In The Namesake, the barren desert landscape symbolizes Gogol’s inner turmoil and sense of isolation as he struggles with his identity. The arid and desolate setting mirrors his feelings of alienation in a foreign land.
So the Correct Answer is option (B): The protagonist’s sense of isolation and identity crisis
In Macbeth, the Scottish moors create an eerie and foreboding atmosphere, symbolizing the looming tragedy. The mist and darkness of the moors are metaphors for the moral confusion and doom that surrounds the characters.
So the Correct Answer is option (C): It is an ever-present omen of impending tragedy.
The term ”interplay” in the passage refers to the intricate relationship between setting and character in literature. The setting often influences the emotions, decisions, and development of characters, as shown through the examples of the desert in The Namesake and the Scottish moors in Macbeth.
The Correct Answer is option (B): A complex relationship where the setting influences the narrative
The passage describes the Kerala backwaters in The God of Small Things as ”lush” and ”vibrant.” The setting plays an active role in the narrative, reflecting the complexity of relationships and secrets within the story.
The Correct Answer is option (B): Lush and vibrant.
The passage emphasizes the idea that the setting in literature is more than just a backdrop—it plays a crucial role in shaping the narrative by influencing character development and the unfolding of events.
The Correct Answer is option (C): In literature, settings can be as influential as characters in shaping the narrative
“Why do they pull down and do away with crooked streets, I wonder, which are my delight, and hurt no man living? Every day the wealthier nations are pulling down one or another in their capitals and their great towns: they do not know why they do it; neither do I. It ought to be enough, surely, to drive the great broad ways which commerce needs and which are the life-channels of a modern city, without destroying all history and all the humanity in between: the islands of the past.”
(From Hilaire Belloc’s “The Crooked Streets”)
Based only on the information provided in the above passage, which one of the following statements is true?
Passage: Toru Dutt is considered the earliest Indian female writer in English. She travelled extensively in Europe from a young age with her family. She and her sister Aru became fascinated with Paris and French literature. In London, they came in contact with such august personages such as Sir Bartle Frere, the Gover- nor of Bombay from 1862 to 1867, and Sir Edward Ryan, the Chief Justice of the Supreme Court, Calcutta, from 1837 to 1843. Toru Dutt was greatly influenced in her writings by French Romantic poets like Victor Hugo and English writers like Elizabeth Browning, John Keats, Charlotte Bronte and Jane Austen. She was also intrigued by the legends and myths of India, and even learned Sanskrit. Her writings were marked by romantic melancholia and an obsession and preoccupation with death. This was partly due to her suffering and pain following the early tragic deaths of her siblings, especially her older sister Aru, with whom she was quite close. Her chosen subjects often portrayed separation, loneliness, captivity, dejec- tion, declining seasons and untimely death. She led an ”Ivory Tower existence” and her own death came quite early, at the age of 21, in the full bloom of her talent and on the eve of the awakening of her genius. Toru Dutt’s most famous work is A Sheaf Gleaned in French Fields, an anthology of poems translated from French to English. It also contained a few original poems that showcase her vast insight into French literature. She used to publish poems in the Bengal Magazine, under the pseudonym ”TD”. But most of her powerful work was published posthumously, in- cluding the French novel Le Journal de Mademoiselle D’Arvers and the unfinished English novel Bianca, or, the Young Spanish Maiden. Her work Ancient Ballads and Legends of Hindustan depicts a shrewd knowledge of Hindu mythology and an instinctive empathy with the conditions of life they represent. An assimilation of the Occident and the Orient nourished Toru’s poetic skills; in her, we find a tripartite influence of a French education, lectures at Cambridge and the study of Sanskrit literature.
“Why do they pull down and do away with crooked streets, I wonder, which are my delight, and hurt no man living? Every day the wealthier nations are pulling down one or another in their capitals and their great towns: they do not know why they do it; neither do I. It ought to be enough, surely, to drive the great broad ways which commerce needs and which are the life-channels of a modern city, without destroying all history and all the humanity in between: the islands of the past.” (From Hilaire Belloc’s “The Crooked Streets”)
Based only on the information provided in the above passage, which one of the following statements is true?