The correct order of steps followed in the systematic desensitization technique is as follows:
The correct sequence of steps in the systematic desensitization technique is as follows:
(B) The client is interviewed to elicit fear-provoking situations.
This initial step involves understanding the client’s specific fears and anxieties to tailor the desensitization process.
(C) The therapist prepares a hierarchy of anxiety-provoking stimuli with the least anxiety-provoking at the bottom.
A list is created, ranking the fears from least to most anxiety-inducing, which helps to approach fears gradually.
(A) The therapist relaxes the clients and asks them to think about the least anxiety-provoking situation.
The client learns relaxation techniques to manage anxiety while thinking about less threatening situations.
(D) The client is asked to stop thinking of the fearful situation if the slightest tension is felt.
This step helps manage anxiety, encouraging the client to stop and relax if they feel anxious at any point during the process.
(E) Over the sessions, the client is able to imagine more severe fear-provoking situations while maintaining relaxation.
The ultimate goal is to desensitize the client to more intense fears over time, allowing them to maintain calm even in situations that once provoked anxiety.
This process is used in systematic desensitization to gradually reduce the client’s fear response by combining relaxation techniques with exposure to anxiety-provoking stimuli.
List-I | List-II |
---|---|
(A) Logotherapy | (I) Freiderick Perls and Laura Perls |
(B) Client Centred Therapy | (II) Victor Frankl |
(C) Gestalt Therapy | (III) Albert Ellis |
(D) Rational Emotive Therapy | (IV) Carl Rogers |
Rearrange the parts to form a coherent sentence:
A) when it is no longer fun.
B) stop doing something
C) if you're not growing
D) or learning from it
A consumer experiences the following total utility from consuming a certain good:
If the price per unit is ₹4, at what quantity does the consumer stop purchasing under the equilibrium condition where M U m = 5?
The Darsanams of the Gosangi
Over the costumes, Gosangi wears various objects made up of leather, shells, metal and threads as ornaments. Traditionally, the prominent among them is known as Darsanam-s, which literally means vision or suggesting that which is visible. There are altogether seven Darsanams, which can be neither considered as costumes nor ornaments. But, for an outsider, they may look like ornaments. The first Darsanam that Gosangi wears,cover chest and the back. This is traditionally identified as Rommu Darsanam or Sanku Darsanam. The second one is tied around the neck and called as Kanta Darsanam. The third and fourth ones are tied around the arms of left and right hands. The fifth and sixth ones are tied to the left and right wrists. (For these specific names are mentioned by the performers). The seventh one is known as Siro Darsanam, and it is tied around the already tied hair (koppu). The performers also know all these Dasanam except the Rommu Darsanam and Dasthavejulu (records).
Percussive Musical Instruments of India
India is very rich in the number and variety of musical instruments. From time immemorial, musical instruments have been connected with various Gods and goddesses according to mythol ogy. Musical Instruments have been classified into Thata, Avanadha, Ghana and Sushira. We came across this classification first in Natyashastra. Thata variety, is an instrument with strings and played by plucking or bowing. The instruments like Veena, Sitar, violin, Sarangi etc. come under this category. The Avandha variety are instruments with skin-covered heads, and are played by beating on both sides or one side. Mridangam, Pakhawaj, Tabla etc. come under this category. Ghana vadyas are those made with metal content. Manjira, Ghatom etc. are some of the examples of Ghana Vadya. Sushira Vadya are those instruments with holes and make the sound by blowing air through the holes. Flute, Nagaswaram, Saxophone, Clarinet are some of the examples.