If the sum of the squares of two numbers \(a\) and \(b\) is 97, we express this mathematically as:\(a^2 + b^2 = 97\).
The product of the numbers is \(ab\). We know from the identity:
\((a+b)^2 = a^2 + b^2 + 2ab\)
Substituting \(a^2 + b^2 = 97\), we have:
\((a+b)^2 = 97 + 2ab\)
Rearranging gives:
\(2ab = (a+b)^2 - 97\)
This equation tells us that if \(p\) is the possible product \(ab\), then:
\(2p = (a+b)^2 - 97\)
Therefore:\((a+b)^2 = 2p + 97\)
\(a+b\) must be a real number, implying that \((a+b)^2\) should be a non-negative perfect square.
Let's test each option:
For \(p = -32\):
\(2(-32) + 97 = 33\) (not a perfect square)
For \(p = 48\):
\(2(48) + 97 = 193\) (not a perfect square)
For \(p = 64\):
\(2(64) + 97 = 225 = 15^2\) (perfect square)
For \(p = 16\):
\(2(16) + 97 = 129\) (not a perfect square)
Therefore, the option that cannot be the product is \(48\) because 193 is not a perfect square.
For any natural number $k$, let $a_k = 3^k$. The smallest natural number $m$ for which \[ (a_1)^1 \times (a_2)^2 \times \dots \times (a_{20})^{20} \;<\; a_{21} \times a_{22} \times \dots \times a_{20+m} \] is:
The given sentence is missing in the paragraph below. Decide where it best fits among the options 1, 2, 3, or 4 indicated in the paragraph.
Sentence: While taste is related to judgment, with thinkers at the time often writing, for example, about “judgments of taste” or using the two terms interchangeably, taste retains a vital link to pleasure, embodiment, and personal specificity that is too often elided in post-Kantian ideas about judgment—a link that Arendt herself was working to restore.
Paragraph: \(\underline{(1)}\) Denneny focused on taste rather than judgment in order to highlight what he believed was a crucial but neglected historical change. \(\underline{(2)}\) Over the course of the seventeenth century and early eighteenth century, across Western Europe, the word taste took on a new extension of meaning, no longer referring specifically to gustatory sensation and the delights of the palate but becoming, for a time, one of the central categories for aesthetic—and ethical—thinking. \(\underline{(3)}\) Tracing the history of taste in Spanish, French, and British aesthetic theory, as Denneny did, also provides a means to recover the compelling and relevant writing of a set of thinkers who have been largely neglected by professional philosophy. \(\underline{(4)}\)