The clinical formulation of a client's problem is critical in psychotherapy as it provides a structured understanding of the client's difficulties and informs the treatment approach. By examining the given options, we can determine the core advantages of the clinical formulation:
(A) Identification of areas to be targeted for treatment in psychotherapy: This is a fundamental aspect of clinical formulation. Understanding the client's problem areas allows therapists to focus on specific issues during treatment.
(C) Understanding the problems: The formulation process involves a detailed analysis of the client's problems, which is essential for effective therapeutic intervention.
(E) Choice of techniques for treatment: Once the client's problems are identified and understood, appropriate therapeutic techniques can be selected and tailored to address those specific issues.
Therefore, the correct combination of advantages associated with clinical formulation is (A), (C) & (E) only.
Here’s the evaluation of each statement about clinical formulation in psychotherapy:
(A) True: Clinical formulation helps identify specific areas that need to be targeted during treatment, which is crucial for effective psychotherapy. It ensures that treatment is tailored to the individual’s needs.
(B) True: Clinical formulation provides insights into the client’s current status, which can inform the therapeutic approach. It helps therapists understand the presenting issues and plan effective interventions.
(C) True: Understanding the problems is essential for accurate diagnosis and treatment planning. A clinical formulation allows the therapist to identify underlying issues and how they contribute to the client's difficulties.
(D) False: Making money is not an advantage of clinical formulation; rather, the focus is on understanding and helping the client. The goal of clinical formulation is to improve mental health and provide effective treatment, not financial gain.
(E) True: Clinical formulation aids in choosing appropriate techniques for treatment based on the identified issues. It helps therapists select interventions that are specifically suited to the client's needs.
Clinical formulation is a critical process in therapy that ensures targeted, individualized, and effective treatment.
List-I | List-II |
---|---|
(A) Logotherapy | (I) Freiderick Perls and Laura Perls |
(B) Client Centred Therapy | (II) Victor Frankl |
(C) Gestalt Therapy | (III) Albert Ellis |
(D) Rational Emotive Therapy | (IV) Carl Rogers |
Rearrange the parts to form a coherent sentence:
A) when it is no longer fun.
B) stop doing something
C) if you're not growing
D) or learning from it
A consumer experiences the following total utility from consuming a certain good:
If the price per unit is ₹4, at what quantity does the consumer stop purchasing under the equilibrium condition where M U m = 5?
The Darsanams of the Gosangi
Over the costumes, Gosangi wears various objects made up of leather, shells, metal and threads as ornaments. Traditionally, the prominent among them is known as Darsanam-s, which literally means vision or suggesting that which is visible. There are altogether seven Darsanams, which can be neither considered as costumes nor ornaments. But, for an outsider, they may look like ornaments. The first Darsanam that Gosangi wears,cover chest and the back. This is traditionally identified as Rommu Darsanam or Sanku Darsanam. The second one is tied around the neck and called as Kanta Darsanam. The third and fourth ones are tied around the arms of left and right hands. The fifth and sixth ones are tied to the left and right wrists. (For these specific names are mentioned by the performers). The seventh one is known as Siro Darsanam, and it is tied around the already tied hair (koppu). The performers also know all these Dasanam except the Rommu Darsanam and Dasthavejulu (records).
Percussive Musical Instruments of India
India is very rich in the number and variety of musical instruments. From time immemorial, musical instruments have been connected with various Gods and goddesses according to mythol ogy. Musical Instruments have been classified into Thata, Avanadha, Ghana and Sushira. We came across this classification first in Natyashastra. Thata variety, is an instrument with strings and played by plucking or bowing. The instruments like Veena, Sitar, violin, Sarangi etc. come under this category. The Avandha variety are instruments with skin-covered heads, and are played by beating on both sides or one side. Mridangam, Pakhawaj, Tabla etc. come under this category. Ghana vadyas are those made with metal content. Manjira, Ghatom etc. are some of the examples of Ghana Vadya. Sushira Vadya are those instruments with holes and make the sound by blowing air through the holes. Flute, Nagaswaram, Saxophone, Clarinet are some of the examples.