Comprehension

Once a society accepts a secular mode of creativity, within which the creator replaces God, imaginative transactions assume a self-conscious form. The tribal imagination, on the other hand, is still to a large extent dreamlike and hallucinatory. It admits fusion between various planes of existence and levels of time in a natural and artless manner. In tribal stories, oceans fly in the sky as birds, mountains swim in water as fish, animals speak as humans and stars grow like plants. Spatial order and temporal sequence do not restrict the narrative. This is not to say that tribal creations have no conventions or rules, but simply that they admit the principle of association between emotion and the narrative motif. Thus stars, seas, mountains, trees, men and animals can be angry, sad or happy. 
It might be said that tribal artists work more on the basis of their racial and sensory memory than on the basis of a cultivated imagination. In order to understand this distinction, we must understand the difference between imagination and memory. In the animate world, consciousness meets two immediate material realities: space and time. We put meaning into space by perceiving it in terms of images. The image-making faculty is a genetic gift to the human mind—this power of imagination helps us understand the space that envelops us. With regard to time, we make connections with the help of memory; one remembers being the same person today as one was yesterday.
The tribal mind has a more acute sense of time than the sense of space. Somewhere along the history of human civilization, tribal communities seem to have realized that domination over territorial space was not their lot. Thus, they seem to have turned almost obsessively to gaining domination over time. This urge is substantiated in their ritual of conversing with their dead ancestors: year after year, tribals in many parts of India worship terracotta or carved-wood objects representing their ancestors, aspiring to enter a trance in which they can converse with the dead. Over the centuries, an amazingly sharp memory has helped tribals classify material and natural objects into a highly complex system of knowledge. . .
One of the main characteristics of the tribal arts is their distinct manner of constructing space and imagery, which might be described as ‘hallucinary’. In both oral and visual forms of representation, tribal artists seem to interpret verbal or pictorial art as demarcated by an extremely flexible ‘frame’. The boundaries between art and non-art become almost invisible. Atribal epic can begin its narration from a trivial everyday event; tribal paintings merge with living space as if the two were one and the same. And within the narrative itself, or within the painted imagery, there is no deliberate attempt to follow a sequence. The episodes retold and the images created take on the apparently chaotic shapes of dreams. In a way, the syntax of language and the grammar of painting are the same, as if literature were painted words and painting were a song of images.

Question: 1

Non-human living forms exhibit human emotions in tribal narratives because tribal narratives:

Show Hint

Look for key terms in the passage like "fluidity" to identify the right answer.
Updated On: Dec 5, 2025
  • accommodate existential fluidity.
  • abandon all rules and regulations.
  • have a self-conscious form.
  • are rudimentary and underdeveloped.
Hide Solution
collegedunia
Verified By Collegedunia

The Correct Option is A

Solution and Explanation

Step 1: Understanding the Passage.
The passage discusses the fluid nature of tribal narratives and their blending of time, space, and emotion.
Step 2: Analysis of Options.
- (1) Correct answer: Tribal narratives accommodate existential fluidity, allowing non-human forms to express human emotions.
- (2) While there is fluidity, abandoning all rules is not implied by the passage.
- (3) The passage does not suggest a self-conscious form in tribal narratives.
- (4) The narrative style is not described as rudimentary.
Was this answer helpful?
0
0
Question: 2

On the basis of the passage, which one of the following explains the main difference between imagination and memory?

Show Hint

Focus on the contrast the passage draws between space (imagination) and time (memory).
Updated On: Dec 5, 2025
  • Imagination helps humans make sense of space while memory helps them understand time.
  • Tribal groups value memory over imagination when it comes to creating art and literature.
  • Imagination needs to be cultivated whereas memory is more intuitive because it is racial and sensory.
  • Imagination is a genetic gift to humans whereas memory is central to human consciousness.
Hide Solution
collegedunia
Verified By Collegedunia

The Correct Option is A

Solution and Explanation

Step 1: Understanding the Passage.
The passage explains the difference between imagination (linked to space) and memory (linked to time).
Step 2: Analysis of Options.
- (1) Correct answer: The main distinction made in the passage is that imagination relates to space and memory to time.
- (2) The passage does not suggest that tribal groups value memory more than imagination.
- (3) Imagination is cultivated, but the passage connects it to space, not just cultivation.
- (4) The passage does not discuss imagination and memory in genetic terms.
Was this answer helpful?
0
0
Question: 3

All of the following statements may be considered valid inferences from the passage EXCEPT that:

Show Hint

When evaluating inferences, look for those that align with the narrative style described in the passage.
Updated On: Dec 5, 2025
  • Tribal art excludes the depiction of the mundane reality of everyday life and objects.
  • Shamanic rituals involving conversing with the dead often feature in tribal stories.
  • Tribal narratives exhibit a chronological beginning, middle, and end.
  • Tribal stories depict the natural world in accordance with rational scientific knowledge.
Hide Solution
collegedunia
Verified By Collegedunia

The Correct Option is D

Solution and Explanation

Step 1: Understanding the Passage.
The passage explains the hallucinatory nature of tribal stories, which blend the natural world with emotional and spiritual elements, not rational scientific knowledge.
Step 2: Analysis of Options.
- (1) Valid inference: Tribal art avoids mundane depictions, focusing on a hallucinatory style.
- (2) Valid inference: Shamanic rituals are mentioned as part of tribal storytelling.
- (3) Valid inference: Tribal stories are structured with a beginning, middle, and end.
- (4) Incorrect: The passage does not suggest that tribal stories align with rational scientific knowledge.
Was this answer helpful?
0
0
Question: 4

Which one of the following best explains why tribals in India worship their dead ancestors?

Show Hint

Look for explanations that align directly with the passage’s theme of control over time and spiritual connection.
Updated On: Dec 5, 2025
  • Tribals seek territorial domination over the spaces that they inhabit.
  • For tribals, conversing with the dead becomes a way of seeking control over time.
  • Tribals show respect to their ancestors through terracotta and carved-wood objects.
  • Tribals possess a sophisticated knowledge system that is based on memory.
Hide Solution
collegedunia
Verified By Collegedunia

The Correct Option is B

Solution and Explanation

Step 1: Understanding the Passage.
The passage suggests that tribals worship their ancestors as part of their desire to gain control over time.
Step 2: Analysis of Options.
- (1) Territorial domination is not the main reason for ancestral worship as per the passage.
- (2) Correct answer: The passage directly mentions this as the reason for conversing with the dead.
- (3) Worship through objects is mentioned but is not the main explanation.
- (4) The knowledge system is not linked to the worship of ancestors.
Was this answer helpful?
0
0

Top Questions on Reading Comprehension

View More Questions

Questions Asked in CAT exam

View More Questions