The Liberhan Commission, which received repeated extensions, has been inquiring into the demolition of the Babri Masjid. The Babri Masjid was demolished on December 6, 1992, in Ayodhya, leading to widespread communal violence and tensions across India. The Liberhan Commission was set up by the Government of India in 1992 to investigate the events surrounding the demolition of the mosque and to determine the individuals and groups responsible for inciting the violence.
The Commission, headed by Justice Liberhan, was tasked with examining the role of political leaders, organizations, and law enforcement in the incident. The inquiry, which lasted for over a decade with numerous extensions, aimed to provide a detailed account of the events leading up to the demolition and its aftermath, as well as to recommend measures to prevent such incidents in the future.
The correct answer is: demolition of Babri Masjid, as the Liberhan Commission was specifically set up to investigate the events surrounding the demolition of the Babri Masjid.
\(S.no\) | \(Festival\) | \(S.no\) | \(State\) |
---|---|---|---|
I | Kadalekayi Parishe | A | Gujarat |
II | Bohag Bihu | B | Orissa |
III | Uttarayan | C | Assam |
IV | Nuakhai | D | Karnataka |
From a very early age, I knew that when I grew up, I should be a writer. I had the lonely child's habit of making up stories and holding conversations with imaginary persons, and I think from the very start my literary ambitions were mixed up with the feeling of being isolated and undervalued. I knew that I had a facility with words and a power of facing unpleasant facts, and I felt that this created a sort of private world in which I could get my own back for my failure in everyday life. I wanted to write enormous naturalistic novels with unhappy endings, full of detailed descriptions and arresting similes, and also full of purple passages in which words were used partly for the sake of their sound. I give all this background information because I do not think one can assess a writer's motives without knowing something of his early development.
His subject-matter will be determined by the age he lives in — at least this is true in tumultuous, revolutionary ages like our own — but before he ever begins to write he will have acquired an emotional attitude from which he will never completely escape. It is his job to discipline his temperament, but if he escapes from his early influences altogether, he will have killed his impulse to write. I think there are four great motives for writing, at any rate for writing prose. They are: (i) Sheer egoism: Desire to seem clever, to be talked about, to be remembered after death, to get your own back on grown-ups who snubbed you in childhood; (ii) Aesthetic enthusiasm: Desire to share an experience which one feels is valuable and ought not to be missed (iii) Historical impulse: Desire to see things as they are, to find out true facts and store them up for the use of posterity (iv) Political purpose: Desire to push the world in a certain direction, to alter other people's idea of the kind of society that they should strive after.
[Extracted with edits from George Orwell's "Why I Write"]