The painting referred to in the question is a representation of two prominent Sufi figures, which is a notable characteristic of the
Hyderabad School, a sub-style of the Deccan School of Indian miniature painting.
Hyderabad School developed under the patronage of the Nizams during the 18th century. It was strongly influenced by Persian styles and Mughal art, but it maintained its own unique themes, particularly in the depiction of Islamic saints, Sufi mystics, and courtly scenes.
- The use of subtle colouring, elongated facial features, and stylized architecture are common in Hyderabad paintings.
- Spiritual themes, especially Sufi imagery, were frequently depicted, showing the influence of Islamic culture in the region.
- These works often focused on emotions, devotion, and mysticism, as seen in portraits of revered Sufi saints.
Explanation of Other Options: - (A) Golconda: Also part of the Deccan school but more known for Hindu mythological themes and use of rich colours.
- (C) Ahmad Nagar: An earlier style in the Deccan known for Persian influence, but less prominent in Sufi depictions.
- (D) Kangra: Belongs to the Pahari School in North India; focuses on Krishna-Radha themes, not Deccan or Islamic art.