Given the equations:
\(x + 9 = z = y + 1\)
and the inequality: \(x + y < z + 5\)
From \(x + 9 = z\), we get: \(x = z - 9\)
From \(y + 1 = z\), we get: \(y = z - 1\)
Substituting into \(x + y < z + 5\):
\((z - 9) + (z - 1) < z + 5\)
\(2z - 10 < z + 5\)
Subtract \(z\) from both sides:
\(z - 10 < 5\) ⇒ \(z < 15\)
Since \(z < 15\), the maximum possible integer value of \(z\) is \(14\)
\(x = z - 9 = 14 - 9 = 5\)
\(y = z - 1 = 14 - 1 = 13\)
Required expression: \(2x + y = 2 \times 5 + 13 = 10 + 13 = \boxed{23}\)
Given equations:
From Equation 1: \(x = z - 9\)
From Equation 2: \(y = z - 1\)
\((z - 9) + (z - 1) < z + 5\)
\(2z - 10 < z + 5\)
Subtract \(z\) from both sides:
\(z - 10 < 5 \Rightarrow z < 15\)
The maximum possible integer value for \(z\) is \(14\).
Using \(x = z - 9\) and \(y = z - 1\):
\(2x + y = 2(z - 9) + (z - 1) = 2z - 18 + z - 1 = 3z - 19\)
Substitute \(z = 14\):
\(3 \times 14 - 19 = 42 - 19 = \boxed{23}\)
For any natural number $k$, let $a_k = 3^k$. The smallest natural number $m$ for which \[ (a_1)^1 \times (a_2)^2 \times \dots \times (a_{20})^{20} \;<\; a_{21} \times a_{22} \times \dots \times a_{20+m} \] is:
The given sentence is missing in the paragraph below. Decide where it best fits among the options 1, 2, 3, or 4 indicated in the paragraph.
Sentence: While taste is related to judgment, with thinkers at the time often writing, for example, about “judgments of taste” or using the two terms interchangeably, taste retains a vital link to pleasure, embodiment, and personal specificity that is too often elided in post-Kantian ideas about judgment—a link that Arendt herself was working to restore.
Paragraph: \(\underline{(1)}\) Denneny focused on taste rather than judgment in order to highlight what he believed was a crucial but neglected historical change. \(\underline{(2)}\) Over the course of the seventeenth century and early eighteenth century, across Western Europe, the word taste took on a new extension of meaning, no longer referring specifically to gustatory sensation and the delights of the palate but becoming, for a time, one of the central categories for aesthetic—and ethical—thinking. \(\underline{(3)}\) Tracing the history of taste in Spanish, French, and British aesthetic theory, as Denneny did, also provides a means to recover the compelling and relevant writing of a set of thinkers who have been largely neglected by professional philosophy. \(\underline{(4)}\)