List of top Questions asked in CUET (UG)

Percussion instruments used in classical dances:
A. Dholak
B. Tabla
C. Mridangam
D. Dholaki
E. Khol
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Choose rasas from the following:
A. Tandava
B. Hasya
C. Beebhatsa
D. Lasya
E. Bhayanaka
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Lasya dance is characterised as:
A. Forceful
B. Delicate
C. Graceful
D. Gentle
E. Bold
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What is the earthern pot musical instrument called?

Which abhinaya comprises rendering of text and lyrics according to Bharata?

What is head gear called in Kathakali aharya?

In which dance, performers perform the compositions of Mahant Shankar Dev?

"Gat" and "Gat Bhaav" are the items of which classical dance form?

'Geetam Vadyam tatha Nrityam tryam_____ muchyate' indicates:

What is the stylised representation called according to Natyashastra?

Chandra-Surya-Rakudi are worn by the dancer of:

Which is the oldest university with Dance and Music Departments in Gujarat?

What is the make-up artist's process called who applies cutti or chutti on actor-dancer's face in Kathakali?

Which among the following is the famous 'couple dancer' of Kuchipudi dance style?

Who is a Sattriya exponent among the following?

"Abhinaya Chandrika" text is followed by -

"Uddipan" and "Aalamban" are the types of -

What are head movements called in Abhinayadarpanam?

Sa Re Ga Ma Pa Dha Ni swaras belong to:

Select two 'THATA' / MELA from the following:
A. Kalyan/Kalyani
B. Malkauns/Hindolam
C. Bhupali/Mohanam
D. Bhairav Mayamalavganla
E. Bageshree/Sriranjani
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Arrange the swaras of Raga Bhupali/Mohanam according to its Avaroha:
A. Pa
B. Re
C. Ga
D. Dha
E. Sa
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Arrange the Talas according to their ascending order of Matras:
A. Ektala
B. Keharwa
C. Dadra
D. Jhaptala
E. Teentala
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Three qualities of Nad are:
A. Swara
B. Pitch
C. Intensity
D. Alankar
E. Timbre
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Match List I with List II

List-I		List-II
(A)	Nada	(I)	Avroha
(B)	Shruti	(II)	Vivadi
(C)	Swara	(III)	Pramana
(D)	Scale	(IV)	Ahata

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Match List I with List II

List-I		List-II
(A)	Vilambit Khayal	(I)	Tillana
(B)	Tarana	(II)	Kriti
(C)	Thumri	(III)	Maseetkhani Gat
(D)	Khayal	(IV)	Padam

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