List of top English Questions

Choose the option which most appropriately expresses the meaning of the idiom/phrases underlined in the given sentences.
I am just biding my time, planning and looking for a property that’s perfect for my family.

Choose the option which most appropriately expresses the meaning of the idiom/phrases underlined in the given sentences.
The team’s business went belly-up during the long recession.

This question has a word followed by four choices.Select the suitable antonym.
Approbation

Choose the most appropriate word to fill in the blanks.
Being ______to his father’s ways,Dinesh had no difficulty in ignoring his jibes.

Choose the most appropriate word to fill in the blanks.
Two days ago Charan Singh’s horse had been the favourite, but it was _____beaten.

Choose the most appropriate word to fill in the blanks.
The Chairperson’s vision tended always towards the inclusive and___, an outlook that they credited to their upbringing.

Choose the most appropriate word to fill in the blanks.
Marginalized communities that were traditionally _____to the edges have found a voice on the internet.

Choose the most appropriate word to fill in the blanks.
Less talked about is the way fame can make virtually all aspects of your life faintly _____.

This question has a word followed by four choices.Select the suitable antonym.
Gregariousness

This question has a word followed by four choices.Select the suitable antonym.
Exacerbate

This question has a word followed by four choices.Select the suitable antonym.
Ectomorphic

This question has a word followed by four choices.Select the suitable antonym.
Acrimonious

This question has a word followed by four choices.Select the suitable antonym.
Debauched

What is the status given to English language by the constitution of India?

Fill in the blank with suitable word from the options given below:
Light ____in a straight line.

Change voice, 'The boys have been rewarded by the principal'.

Fill in the blanks with the correct articles :
I saw ________ interesting movie last night. It was ________ thriller that kept me on ________ edge of ________ seat.

Which of the following plays have not been written by George Bernard Shaw?

I. We should not unnecessarily defy the authority of an elected Government.
II. People in this village deify him for his extensive social service.
Consider the two words in bold italic in the above two sentences and select the correct option from below.

Out of the following options, select the word that is correctly spelt:

‘So pick a bird,’ Iff commanded. ‘Any bird.’ This was puzzling. ‘The only bird around here is a wooden peacock,’ Haroun pointed out, reasonably enough. Iff gave a snort of disgust. ‘A person may choose what he cannot see,’ he said, as if explaining something very obvious to a very foolish individual. ‘A person may mention a bird’s name even if the creature is not present and correct: crow, quail, hummingbird, bulbul, mynah, parrot, kite. A person may even select a flying creature of his own invention, for example winged horse, flying turtle, airborne whale, space serpent or aeromouse. To give a thing a name, a label, a handle; to rescue it from anonymity, to pluck it out of the Place of Namelessness, in short to identify it — well, that’s a way of bringing the said thing into being. Or, in this case, the said bird or Imaginary Flying Organism.’
‘That may be true where you come from,’ Haroun argued. ‘But in these parts, stricter rules apply.’
‘In these parts,’ rejoined blue-bearded Iff, ‘I am having time wasted by someone who will not trust in what he can’t see. How much have you seen, eh? Africa, have you seen it? No? Then is it truly there? And submarines? Huh? Also, hailstones, baseballs, pagodas? Goldmines? Kangaroos, Mount Fujiyama, the North Pole? And the past, did it happen? And the future, will it come? Believe in your own eyes and you’ll get into a lot of trouble, hot water, a mess.’ With that, he plunged his hand into a pocket of his auberginey pajamas, and when he brought it forth again it was bunched into a fist. ‘So take a look, or I should say a gander, at the enclosed.’ He opened his hand, and Haroun’s eyes almost fell out of his head. Tiny birds were walking about on Iff’s palm; and pecking at it, and flapping their miniature wings to hover just above it. And as well as birds there were fabulous winged creatures out of legends: an Assyrian lion with the head of a bearded man and a pair of large hairy wings growing out of its flanks; and winged monkeys, flying saucers, tiny angels, levitating (and apparently air-breathing) fish. ‘What’s your pleasure, select, choose,’ Iff urged. And although it seemed obvious to Haroun that these magical creatures were so small that they couldn’t possibly have carried so much as a bitten-off fingernail, he decided not to argue and pointed at a tiny crested bird that was giving him a sidelong look through one highly intelligent eye.
[Extracted, with edits and revisions, from Haroun and the Sea of Stories, by Salman Rushdie, Granta & Penguin, 1990.]

English encodes class in India. It does so by sliding into the DNA of social division: income, caste, gender, religion or place of belonging. The threat it poses to social cohesion has worried public commentators across the political spectrum. In an address delivered as independent India’s Parliament dilly-dallied over the suggestion to replace English with regional languages as the medium of instruction for higher education, Gandhi said, ‘This blighting imposition of a foreign medium upon the youth of the country will be counted by history as one of the greatest tragedies. Our boys think, and rightly in the present circumstances, that without English they cannot get government service. Girls are taught English as a passport to marriage.’
A hundred years later, the language continues to be seen as a tool of exclusion. The problem now is about inequality of access. ‘To be denied English is harmful to the individual as well as our society,’ writes Chetan Bhagat, self-appointed leader of a class war set off by unequal access to English.
Bhagat, an engineer-turned-investment banker, wrote his first college romance in English in 2004. Then only a certain kind of person—someone who grew up reading, writing and speaking the language—wrote books in English—big words, long sentences, literary pretension, heavy with orientalism. In the ten years since Bhagat put the popular in ‘popular’ English fiction, he has written six other novels and sold millions of copies all told. With every new book, all written in deliberately simple English, Bhagat has recruited thousands of new soldiers in his crusade against what he calls the ‘caste system around the language’. Bhagat even has a term for Indians who ‘have’ English: E1. ‘These people had parents who spoke English, had access to good English-medium schools—typically in big cities, and gained early proficiency, which enabled them to consume English products such as newspapers, books and films. English is so instinctive to them that even some of their thought patterns are in English. These people are much in demand.’ The people E1 presumably control, through a nexus of privilege built on ownership of English, are E2: ‘probably ten times the E1s. They are technically familiar with the language. [But] if they sit in an interview conducted by E1s, they will come across as incompetent, even though they may be equally intelligent, creative or hardworking.’
The situation may not be so comically stark. The haves and have-nots may not exactly fit into Bhagat’s stereotypes of urban, sophisticated rich people and provincial, uncultured poor. His argument does not factor in many other walls around English in India. You are more likely to learn English if you are born a man rather than a woman, high caste rather than low caste, south Indian rather than north Indian. There is more than one kind of E1 and more than one kind of E2. And there is more than one way E2s can overthrow E1s. One is to speak it like they know it.
[Extracted, with edits and revisions, from Dreamers: How Young Indians Are Changing the World, by Snigdha Poonam, Penguin Viking, 2018.]

Down by the sandy banks of the Yamuna River, the men must work quickly. At a little past 12 a.m. one humid night in May, they pull back the black plastic tarp covering three boreholes sunk deep in the ground. They then drag thick hoses toward a queue of 20-odd tanker trucks idling quietly with their headlights turned off. The men work in a team: While one man fits a hose’s mouth over a borehole, another clambers atop a truck at the front of the line and shoves the tube’s opposite end into the empty steel cistern attached to the vehicle’s creaky frame. ‘On kar!’ someone shouts in Hinglish; almost instantly, his orders to ‘switch it on’ are obeyed. Diesel generators, housed in nearby sheds, begin to thrum. Submersible pumps, installed in the borehole’s shafts, drone as they disgorge thousands of gallons of groundwater from deep in the earth. The liquid gushes through the hoses and into the trucks’ tanks. The full trucks don’t wait around. As the hose team continues its work, drivers nose down a rutted dirt path until they reach a nearby highway. There, they turn on their lights and pick up speed, rushing to sell their bounty to factories and hospitals, malls and hotels, apartments and hutments across this city of 25 million. Everything about this business is illegal: the boreholes dug without permission, the trucks operating without permits, the water sold without testing or treatment. ‘Water work is night work,’ says a middle-aged neighbour who lives near the covert pumping station and requested anonymity. ‘Bosses arrange buyers, labour fills tankers, the police look the other way, and the muscle makes sure that no one says nothing to nobody.’ Teams like this one are ubiquitous in Delhi, where the official water supply falls short of the city’s needs. A quarter of Delhi’s households live without a piped-water connection; most of the rest receive water for only a few hours each day. So residents have come to rely on private truck owners—the most visible strands of a dispersed web of city councillors, farmers, real estate agents, and fixers who source millions of gallons of water each day from illicit boreholes, and sell the liquid for profit. The entrenched system has a local moniker: the water-tanker mafia. A 2013 audit found that the city loses 60 percent of its water supply to leakages, theft, and a failure to collect revenue. The mafia defends its work as a community service, but there is a much darker picture of Delhi’s subversive water industry: one of a thriving black market populated by small-time freelance agents who are exploiting a fast-depleting common resource and in turn threatening India’s long-term water security.
[Extracted, with edits and revisions, from: “At the Mercy of the Water Mafia”, by Aman Sethi, Foreign Policy]

The call of self-expression turned the village of the internet into a city, which expanded at time-lapse speed, social connections bristling like neurons in every direction. At twelve, I was writing five hundred words a day on a public LiveJournal. By twenty-five, my job was to write things that would attract, ideally, a hundred thousand strangers per post. Now I’m thirty, and most of my life is inextricable from the internet, and its mazes of incessant forced connection—this feverish, electric, unliveable hell. The curdling of the social internet happened slowly and then all at once. The tipping point, I’d guess, was around 2012. People were losing excitement about the internet, starting to articulate a set of new truisms. Facebook had become tedious, trivial, exhausting. Instagram seemed better, but would soon reveal its underlying function as a three-ring circus of happiness and popularity and success. Twitter, for all its discursive promise, was where everyone tweeted complaints at airlines and moaned about articles that had been commissioned to make people moan. The dream of a better, truer self on the internet was slipping away. Where we had once been free to be ourselves online, we were now chained to ourselves online, and this made us self-conscious. Platforms that promised connection began inducing mass alienation. The freedom promised by the internet started to seem like something whose greatest potential lay in the realm of misuse.
Even as we became increasingly sad and ugly on the internet, the mirage of the better online self continued to glimmer. As a medium, the internet is defined by a built-in performance incentive. In real life, you can walk around living life and be visible to other people. But on the internet—for anyone to see you, you have to act. You have to communicate in order to maintain an internet presence. And, because the internet’s central platforms are built around personal profiles, it can seem—first at a mechanical level, and later on as an encoded instinct—like the main purpose of this communication is to make yourself look good. Online reward mechanisms beg to substitute for offline ones, and then overtake them. This is why everyone tries to look so hot and well-travelled on Instagram; why everyone seems so smug and triumphant on Facebook; and why, on Twitter, making a righteous political statement has come to seem, for many people, like a political good in itself. The everyday madness perpetuated by the internet is the madness of this architecture, which positions personal identity as the centre of the universe. It’s as if we’ve been placed on a lookout that oversees the entire world and given a pair of binoculars that makes everything look like our own reflection.
[Extracted, with edits and revisions, from Trick Mirror: Reflections on Self-Delusion, by Jia Tolentino, Random House, 2019.]

Until the Keeladi site was discovered, archaeologists by and large believed that the Gangetic plains in the north urbanised significantly earlier than Tamil Nadu. Historians have often claimed that large scale town life in India first developed in the Greater Magadha region of the Gangetic basin. This was during the ‘second urbanisation’ phase. The ‘first urbanisation phase’ refers to the rise of the Harappan or Indus Valley Civilisation. Tamil Nadu was thought to have urbanised at this scale only by the third century BCE. The findings at Keeladi push that date back significantly. … Based on linguistics and continuity in cultural legacies, connections between the Indus Valley Civilisation, or IVC, and old Tamil traditions have long been suggested, but concrete archaeological evidence remained absent. Evidence indicated similarities between graffiti found in Keeladi and symbols associated with the IVC. It bolstered the arguments of dissidents from the dominant North Indian imagination, who have argued for years that their ancestors existed contemporaneously with the IVC. … All the archaeologists I spoke to said it was too soon to make definitive links between the Keeladi site and the IVC. There is no doubt, however, that the discovery at Keeladi has changed the paradigm. In recent years, the results of any new research on early India have invited keen political interest, because proponents of Hindu nationalism support the notion of Vedic culture as fundamental to the origins of Indian civilisation. … The Keeladi excavations further challenge the idea of a single fountainhead of Indian life. They indicate the possibility that the earliest identity that can recognisably be considered ‘Indian’ might not have originated in North India. That wasn’t all. In subsequent seasons of the Keeladi dig, archaeologists discovered that Tamili, a variant of the Brahmi script used for writing inscriptions in the early iterations of the Tamil language, could be dated back to the sixth century BCE, likely a hundred years before previously thought. So not only had urban life thrived in the Tamil lands, but people who lived there had developed their own script. “The evolution of writing is attributed to Ashoka’s edicts, but 2600 years ago writing was prevalent in Keeladi,” Mathan Karuppiah, a proud Madurai local, told me. “A farmer could write his own name on a pot he owned. The fight going on here is ‘You are not the one to teach me to write, I have learnt it myself.’”
[Excerpted from “The Dig”, by Sowmiya Ashok, Fifty-Two]