The narrative of Dersu Uzala is divided into two major sections, set in 1902, and 1907, that deal with separate expeditions which Arseniev conducts into the Ussuri region. In addition, a third time frame forms a prologue to the film. Each of the temporal frames has a different focus, and by shifting them Kurosawa is able to describe the encroachment of settlements upon the wilderness and the consequent erosion of Dersu’s way of life. As the film opens, that erosion has already begun. The first image is a long shot of a huge forest, the trees piled upon one another by the effects of the telephoto lens so that the landscape becomes an abstraction and appears like a huge curtain of green. A title informs us that the year is 1910. This is as late into the century as Kurosawa will go.
After this prologue, the events of the film will transpire even farther back in time and will be presented as Arseniev’s recollections. The character of Dersu Uzala is the heart of the film, his life the example that Kurosawa wishes to affirm. Yet the formal organization of the film works to contain, to close, to circumscribe that life by erecting a series of obstacles around it. The film itself is circular, opening and closing by Dersu’s grave, thus sealing off the character from the modern world to which Kurosawa once so desperately wanted to speak. The multiple time frames also work to maintain a separation between Dersu and the contemporary world. We must go back farther even than 1910 to discover who he was. But this narrative structure has yet another implication. It safeguards Dersu’s example, inoculates it from contamination with history, and protects it from contact with the industrialised, urban world. Time is organised by the narrative into a series of barriers, which enclose Dersu in a kind of vacuum chamber, protecting him from the social and historical dialectics that destroyed the other Kurosawa heroes. Within the film, Dersu does die, but the narrative structure attempts to immortalise him and his example, as Dersu passes from history into myth.
Wesee all this at work in the enormously evocative prologue. The camera tilts down to reveal felled trees littering the landscape and an abundance of construction. Roads and houses outline the settlement that is being built. Kurosawa cuts to a medium shot of Arseniev standing in the midst of the clearing, looking uncomfortable and disoriented. A man passing in a wagon asks him what he is doing, and the explorer says he is looking for a grave. The driver replies that no one has died here, the settlement is too recent. These words enunciate the temporal rupture that the film studies. It is the beginning of things (industrial society) and the end of things (the forest), the commencement of one world so young that no one has had time yet to die and the eclipse of another, in which Dersu had died. It is his grave for which the explorer searches. His passing symbolises the new order, the development that now surrounds Arseniev. The explorer says he buried his friend three years ago next to huge cedar and fir trees, but now they are all gone. The man on the wagon replies they were probably chopped down when the settlement was built, and he drives off. Arseniev walks to a barren, treeless spot next to a pile of bricks. As he moves, the camera tracks and pans to follow, revealing a line of freshly built houses and a woman hanging her laundry to dry. A distant train whistle is heard, and the sounds of construction in the clearing vie with the cries of birds and the rustle of wind in the trees. Arseniev pauses, looks around for the grave that once was, and murmurs desolately, ’Dersu’. The image now cuts farther into the past, to 1902, and the first section of the film commences, which describes Arseniev’s meeting with Dersu and their friendship.
Kurosawa defines the world of the film initially upon a void, a missing presence. The grave is gone, brushed aside by a world rushing into modernism, and now the hunter exists only in Arseniev’s memories. The hallucinatory dreams and visions of Dodeskaden are succeeded by nostalgic, melancholy ruminations. Yet by exploring these ruminations, the film celebrates the timelessness of Dersu’s wisdom. The first section of the film has two purposes: to describe the magnificence and in human vastness of nature and to delineate the code of ethics by which Dersu lives and which permits him to survive in these conditions. When Dersu first appears, the other soldiers treat him with condescension and laughter, but Arseniev watches him closely and does not share their derisive response. Unlike them, he is capable of immediately grasping Dersu’s extraordinary qualities. In camp, Kurosawa frames Arseniev by himself, sitting on the other side of the fire from his soldiers. While they sleep or joke among themselves, he writes in his diary and Kurosawa cuts in several point-of-view shots from his perspective of trees that appear animated and sinister as the fire light dances across their gnarled, leafless outlines. This reflective dimension, this sensitivity to the spirituality of nature, distinguishes him from the others and forms the basis of his receptivity to Dersu and their friendship. It makes him a fit pupil for the hunter.
How is Kurosawa able to show the erosion of Dersu’s way of life?
Show Hint
- By documenting the ebb and flow of modernisation.
- By going back farther and farther in time.
- By using three different time frames and shifting them.
- Through his death in a distant time.
The Correct Option is C
Solution and Explanation
Arseniev’s search for Dersu’s grave:
Show Hint
- is part of the beginning of the film.
- symbolises the end of the industrial society.
- is misguided since the settlement is too new.
- symbolises the rediscovery of modernity.
The Correct Option is A
Solution and Explanation
The film celebrates Dersu’s wisdom:
Show Hint
- by exhibiting the moral vacuum of the pre-modern world.
- by turning him into a mythical figure.
- through hallucinatory dreams and visions.
- through Arseniev’s nostalgic, melancholy ruminations.
The Correct Option is D
Solution and Explanation
According to the author, the section of the film following the prologue:
Show Hint
- serves to highlight the difficulties that Dersu faces that eventually kills him.
- shows the difference in thinking between Arseniev and Dersu.
- shows the code by which Dersu lives that allows him to survive his surroundings.
- serves to criticize the lack of understanding of nature in the pre-modern era.
The Correct Option is C
Solution and Explanation
In the film, Kurosawa hints at Arseniev’s reflective and sensitive nature:
Show Hint
- by showing him as not being derisive towards Dersu, unlike other soldiers.
- by showing him as being aloof from other soldiers.
- through shots of Arseniev writing his diary, framed by trees.
- All of these
The Correct Option is D
Solution and Explanation
According to the author, which of these statements about the film is correct?
Show Hint
- The film makes its arguments circuitously.
- The film highlights the insularity of Arseniev.
- The film begins with the absence of its main protagonist.
- None of these
The Correct Option is C
Solution and Explanation
Top Questions on Reading Comprehension
- ”In recent years, technological advancements in AI and machine learning have fundamentally altered how we approach daily tasks. The growing reliance on these systems brings both challenges and opportunities, especially in areas like automation, healthcare, and customer service.”
What is the primary concern regarding the increased use of AI in daily tasks as mentioned in the passage?
- NMAT - 2025
- English Language Comprehension
- Reading Comprehension
Meta is recalibrating content on its social media platforms as the political tide has turned in Washington, with Mark Zuckerberg announcing last week that his company plans to fire its US fact-checkers. Fact-checking evolved in response to allegations of misinformation and is being watered down in response to accusations of censorship. Social media does not have solutions to either. Community review — introduced by Elon Musk at X and planned by Zuckerberg for Facebook and Instagram — is not a significant improvement over fact-checking. Having Washington lean on foreign governments over content moderation does not benefit free speech. Yet, that is the nature of the social media beast, designed to amplify bias.
Information and misinformation continue to jostle on social media at the mercy of user discretion. Social media now has enough control over all other forms of media to broaden its reach. It is the connective tissue for mass consumption of entertainment, and alternative platforms are reworking their engagement with social media. Technologies are shaping up to drive this advantage further through synthetic content targeted precisely at its intended audience. Meta’s algorithm will now play up politics because it is the flavour of the season.
The Achilles’ Heel of social media is informed choice which could turn against misinformation. Its move away from content moderation is driven by the need to be more inclusive, yet unfiltered content can push users away from social media towards legacy forms that have better moderation systems in place. Lawmakers across the world are unlikely to give social media a free run, even if Donald Trump is working on their case. Protections have already been put in place across jurisdictions over misinformation. These may be difficult to dismantle, even if the Republicans pull US-owned social media companies further to the right.
Media consumption is, in essence, evidence-based judgement that mediums must adapt to. Content moderation, not free speech, is the adaptation mechanism. Musk and Zuckerberg are not exempt- IPMAT - 2025
- Verbal and Logical Ability
- Reading Comprehension
According to the French philosopher Jean Baudrillard, commodities available for consumption are not inherently negative things. Baudrillard tried to interpret consumption in modern societies by engaging with the ’cargo myth’ prevalent among the indigenous Melanesian people living in the South Pacific. The Melanesians did not know what aeroplanes were. However,they saw that these winged entities descended from the air for white people and appeared to make them happy. They also noted that aeroplanes never descended for the Melanesian people. The Melanesian natives noted that the white people had placed objects similar to the aeroplane on the ground. They concluded that these objects were attracting the aeroplanes in the air and bringing them to the ground. Through a magical process, the aeroplanes were bringing plenty to the white people and making them happy. The Melanesian people concluded that they would need to place objects that simulated the aeroplane on the ground and attract them from the air. Baudrillard believes that the cargo myth holds an important analogy for the ways in which consumers engage with objects of consumption.
According to Baudrillard, the modern consumer ”sets in place a whole array of sham objects, of characteristic signs of happiness, and then waits for happiness to alight”. For instance, modern consumers believe that they will get happiness if they buy the latest available version of a mobile phone or automobile. However, consumption does not usually lead to happiness. While consumers should ideally be blaming their heightened expectations for their lack of happiness, they blame the commodity instead.
They feel that they should have waited for the next version of a mobile phone or automobile before buying the one they did. The version they bought is somehow inferior and therefore cannot make them happy. Baudrillard argues that consumers have replaced ’real’ happiness with ’signs’ of happiness. This results in the endless deferment of the arrival of total happiness. In Baudrillard’s words, ”in everyday practice, the blessings of consumption are not experienced as resulting from work or from a production process; they are experienced as a miracle”. Modern consumers view consumption in the same magical way as the Melanesian people viewed the aeroplanes in the cargo myth. Television commercials also present objects of consumption as miracles. As a result, commodities appear to be distanced from the social processes which lead to their production. In effect, objects of consumption are divorced from the reality which produces them.- IPMAT - 2025
- Verbal and Logical Ability
- Reading Comprehension
CONVERSATION ANALYSIS: Read the following transcript and choose the answer that is closest to each of the questions that are based on the transcript.
Lucia Rahilly (Global Editorial Director, The McKinsey Podcast): Today we’re talking about the next big arenas of competition, about the industries that will matter most in the global business landscape, which you describe as arenas of competition. What do we mean when we use this term?
Chris Bradley (Director, McKinsey Global Institute): If I go back and look at the top ten companies in 2005, they were in traditional industries such as oil and gas, retail, industrials, and pharmaceuticals. The average company was worth about $250 billion. If I advance the clock forward to 2020, nine in ten of those companies have been replaced, and by companies that are eight times bigger than the old guards.
And this new batch of companies comes from these new arenas or competitive sectors. In fact, they’re so different that we have a nickname for them. If you’re a fan of Harry Potter, it’s wizards versus muggles.
Arena industries are wizardish; we found that there’s a set of industries that play by very different set of economic rules and get very different results, while the rest, the muggles (even though they run the world, finance the world, and energize the world), play by a more traditional set of economic rules.
Lucia Rahilly: Could we put a finer point on what is novel or different about the lens that you applied to determine what’s a wizard and what’s a muggle?
Chris Bradley: Wizards are defined by growth and dynamism. We looked at where value is flowing and the places where value is moving. And where is the value flowing? What we see is that this set of wizards, which represent about ten percent of industries, hog 45 percent of the growth in market cap. But there’s another dimension or axis too, which is dynamism. That is measured by a new metric we’ve come up with called the ”shuffle rate.” How much does the bottom move to the top? It turns out that in this set of wizardish industries, or arenas, the shuffle rate is much higher than it is in the traditional industry.
Lucia Rahilly: So, where are we seeing the most profit?
Chris Bradley: The economic profit, which is the profit you make minus the cost for the capital you employ is in the wizard industries. It’s where R&D happens; they’re two times more R&D intensive. They’re big stars, the nebulae, where new business is born.- IPMAT - 2025
- Verbal and Logical Ability
- Reading Comprehension
- On the first day of January 2025, the Indian Meteorological Department [IMD] announced that 2024 was the hottest year on record. A study by the Council on Energy, Environment and Water shows that nearly eight out of ten Indians live in districts that are at risk of either a flood, a cyclone, or a drought. Nearly twenty three States in India are heatwave-prone. In the summer of 2024, India recorded more than 44,000 cases of heatstroke and over 300 heat-related mortalities, as per the bulletin of the Ministry of Health and Family Welfare. Water reservoirs and the energy demand that keeps India powered are impacted too. During a ten-day long heatwave in Delhi, peak power demand was 16% higher than the previous year.
- IPMAT - 2025
- Verbal and Logical Ability
- Reading Comprehension
Questions Asked in CAT exam
- There is a sentence that is missing in the paragraph below. Look at the paragraph and decide where (option 1, 2, 3, or 4) the following sentence would best fit.
Sentence: Understanding central Asia’s role helps developments make more sense not only across Asia but in Europe, the Americas and Africa.
Paragraph: The nations of the Silk Roads are sometimes called ‘developing countries’, but they are actually some of the world’s most highly developed countries, the very crossroads of civilization, in advanced states of disrepair. ___(1)___. These countries lie at the centre of global affairs: they have since the beginning of history. Running across the spine of Asia, they form a web of connections fanning out in every direction, routes along which pilgrims and warriors, nomads and merchants have travelled, goods and produce have been bought and sold, and ideas exchanged, adapted and refined. ___(2)___ .They have carried not only prosperity, but also death and violence, disease and disaster. ___(3)___. The Silk Roads are the world’s central nervous system, connecting otherwise far-flung peoples and places…. ___(4)___. It allows us to see patterns and links, causes and effects that remain invisible if one looks only at Europe, or North America.- CAT - 2024
- Para Completion
- Let $x$, $y$, and $z$ be real numbers satisfying
\(4(x^2 + y^2 + z^2) = a,\)
\(4(x - y - z) = 3 + a.\)
Then $a$ equals ?- CAT - 2024
- Algebra
- The passage given below is followed by four alternate summaries. Choose the option that best captures the essence of the passage.
Certain codes may, of course, be so widely distributed in a specific language community or culture, and be learned at so early an age, that they appear not to be constructed – the effect of an articulation between sign and referent – but to be ‘naturally’ given. Simple visual signs appear to have achieved a ‘near-universality’ in this sense: though evidence remains that even apparently ‘natural’ visual codes are culture specific. However, this does not mean that no codes have intervened; rather, that the codes have been profoundly naturalized. The operation of naturalized codes reveals not the transparency and ‘naturalness’ of language but the depth, the habituation and the near-universality of the codes in use. They produce apparently ‘natural’ recognitions. This has the (ideological) effect of concealing the practices of coding which are present.- CAT - 2024
- Para Summary
- There is a sentence that is missing in the paragraph below. Look at the paragraph and decide where (option 1, 2, 3, or 4) the following sentence would best fit.
Sentence: Comprehending a wide range of emotions, Renaissance music nevertheless portrayed all emotions in a balanced and moderate fashion.
Paragraph: A volume of translated Italian madrigals were published in London during the year of 1588. This sudden public interest facilitated a surge of English Madrigal writing as well as a spurt of other secular music writing and publication. ___(1)___. This music boom lasted for thirty years and was as much a golden age of music as British literature was with Shakespeare and Queen Elizabeth I. ___(2)___. The rebirth in both literature and music originated in Italy and migrated to England; the English madrigal became more humorous and lighter in England as compared to Italy. Renaissance music was mostly polyphonic in texture. ___(3)___. Extreme use of and contrasts in dynamics, rhythm, and tone colour do not occur. ___(4)___. The rhythms in Renaissance music tend to have a smooth, soft flow instead of a sharp, well-defined pulse of accents.- CAT - 2024
- Para Completion
- There is a sentence that is missing in the paragraph below. Look at the paragraph and decide where (option 1, 2, 3, or 4) the following sentence would best fit.
Sentence: [T]he Europeans did not invent globalization.
Paragraph: The first phase of globalization occurred long before the introduction of either steam or electric power…Chinese consumers at all social levels consumed vast quantities of spices, fragrant woods and unusual plants. The peoples of Southeast Asia who lived in forests gave up their traditional livelihoods and completely reoriented their economies to supply Chinese consumers….___(1)___. These exchanges of the year 1000 opened some of the routes through which goods and peoples continued to travel after Columbus traversed the mid-Atlantic. ___(2)___. Yet the world of 1000 differed from that of 1492 in important ways….the travellers who encountered one another in the year 1000 were much closer technologically. ___(3)___. They changed and augmented what was already there since 1000. ___(4)___. If globalization hadn’t yet begun, Europeans wouldn’t have been able to penetrate the markets in so many places as quickly as they did after 1492.- CAT - 2024
- Para Completion