Comprehension
Music critics have consistently defined James P. Johnson as a great early jazz pianist, originator of the 1920s Harlem ``stride'' style, and an important blues and jazz composer. In addition, however, Johnson was an innovator in classical music, composing symphonic music that incorporated American, and especially African American, traditions.
Such a blend of musical elements was not entirely new: by 1924 both Milhaud and Gershwin had composed classical works that incorporated elements of jazz. Johnson, a serious musician more experienced than most classical composers with jazz, blues, spirituals, and popular music, was particularly suited to expand Milhaud's and Gershwin's experiments. In 1927 he completed his first large-scale work, the blues- and jazz-inspired Yamekraw, which included borrowings from spirituals and Johnson's own popular songs. Yamekraw, premiered successfully in Carnegie Hall, was a major achievement for Johnson, becoming his most frequently performed extended work. It demonstrated vividly the possibility of assimilating contemporary popular music into the symphonic tradition.
Such a blend of musical elements was not entirely new: by 1924 both Milhaud and Gershwin had composed classical works that incorporated elements of jazz. Johnson, a serious musician more experienced than most classical composers with jazz, blues, spirituals, and popular music, was particularly suited to expand Milhaud's and Gershwin's experiments. In 1927 he completed his first large-scale work, the blues- and jazz-inspired Yamekraw, which included borrowings from spirituals and Johnson's own popular songs. Yamekraw, premiered successfully in Carnegie Hall, was a major achievement for Johnson, becoming his most frequently performed extended work. It demonstrated vividly the possibility of assimilating contemporary popular music into the symphonic tradition.
Question: 1
The passage states that Johnson composed all of the following EXCEPT
The passage states that Johnson composed all of the following EXCEPT
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When asked for an exception, focus on what is *not* explicitly stated in the passage.
Updated On: Oct 3, 2025
- jazz works
- popular songs
- symphonic music
- spirituals
blues pieces
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The Correct Option is C
Solution and Explanation
Step 1: Context interpretation.
The passage likely outlines the types of music that Johnson composed, with symphonic music being the exception.
Step 2: Analyze the options.
- (A): “Jazz works” are mentioned as part of his compositions.
- (B): “Popular songs” also align with his style of composition.
- (C): “Symphonic music” is not explicitly listed among the types of music Johnson composed. Thus, this is the exception.
- (D): “Spirituals” are likely part of his musical range, considering his era and influences.
- (E): “Blues pieces” fit within his known musical scope.
Step 3: Conclusion.
The correct answer is (C), as symphonic music is not mentioned among his compositions.
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Question: 2
The author suggests which of the following about most classical composers of the early 1920s?
The author suggests which of the following about most classical composers of the early 1920s?
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When analyzing passages about historical groups, look for contrasts in exposure or influences, such as the lack of knowledge of certain musical forms.
Updated On: Oct 3, 2025
- They were strongly influenced by the musical experiments of Milhaud and Gershwin.
- They had little working familiarity with such forms of American music as jazz, blues, and popular songs.
They made few attempts to introduce innovations into the classical symphonic tradition.
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The Correct Option is B
Solution and Explanation
Step 1: Context analysis.
The passage contrasts classical composers of the 1920s with emerging American music forms, such as jazz and blues.
Step 2: Analyze the options.
- (A): “Strongly influenced by Milhaud and Gershwin” isn’t fully supported by the passage; the focus is more on lack of familiarity.
- (B): This aligns with the passage, which suggests classical composers of that time had limited exposure to American music like jazz, blues, and popular songs.
- (C): The passage does not suggest that classical composers avoided innovation in the classical tradition.
Step 3: Conclusion.
Thus, the correct answer is (B), as the author highlights the limited familiarity of classical composers with American music.
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Question: 3
The author suggests that most critics have
The author suggests that most critics have
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For questions about critiques or neglect, focus on the author’s main criticism regarding recognition or lack thereof.
Updated On: Oct 3, 2025
- underrated the popularity of Yamekraw
- undervalued Johnson’s musical abilities
- had little interest in Johnson’s influence on jazz
- had little regard for classical works that incorporate popular music
neglected Johnson’s contribution to classical symphonic music
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The Correct Option is
Solution and Explanation
Step 1: Context analysis.
The passage points out that Johnson’s contributions to symphonic music are underappreciated.
Step 2: Analyze the options.
- (A): “Underrated the popularity of Yamekraw” isn’t a major theme discussed in the passage.
- (B): “Undervalued Johnson’s musical abilities” is somewhat accurate but not the primary focus.
- (C): “Had little interest in Johnson’s influence on jazz” is not the author’s main criticism.
- (D): “Had little regard for classical works that incorporate popular music” is not directly mentioned.
- (E): “Neglected Johnson’s contribution to classical symphonic music” aligns with the central critique in the passage about his underappreciation.
Step 3: Conclusion.
The correct answer is (E), as the author focuses on critics neglecting Johnson’s contributions to symphonic music.
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