Question:

The passage given below is followed by four alternate summaries. Choose the option that best captures the essence of the passage.
There’s a common idea that museum artworks are somehow timeless objects available to admire for generations to come. But many are objects of decay. Even the most venerable Old Master paintings don’t escape: pigments discolour, varnishes crack, canvases warp. This challenging fact of art-world life is down to something that sounds more like a thread from a morality tale: inherent vice. Damien Hirst’s iconic shark floating in a tank – entitled The Physical Impossibility of Death in the Mind of Someone Living – is a work that put a spotlight on inherent vice. When he made it in 1991, Hirst got himself in a pickle by not using the right kind of pickle to preserve the giant fish. The result was that the shark began to decompose quite quickly – its preserving liquid clouding, the skin wrinkling, and an unpleasant smell wafting from the tank.

Updated On: Jul 26, 2025
  • The role of museums has evolved to ensure that the artworks are preserved forever in addition to guarding and displaying them.
  • Artworks may not last forever; they may deteriorate with time, and the challenge is to slow down their degeneration.
  • Museums are left with the moral responsibility of restoring and preserving the artworks since artists cannot preserve their works beyond their life.
  • Museums have to guard timeless art treasures from intrinsic defects such as the deterioration of paint, polish and canvas.
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The Correct Option is B

Solution and Explanation

The passage discusses the common misconception that museum artworks are timeless and will be admired by future generations. However, these artworks are susceptible to decay, as evidenced by the deterioration of Old Master paintings and Damien Hirst's artwork. The passage highlights the concept of "inherent vice," which refers to the natural tendency of materials to decay over time. This concept is exemplified by the deterioration of Hirst's shark, which began to decompose due to inappropriate preservation methods. The summary option that best captures this passage's essence is: Artworks may not last forever; they may deteriorate with time, and the challenge is to slow down their degeneration. This option emphasizes the inevitability of deterioration and the importance of conservation efforts to extend the lifespan of artworks.
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