The protagonist’s satisfaction with the barrenness of Carignano suggests that she prefers a simple, unadorned environment, focusing on the essential, unspoiled elements of nature.
The Correct Answer is option (B): She values simplicity and minimalism in her surroundings.
The protagonist’s cold and piercing stare at the postman, coupled with her desire to be left alone, indicates that she is irritated by any disruption to her solitude
The Correct Answer is option (B): She dislikes any disturbance or interruption in her solitude.
The protagonist’s wish to merge with the pine trees symbolizes her desire to escape her human identity and become part of the natural world, reflecting a longing for peace and unity with nature.
The Correct Answer is option (D): She yearns to one with nature and escapes from her human identity
The use of words like “shrill and maddening” reflects the protagonist’s annoyance and irritation with the nestlings, showing her inability to appreciate their vitality.
The Correct Answer is option (C): She finds the nestlings to be vexatious and irritating
The protagonist, while experiencing isolation, found a sense of contentment and peace in Carignano, as she appreciated the solitude and tranquility of the environment. The restlessness and anguish were not central to her experience.
The Correct Answer is option (D): Only Statement III
The protagonist is at peace with the natural barrenness of Carignano, finding solace in its simplicity and sense of belonging, as evidenced by her deep satisfaction with her surroundings.
The Correct Answer is option (B): It offers her solace, peace, and a sense of belonging.
“Why do they pull down and do away with crooked streets, I wonder, which are my delight, and hurt no man living? Every day the wealthier nations are pulling down one or another in their capitals and their great towns: they do not know why they do it; neither do I. It ought to be enough, surely, to drive the great broad ways which commerce needs and which are the life-channels of a modern city, without destroying all history and all the humanity in between: the islands of the past.”
(From Hilaire Belloc’s “The Crooked Streets”)
Based only on the information provided in the above passage, which one of the following statements is true?
Passage: Toru Dutt is considered the earliest Indian female writer in English. She travelled extensively in Europe from a young age with her family. She and her sister Aru became fascinated with Paris and French literature. In London, they came in contact with such august personages such as Sir Bartle Frere, the Gover- nor of Bombay from 1862 to 1867, and Sir Edward Ryan, the Chief Justice of the Supreme Court, Calcutta, from 1837 to 1843. Toru Dutt was greatly influenced in her writings by French Romantic poets like Victor Hugo and English writers like Elizabeth Browning, John Keats, Charlotte Bronte and Jane Austen. She was also intrigued by the legends and myths of India, and even learned Sanskrit. Her writings were marked by romantic melancholia and an obsession and preoccupation with death. This was partly due to her suffering and pain following the early tragic deaths of her siblings, especially her older sister Aru, with whom she was quite close. Her chosen subjects often portrayed separation, loneliness, captivity, dejec- tion, declining seasons and untimely death. She led an ”Ivory Tower existence” and her own death came quite early, at the age of 21, in the full bloom of her talent and on the eve of the awakening of her genius. Toru Dutt’s most famous work is A Sheaf Gleaned in French Fields, an anthology of poems translated from French to English. It also contained a few original poems that showcase her vast insight into French literature. She used to publish poems in the Bengal Magazine, under the pseudonym ”TD”. But most of her powerful work was published posthumously, in- cluding the French novel Le Journal de Mademoiselle D’Arvers and the unfinished English novel Bianca, or, the Young Spanish Maiden. Her work Ancient Ballads and Legends of Hindustan depicts a shrewd knowledge of Hindu mythology and an instinctive empathy with the conditions of life they represent. An assimilation of the Occident and the Orient nourished Toru’s poetic skills; in her, we find a tripartite influence of a French education, lectures at Cambridge and the study of Sanskrit literature.
“Why do they pull down and do away with crooked streets, I wonder, which are my delight, and hurt no man living? Every day the wealthier nations are pulling down one or another in their capitals and their great towns: they do not know why they do it; neither do I. It ought to be enough, surely, to drive the great broad ways which commerce needs and which are the life-channels of a modern city, without destroying all history and all the humanity in between: the islands of the past.” (From Hilaire Belloc’s “The Crooked Streets”)
Based only on the information provided in the above passage, which one of the following statements is true?