The (i)...........nature of classical tragedy in Athens belies the modern image of tragedy: in the modern view tragedy is austere and stripped down, its representations of ideological and emotional conflicts so superbly compressed that there’s nothing (ii)........... for time to erode.
(A) unadorned
multifaceted
inalienable
Step 1: Context analysis.
The passage contrasts classical tragedy with the modern view, emphasizing the complexity and richness of classical tragedy.
Step 2: Analyze the blanks.
- (i): “Multifaceted” fits because classical tragedy had many layers and dimensions, unlike the modern view of tragedy being stripped down.
- (ii): “Extraneous” fits as it means unnecessary or surplus, which aligns with the passage’s suggestion that nothing is left over for time to erode.
Step 3: Conclusion.
Thus, the correct answers are (i) (C) multifaceted and (ii) (E) extraneous.
Murray, whose show of recent paintings and drawings is her best in many years, has been eminent hereabouts for a quarter century, although often regarded with (i)............., but the most (ii)............. of these paintings (iii)............. all doubts.
(i) (A) partiality
ambivalence
(ii) (D) problematic
disparaged
(iii) (G) exculpate
whet
Step 1: Context analysis.
Murray’s paintings are highly regarded despite some ambivalence in reception. The paintings are successful and assuage doubts about her ability.
Step 2: Analyze the blanks.
- (i): “Ambivalence” fits, as it suggests mixed or conflicting feelings towards her work.
- (ii): “Successful” fits, as it emphasizes that these paintings were regarded positively.
- (iii): “Assuage” fits, as it means to alleviate or soothe doubts.
Step 3: Conclusion.
Thus, the correct answers are (i) (C) ambivalence, (ii) (E) successful, and (iii) (H) assuage.