Given:
\(2 < x < 10\)
So possible integer values for x are: \(\{3, 4, 5, 6, 7, 8, 9\}\) → 7 values
Also,
\(14 < y < 23\)
So possible integer values for y are: \(\{15, 16, 17, 18, 19, 20, 21, 22\}\) → 8 values
Let N = x + y. We now look at the possible values of N:
Maximum value of N = \(x = 9, y = 22 \Rightarrow N = 31\)
Minimum value of N = \(x = 3, y = 15 \Rightarrow N = 18\)
But the question says we are only interested in values where x = 9 (as per the example shown), so:
If \(x = 9\), then possible values of y: \(\{15, 16, 17, 18, 19, 20, 21, 22\}\)
So corresponding N values: \(\{24, 25, 26, 27, 28, 29, 30, 31\}\)
However, the passage states that x+y (i.e. N) can have only the values: \(\{26, 27, 28, 29, 30, 31\}\)
These are 6 distinct values of N.
∴ The number of different values N can take is 6.
For any natural number $k$, let $a_k = 3^k$. The smallest natural number $m$ for which \[ (a_1)^1 \times (a_2)^2 \times \dots \times (a_{20})^{20} \;<\; a_{21} \times a_{22} \times \dots \times a_{20+m} \] is:
The given sentence is missing in the paragraph below. Decide where it best fits among the options 1, 2, 3, or 4 indicated in the paragraph.
Sentence: While taste is related to judgment, with thinkers at the time often writing, for example, about “judgments of taste” or using the two terms interchangeably, taste retains a vital link to pleasure, embodiment, and personal specificity that is too often elided in post-Kantian ideas about judgment—a link that Arendt herself was working to restore.
Paragraph: \(\underline{(1)}\) Denneny focused on taste rather than judgment in order to highlight what he believed was a crucial but neglected historical change. \(\underline{(2)}\) Over the course of the seventeenth century and early eighteenth century, across Western Europe, the word taste took on a new extension of meaning, no longer referring specifically to gustatory sensation and the delights of the palate but becoming, for a time, one of the central categories for aesthetic—and ethical—thinking. \(\underline{(3)}\) Tracing the history of taste in Spanish, French, and British aesthetic theory, as Denneny did, also provides a means to recover the compelling and relevant writing of a set of thinkers who have been largely neglected by professional philosophy. \(\underline{(4)}\)