In the provided passage by D. H. Lawrence, the concept of "triumph" is described in the context of being vividly and perfectly alive. Lawrence emphasizes the beauty and marvel of life, celebrating the here and now of living in the flesh. The passage highlights the ideas of being part of the cosmos, nature, and human existence, urging one to live with rapture and joy. In this context, "triumph" relates not to sin, loss, or sorrow, but to the highest form of existence and joy. It conveys a sense of achievement and glory associated with being vibrantly alive.
Therefore, in the context of the passage, the author equates "triumph" with victory over the lifelessness and insignificance of death, celebrating the victorious experience of life itself.
To determine what the author means by "rapture," we need to examine the provided excerpt from D. H. Lawrence and the associated options.
In the passage, Lawrence writes about the marvel of being alive and the magnificent experience of life in the flesh. He emphasizes this vivid and perfect state of being alive, suggesting it is something to be celebrated.
When he says, "We ought to dance with rapture, that we should be alive and in the flesh, and part of the living, incarnate cosmos," he's expressing a profound appreciation and delight for existence itself.
This aligns most appropriately with the emotion of "joy". Therefore, the correct answer is: joy.
To determine the tone of the passage from D. H. Lawrence's "Apocalypse," we should focus on the language and themes presented in the text.
The passage reflects on the marvel of life, emphasizing the connection between humans and nature. Phrases like "the vast marvel is to be alive" and "the supreme triumph is to be most vividly, most perfectly alive" suggest a deep contemplation of existence. The passage explores connections between humans, nature, and the universe, using metaphoric language to express these ideas: "I am part of the sun as my eye is the part of me" and "my blood is part of the sea."
This depth of reflection on the interconnectedness and experiences of life aligns with a philosophical tone. The author discusses abstract concepts concerning life and existence, characteristic of philosophical writing.
Therefore, the tone of the passage is philosophical.
The passage by D.H. Lawrence emphasizes the profound experience and value of being alive. The narrative celebrates life in the flesh, suggesting that being part of the living cosmos is a supreme triumph. Lawrence speaks of the interconnectedness of humans with nature and the universe, highlighting the relationship between the individual and the larger entities like the soul, family, and human race. The passage also reflects on the fleeting nature of life and the transient yet vibrant existence of beings.
The most suitable title for this passage is "Alive and Kicking." This title encapsulates the essence of Lawrence's message, which is to cherish the vibrancy and miraculous sensation of being alive. It underscores the theme that life should be celebrated with joy and awareness, aligning well with the passage's emphasis on living fully and vividly.


When people who are talking don’t share the same culture, knowledge, values, and assumptions, mutual understanding can be especially difficult. Such understanding is possible through the negotiation of meaning. To negotiate meaning with someone, you have to become aware of and respect both the differences in your backgrounds and when these differences are important. You need enough diversity of cultural and personal experience to be aware that divergent world views exist and what they might be like. You also need the flexibility in world view, and a generous tolerance for mistakes, as well as a talent for finding the right metaphor to communicate the relevant parts of unshared experiences or to highlight the shared experiences while demphasizing the others. Metaphorical imagination is a crucial skill in creating rapport and in communicating the nature of unshared experience. This skill consists, in large measure, of the ability to bend your world view and adjust the way you categorize your experiences. Problems of mutual understanding are not exotic; they arise in all extended conversations where understanding is important.
When it really counts, meaning is almost never communicated according to the CONDUIT metaphor, that is, where one person transmits a fixed, clear proposition to another by means of expressions in a common language, where both parties have all the relevant common knowledge, assumptions, values, etc. When the chips are down, meaning is negotiated: you slowly figure out what you have in common, what it is safe to talk about, how you can communicate unshared experience or create a shared vision. With enough flexibility in bending your world view and with luck and charity, you may achieve some mutual understanding.
Communication theories based on the CONDUIT metaphor turn from the pathetic to the evil when they are applied indiscriminately on a large scale, say, in government surveillance or computerized files. There, what is most crucial for real understanding is almost never included, and it is assumed that the words in the file have meaning in themselves—disembodied, objective, understandable meaning. When a society lives by the CONDUITmetaphor on a large scale, misunderstanding, persecution, and much worse are the likely products.
Later, I realized that reviewing the history of nuclear physics served another purpose as well: It gave the lie to the naive belief that the physicists could have come together when nuclear fission was discovered (in Nazi Germany!) and agreed to keep the discovery a secret, thereby sparing humanity such a burden. No. Given the development of nuclear physics up to 1938, development that physicists throughout the world pursued in all innocence of any intention of finding the engine of a new weapon of mass destruction—only one of them, the remarkable Hungarian physicist Leo Szilard, took that possibility seriously—the discovery of nuclear fission was inevitable. To stop it, you would have had to stop physics. If German scientists hadn’t made the discovery when they did, French, American, Russian, Italian, or Danish scientists would have done so, almost certainly within days or weeks. They were all working at the same cutting edge, trying to understand the strange results of a simple experiment bombarding uranium with neutrons. Here was no Faustian bargain, as movie directors and other naifs still find it intellectually challenging to imagine. Here was no evil machinery that the noble scientists might hide from the problems and the generals. To the contrary, there was a high insight into how the world works, an energetic reaction, older than the earth, that science had finally devised the instruments and arrangements to coart forth. “Make it seem inevitable,” Louis Pasteur used to advise his students when they prepared to write up their discoveries. But it was. To wish that it might have been ignored or suppressed is barbarous. “Knowledge,” Niels Bohr once noted, “is itself the basis for civilization.” You cannot have the one without the other; the one depends upon the other. Nor can you have only benevolent knowledge; the scientific method doesn’t filter for benevolence. Knowledge has consequences, not always intended, not always comfortable, but always welcome. The earth revolves around the sun, not the sun around the earth. “It is a profound and necessary truth,” Robert Oppenheimer would say, “that the deep things in science are not found because they are useful; they are found because it was possible to find them.”
...Bohr proposed once that the goal of science is not universal truth. Rather, he argued, the modest but relentless goal of science is “the gradual removal of prejudices.” The discovery that the earth revolves around the sun has gradually removed the prejudice that the earth is the center of the universe. The discovery of microbes is gradually removing the prejudice that disease is a punishment from God. The discovery of evolution is gradually removing the prejudice that Homo sapiens is a separate and special creation.