The figure in the boat was of a strong man with ragged grizzled hair and a sun-browned face. He was about twenty-eight years old, although he looked older. Lizzie, his daughter, a girl of nineteen, was handling a pair of sculls very easily. Had he not been so recognizable as an old man, the girl loved this dark girl of nineteen or twenty. It was often there that, now in time, he could be seen. She was in her boat, pulling on her sculls, or washing out, or stroking with her long line. And he could be a fisherman’s land. He did this at no time, and no one he looked at ever looked at him, and so doing he could not be considered either a river-rat or waterman. There was no reason for anyone to look for him, but take heed and not be caught in the same situation. There was no glare or insolence in her boat, no cargo for delivery, no hope of a most fervent searching before she died, as had happened more times than could be counted. She watched every inch before her, a tide that swept as dictated by the movement of the boat, down river and little race and eddy. The tide had turned an hour before. She was running against its sternmost and last, according to the compass which she bore beneath her left hand. She was a divine watchwoman. And little girl, she did not falter, did not turn back, was slight against waves. Her eyes were fixed intensely. And little girl, the boat swept on. It moved microcosm. As much as he drove stem and bow as suddenly thus and there, the two, so obviously doing were so obviously one.
A fixed boat at the bottom of the river, neither in the fury of its current or eddies, but the surface, by season of the slime and ooze with which it was covered and its sodden state. This boat the drift, the lorry of them there, doing something that they often did, with his brown arms often bared half above the elbow and a with his knee resting on his matched bead on his bare breast, between flesh of shoulder and shoulder, such as no loose wearing of kerchief could ever undo, were they to be in wilderness savage men, with bodies. He wore a looser with every little motion of the girl, with her boat, of her perhaps usage of his with her steady gaze. So to be made out of the things he began still to turn wrist sometimes like savage men do or with her boat, they must act as one. Keep her out, Lizzie. The tide runs strong here.
What is the name of the girl sailing on the boat?
Show Hint
- Lucy
- Lutey
- Lizzie
- Laura
The Correct Option is C
Solution and Explanation
Which of the following things are found on the boat?
Show Hint
- A and C only
- A and D only
- C and E only
- B and D only
The Correct Option is D
Solution and Explanation
Match the words in List I with their meanings in List II: LIST I LIST II A. slime I. Any unpleasant thick liquid substance B. bilme III. Extreme and forceful C. gaze IV. To look steadily for a long time D. dread II. To be very afraid of something
| LIST I | LIST II |
|---|---|
| A. slime | I. Any unpleasant thick liquid substance |
| B. bilme | III. Extreme and forceful |
| C. gaze | IV. To look steadily for a long time |
| D. dread | II. To be very afraid of something |
Show Hint
- A-II, B-III, C-IV, D-I
- A-I, B-III, C-IV, D-II
- A-IV, B-III, C-II, D-I
- A-I, B-IV, C-III, D-II
The Correct Option is B
Solution and Explanation
To solve the problem of matching the words in List I with their meanings in List II, we need to understand the definitions provided.
| List I | List II |
|---|---|
| A. slime | I. any unpleasant thick liquid substance |
| B. bilme | II. to be very afraid of something |
| C. gaze | III. extreme and forceful |
| D. dread | IV. to look steadily for a long time |
- Slime: Defined as "any unpleasant thick liquid substance," matches with I.
- Bilme: Given options, "bilme" aligns with a description of "extreme and forceful," hence matches with III.
- Gaze: Means "to look steadily for a long time," matches with IV.
- Dread: Understandably means "to be very afraid of something," matching with II.
Thus, the correct matching is: A-I, B-III, C-IV, D-II.
What is the relation between the two on the boat?
Show Hint
- Father - daughter
- Husband - wife
- Mother - daughter
- Father - son
The Correct Option is A
Solution and Explanation
Choose the correct meaning of the word SODDEN.
Show Hint
- extremely wet
- ridiculous
- motivated
- state of confusion
The Correct Option is A
Solution and Explanation
Top Questions on Reading Comprehension
Passage: Toru Dutt is considered the earliest Indian female writer in English. She travelled extensively in Europe from a young age with her family. She and her sister Aru became fascinated with Paris and French literature. In London, they came in contact with such august personages such as Sir Bartle Frere, the Gover- nor of Bombay from 1862 to 1867, and Sir Edward Ryan, the Chief Justice of the Supreme Court, Calcutta, from 1837 to 1843. Toru Dutt was greatly influenced in her writings by French Romantic poets like Victor Hugo and English writers like Elizabeth Browning, John Keats, Charlotte Bronte and Jane Austen. She was also intrigued by the legends and myths of India, and even learned Sanskrit. Her writings were marked by romantic melancholia and an obsession and preoccupation with death. This was partly due to her suffering and pain following the early tragic deaths of her siblings, especially her older sister Aru, with whom she was quite close. Her chosen subjects often portrayed separation, loneliness, captivity, dejec- tion, declining seasons and untimely death. She led an ”Ivory Tower existence” and her own death came quite early, at the age of 21, in the full bloom of her talent and on the eve of the awakening of her genius. Toru Dutt’s most famous work is A Sheaf Gleaned in French Fields, an anthology of poems translated from French to English. It also contained a few original poems that showcase her vast insight into French literature. She used to publish poems in the Bengal Magazine, under the pseudonym ”TD”. But most of her powerful work was published posthumously, in- cluding the French novel Le Journal de Mademoiselle D’Arvers and the unfinished English novel Bianca, or, the Young Spanish Maiden. Her work Ancient Ballads and Legends of Hindustan depicts a shrewd knowledge of Hindu mythology and an instinctive empathy with the conditions of life they represent. An assimilation of the Occident and the Orient nourished Toru’s poetic skills; in her, we find a tripartite influence of a French education, lectures at Cambridge and the study of Sanskrit literature.
- NPAT - 2025
- Verbal Reasoning
- Reading Comprehension
“Why do they pull down and do away with crooked streets, I wonder, which are my delight, and hurt no man living? Every day the wealthier nations are pulling down one or another in their capitals and their great towns: they do not know why they do it; neither do I. It ought to be enough, surely, to drive the great broad ways which commerce needs and which are the life-channels of a modern city, without destroying all history and all the humanity in between: the islands of the past.”
(From Hilaire Belloc’s “The Crooked Streets”)
Based only on the information provided in the above passage, which one of the following statements is true?- GATE PH - 2025
- General Aptitude
- Reading Comprehension
“Why do they pull down and do away with crooked streets, I wonder, which are my delight, and hurt no man living? Every day the wealthier nations are pulling down one or another in their capitals and their great towns: they do not know why they do it; neither do I. It ought to be enough, surely, to drive the great broad ways which commerce needs and which are the life-channels of a modern city, without destroying all history and all the humanity in between: the islands of the past.” (From Hilaire Belloc’s “The Crooked Streets”)
Based only on the information provided in the above passage, which one of the following statements is true?
- GATE CE - 2025
- General Aptitude
- Reading Comprehension
- “His life was divided between the books, his friends, and long walks. A solitary man, he worked at all hours without much method, and probably courted his fatal illness in this way. To his own name there is not much to show; but such was his liberality that he was continually helping others, and fruits of his erudition are widely scattered, and have gone to increase many a comparative stranger’s reputation.”
(From E.V. Lucas’s “A Funeral”)
Based only on the information provided in the above passage, which one of the following statements is true?- GATE CE - 2025
- General Aptitude
- Reading Comprehension
- Read the excerpt from a Handicrafts Manual: ‘Advanced Knitting Techniques’ and answer the following questions by choosing the most appropriate answer.
THE FAIR ISLE METHOD: Fair Isle knitting is a traditional technique that involves using two or more colours of yarn in a single row to create intricate patterns and designs. This method requires careful tension management to ensure even stitches and prevent puckering. To begin, select your colours and cast on the desired number of stitches. As you knit, alternate between colours every few stitches, carrying the unused yarn along the back of the work. Mastering the Fair Isle technique allows you to create stunning visual effects in garments, accessories, and home textiles.
THE CONTINENTAL STYLE: The Continental knitting style, often referred to as “picking,” involves holding the yarn in the left hand while the right hand manipulates the needles. This method allows for greater speed and efficiency, particularly when working with complex patterns or multiple colours. To practice this style, start by casting on your stitches and using your left hand to tension the yarn. With each stitch, simply “pick” the yarn with your right needle, forming a quick and fluid motion. As you become comfortable with this technique, you may find that your overall knitting speed and comfort improve significantly.
THE SHORT-ROW TECHNIQUE: Short-row knitting is an advanced technique that allows for the creation of shaped garments, such as sleeves and shoulders, without the need for complex shaping. To make a sleeve using this technique, begin by casting on the required number of stitches. Work a portion of the row, then turn your work and return without completing the full row to create the “short rows” that shape the curves of the sleeve. To prevent holes at the turn, wrap the stitch before you turn your work. Repeat this process as needed to achieve the desired shaping and dimension of the sleeve. Once you have shaped the sleeve, you can then sew the side seams to connect the pieces of your garment and finally, complete the edges to ensure a clean finish. This method not only helps shape curves but also adds dimension to your piece, allowing you to enhance fit and style.- AILET BALLB (Hons.) - 2025
- English
- Reading Comprehension
Questions Asked in CUET exam
- Two parallel plate capacitors of capacitances 2 \(\mu F\) and 3 \(\mu F\) are joined in series and the combination is connected to a battery of V volts. The values of potential across the two capacitors \(V_1\) and \(V_2\) and energy stored in the two capacitors \(U_1\)and \(U_2\) respectively are related as_____
Fill in the blank with the correct answer from the options given below- CUET (UG) - 2024
- Electrostatics
- Lower half of a convex lens is made opaque. Which of the following describes the image of the object placed in front of the lens?(A) No change in image
(B) Image will show only half of the object
(C) Intensity of image gets reduced
Choose the correct answer from the options given below. - For fixed values of radii of curvature of lens, power of the lens will be ____.
Fill in the blank with the correct answer from the options given below - Find out which of the answer figures completes the figure matrix :
- CUET (UG) - 2024
- Image Based
- Match List-I with List-II:
List-I (Centre of Handicraft) List-II (State) A Mon (I) Arunachal Pradesh B Nalbari (II) Assam C Pasighat (III) Meghalaya D Tura (IV) Nagaland - CUET (UG) - 2024
- Static GK