical impossibility in the hypothesis that the world sprang into being five minutes ago, exactly as it then was, with a population that "remembered" a wholly unreal past. There is no logically necessary connection between events at different times; therefore nothing that is happening now or will happen in the future can disprove the hypothesis that the world began five minutes ago. Hence the occurrences which are CALLED knowledge of the past are logically independent of the past; they are wholly analysable into present contents, which might, theoretically, be just what they are even if no past had existed.- The passage given below is followed by four summaries. Choose the option that best captures the essence of the passage.
Zombie cells may contribute to age-related chronic inflammation: this finding could help scientists understand more about the aging process and why the immune system becomes less effective as we get older. Zombie or “senescent” cells are damaged cells that can no longer divide and grow like normal cells. Scientists think that these cells can contribute to chronic health problems when they accumulate in the body. In younger people, the immune system is more effective at clearing senescent cells from the body through a process called apoptosis, but as we age this process becomes less efficient. As a result, there is an accumulation of senescent cells in different organs in the body, either through increased production or reduced clearance by the immune system. The zombie cells continue to use energy though they do not divide, and often secrete chemicals that cause inflammation, which if persistent for longer periods of time can damage healthy cells leading to chronic diseases. - The passage given below is followed by four summaries. Choose the option that best captures the essence of the passage.
In the dynamic realm of creativity, artists often find themselves at the crossroads between drawing inspiration from diverse cultures and inadvertently crossing into the territory of cultural appropriation. Inspiration is the lifeblood of creativity, driving artists to create works that resonate across borders. In a globalized era of the modern world, artists draw from a vast array of cultural influences. When approached respectfully, inspiration becomes a bridge, fostering understanding and appreciation of cultural diversity. However, the line between inspiration and cultural appropriation can be thin and easily blurred.
Cultural appropriation occurs when elements from a particular culture are borrowed without proper understanding, respect, or acknowledgment. This leads to the commodification of sacred symbols, the reinforcement of stereotypes, and the erasure of the cultural context from which these elements originated. It is essential to recognize that the impact of cultural appropriation extends beyond the realm of artistic expression, influencing societal perceptions and perpetuating power imbalances.
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