List-I (Year) | List-II (Characteristic) |
---|---|
(A) 1910 | (I) Khadi - A symbol of Indian spirit |
(B) 1930 | (II) Revivalist Movement |
(C) 1940 | (III) Ladies of Brahmo Samaj earliest to adopt western styles |
(D) 1970 | (IV) First Fashion show held in Pune |
Let's match List-I with List-II correctly using the given options and historical context:
List-I (Year) | List-II (Characteristic) |
---|---|
(A) 1910 | (II) Revivalist Movement |
(B) 1930 | (III) Ladies of Brahmo Samaj earliest to adopt western styles |
(C) 1940 | (I) Khadi - A symbol of Indian spirit |
(D) 1970 | (IV) First Fashion show held in Pune |
Breaking down the matching items with explanations:
(A) 1910 correlates to (II) Revivalist Movement, considering this period is known for revivalist influences in various cultural aspects, including fashion.
(B) 1930 aligns with (III) Ladies of Brahmo Samaj earliest to adopt western styles, reflecting a period when Western aesthetics started becoming influential, particularly among progressive groups like the Brahmo Samaj.
(C) 1940 matches with (I) Khadi - A symbol of Indian spirit, as this era saw Khadi becoming a cornerstone of Indian nationalism and self-reliance movements.
(D) 1970 corresponds to (IV) First Fashion show held in Pune, marking the evolution and formalization of modern fashion industry in India during this time.
Therefore, the correct option is: (A)-(II), (B)-(III), (C)-(I), (D)-(IV).
Let’s break down each year and its corresponding characteristic:
(A) 1910: The year 1910 is associated with the Revivalist Movement, particularly in the context of Khadi becoming a symbol of the Indian spirit. During this time, leaders like Mahatma Gandhi promoted Khadi as a symbol of Indian self-reliance and resistance to British colonial rule. Hence, (A)-(II) is correct.
(B) 1930: The 1930s saw the Adoption of Western Styles by Brahmo Samaj Ladies. The Brahmo Samaj was known for adopting more Western-style clothing as part of their modernization and reformist efforts, particularly among women. Hence, (B)-(III) is correct.
(C) 1940: In 1940, the First Fashion Show in Pune took place, marking a significant moment in the history of fashion in India. It was one of the first events showcasing modern fashion styles. Hence, (C)-(IV) is correct.
(D) 1970: The 1970s marked a resurgence in the Revivalist Movement in India, particularly in the realm of handlooms and traditional Indian crafts. This movement gained momentum again during this period. Hence, (D)-(I) is correct.
So, the correct matching is:
(A)-(II): 1910 → Revivalist Movement
(B)-(III): 1930 → Adoption of Western Styles by Brahmo Samaj Ladies
(C)-(IV): 1940 → First fashion show in Pune
(D)-(I): 1970 → Khadi as a symbol of the Indian spirit
The correct answer is (2) (A)-(II), (B)-(III), (C)-(I), (D)-(IV).
Read the following passage carefully and answer the following questions.
Draping is one of the initial forms of clothing as in ancient times, people used to drape fabric or other material around their body to protect and cover themselves. Prevalence of draping has been witnessed since 3500 BC, as part of the Egyptian culture, Roman clothing, Mesopotamian, Greek fashion, Vedic period etc., through sculptures, cave paintings, wood
carvings, and other antique pieces.
Draping has been a hallmark of famous designers such as Madame Gres, Pauline Trig ` ere, and ` Madeleine Vionnet, each known for their unique approaches to draping garments directly on live models or miniature mannequins. In modern fashion, draping is essential for designers as it allows them to experiment with fabric, understand its behavior, and create new designs by manipulating fabric on a dress form. Draping techniques like bias draping, flat pattern draping, and couture draping offer designers the flexibility to achieve different fits, styles, and textures in their garments.
Overall, draping as a method of clothing design is a creative and essential technique that enables designers to bring their designs to life in a three-dimensional form, offering a more hands-on and intuitive approach to garment creation.
List-I (Identification Mark) | List-II (Identification Type) |
---|---|
(A) Restrictive sumptuary laws | (I) Identification of profession |
(B) Wedding band on ring finger | (II) Identification of marital status |
(C) Robes and wigs of judges | (III) Identification of individual status in a tribe |
(D) Special clothes, mask, and carrier accessories | (IV) Identification of social status |
Rearrange the parts to form a coherent sentence:
A) when it is no longer fun.
B) stop doing something
C) if you're not growing
D) or learning from it
A consumer experiences the following total utility from consuming a certain good:
If the price per unit is ₹4, at what quantity does the consumer stop purchasing under the equilibrium condition where M U m = 5?
The Darsanams of the Gosangi
Over the costumes, Gosangi wears various objects made up of leather, shells, metal and threads as ornaments. Traditionally, the prominent among them is known as Darsanam-s, which literally means vision or suggesting that which is visible. There are altogether seven Darsanams, which can be neither considered as costumes nor ornaments. But, for an outsider, they may look like ornaments. The first Darsanam that Gosangi wears,cover chest and the back. This is traditionally identified as Rommu Darsanam or Sanku Darsanam. The second one is tied around the neck and called as Kanta Darsanam. The third and fourth ones are tied around the arms of left and right hands. The fifth and sixth ones are tied to the left and right wrists. (For these specific names are mentioned by the performers). The seventh one is known as Siro Darsanam, and it is tied around the already tied hair (koppu). The performers also know all these Dasanam except the Rommu Darsanam and Dasthavejulu (records).
Percussive Musical Instruments of India
India is very rich in the number and variety of musical instruments. From time immemorial, musical instruments have been connected with various Gods and goddesses according to mythol ogy. Musical Instruments have been classified into Thata, Avanadha, Ghana and Sushira. We came across this classification first in Natyashastra. Thata variety, is an instrument with strings and played by plucking or bowing. The instruments like Veena, Sitar, violin, Sarangi etc. come under this category. The Avandha variety are instruments with skin-covered heads, and are played by beating on both sides or one side. Mridangam, Pakhawaj, Tabla etc. come under this category. Ghana vadyas are those made with metal content. Manjira, Ghatom etc. are some of the examples of Ghana Vadya. Sushira Vadya are those instruments with holes and make the sound by blowing air through the holes. Flute, Nagaswaram, Saxophone, Clarinet are some of the examples.