Question

Match List-I with List-II

List-I (Rasa Theory)	List-II (Number)
(A) Sanchari Bhava	(III) 4
(B) Nava-Rasa	(II) 9
(C) Abhinaya	(I) 33
(D) Sattvika Bhava	(IV) 8

Choose the correct answer from the options given below:

• (A) - (I), (B) - (II), (C) - (III), (D) - (IV)
• (A) - (I), (B) - (II), (C) - (IV), (D) - (III)
• (A) - (IV), (B) - (II), (C) - (III), (D) - (I)
• (A) - (III), (B) - (IV), (C) - (I), (D) - (II)

Hint:

Remembering these key numbers is fundamental to understanding Rasa theory: 4 types of Abhinaya, 8 Sthayi Bhavas, 8 Sattvika Bhavas, 9 Rasas (Nava-Rasa), and 33 Sanchari Bhavas.

Answer 1

The Correct Option is A

Step 1: Understanding the Concept:
The question requires matching key concepts from Indian aesthetic (Rasa) and dramatic theory with the specific number associated with them in classical texts.
Step 2: Detailed Explanation:
- (A) Sanchari Bhava (or Vyabhichari Bhava): These are the transitory or fleeting emotions that support the main dominant emotion (Sthayi Bhava). Classical texts enumerate 33 of them. So, A matches with (I).
- (B) Nava-Rasa: This refers to the 'nine rasas' or aesthetic sentiments experienced by the audience. Originally, Bharata Muni listed eight, but later scholars added Shanta Rasa (peace) to make a total of 9. So, B matches with (II).
- (C) Abhinaya: This is the art of expression in drama and dance. It is classified into 4 types: Angika (body), Vachika (voice), Aharya (costume/makeup), and Sattvika (internal emotion). So, C matches with (III).
- (D) Sattvika Bhava: These are the eight involuntary physical manifestations of an internal emotional state. The classical texts list 8 of them (e.g., sweating, tears, trembling). So, D matches with (IV).
Step 3: Final Answer:
The correct matching is A-I, B-II, C-III, D-IV.