The Chipko movement is associated with preventing the felling of trees. It was a non-violent environmental movement in India that started in the 1970s in the state of Uttarakhand (then part of Uttar Pradesh). The term "Chipko" means "to hug" or "to cling," and it was named after the way villagers, particularly women, hugged trees to protect them from being cut down by contractors.
The movement, led by people like Chandi Prasad Bhatt and Sundarlal Bahuguna, aimed at protecting forests from deforestation and raising awareness about the importance of trees and forest conservation. The Chipko movement played a significant role in India's environmental history and brought attention to the need for sustainable development and the protection of natural resources.
The correct answer is: Preventing the felling of trees, as the Chipko movement was directly focused on protecting trees from being cut down.
\(\text{Dance Form}\) | \(\text{State of Origin}\) |
---|---|
Bharatanatyam | Tamil Nadu |
Sattriya | Assam |
Kathakali | Kerala |
Kuchipudi | Andhra Pradesh |
From a very early age, I knew that when I grew up, I should be a writer. I had the lonely child's habit of making up stories and holding conversations with imaginary persons, and I think from the very start my literary ambitions were mixed up with the feeling of being isolated and undervalued. I knew that I had a facility with words and a power of facing unpleasant facts, and I felt that this created a sort of private world in which I could get my own back for my failure in everyday life. I wanted to write enormous naturalistic novels with unhappy endings, full of detailed descriptions and arresting similes, and also full of purple passages in which words were used partly for the sake of their sound. I give all this background information because I do not think one can assess a writer's motives without knowing something of his early development.
His subject-matter will be determined by the age he lives in — at least this is true in tumultuous, revolutionary ages like our own — but before he ever begins to write he will have acquired an emotional attitude from which he will never completely escape. It is his job to discipline his temperament, but if he escapes from his early influences altogether, he will have killed his impulse to write. I think there are four great motives for writing, at any rate for writing prose. They are: (i) Sheer egoism: Desire to seem clever, to be talked about, to be remembered after death, to get your own back on grown-ups who snubbed you in childhood; (ii) Aesthetic enthusiasm: Desire to share an experience which one feels is valuable and ought not to be missed (iii) Historical impulse: Desire to see things as they are, to find out true facts and store them up for the use of posterity (iv) Political purpose: Desire to push the world in a certain direction, to alter other people's idea of the kind of society that they should strive after.
[Extracted with edits from George Orwell's "Why I Write"]