Question

Alap is very important in Raga delineation. It depicts the pure form of Raga. Alap is played without the tala. It has inherent laya which help in creating the atmosphere of a raga. In Alap, meend, kan, gamak, krintan etc. are used according to the nature and demand of the phraseology of the raga. This help in depicting aesthetical picture of the raga.
After reading the above passage create Alap upto 60 swaras (in each raga) along with signs of meend, kan, gamak, krintan etc. in all three ragas of your syllabus.

Hint:

Alap = Free flow → Meend, Kan, Gamak, Krintan shape the raga’s soul.

Answer 1

Alap is the unmetered exploration that introduces the soul of a raga.
It develops slowly, without rhythm, revealing key swaras, phrases, and emotional colour.
Example: Raga Yaman Alap (with 60 swaras)
1–5: Ni~ Sa Re Ga Ma | Meend from Ni to Sa
6–10: Ga(kan) Ma Pa Dha | Krintan on Ga
11–20: Ma~ Dha Ni Sa | Meend + Gamak on Ma
21–30: Re Ga Ma Dha Pa Ma Ga | Smooth glide between Ma-Dha
31–40: Ni Sa Re Ga Ma Ga Re Sa | Kan note on Re
41–50: Ma Pa Dha Ni Sa | Krintan on Pa, Gamak on Dha
51–60: Ni Dha Pa Ma Ga Re Sa | Ending phrase with Meend from Dha to Sa
Use the same method to create Alap for Bhairav and Bageshri.
In Bhairav, stress Andolan on komal Re and Dha.
In Bageshri, use slow Meend from Ga to Ma, with soft Kan on Ni.
These phrases combine pure notes with ornamentations to show the full mood of each raga.