Affirmative action in the Indian context refers to policies and measures aimed at promoting the welfare of historically disadvantaged groups, primarily focusing on providing opportunities and resources to those who have been socially, economically, or educationally deprived.
The primary goal of affirmative action is to provide positive opportunities to deprived sections of society, such as Scheduled Castes (SC), Scheduled Tribes (ST), and Other Backward Classes (OBC), to ensure they have equal access to education, employment, and other important aspects of life. This is done through various measures like reservations in educational institutions, government jobs, and legislations that support their rights and upliftment.
The correct answer is: Providing positive opportunities to deprived sections, as this is the core idea behind affirmative action in India.
\(S.no\) | \(Festival\) | \(S.no\) | \(State\) |
---|---|---|---|
I | Kadalekayi Parishe | A | Gujarat |
II | Bohag Bihu | B | Orissa |
III | Uttarayan | C | Assam |
IV | Nuakhai | D | Karnataka |
From a very early age, I knew that when I grew up, I should be a writer. I had the lonely child's habit of making up stories and holding conversations with imaginary persons, and I think from the very start my literary ambitions were mixed up with the feeling of being isolated and undervalued. I knew that I had a facility with words and a power of facing unpleasant facts, and I felt that this created a sort of private world in which I could get my own back for my failure in everyday life. I wanted to write enormous naturalistic novels with unhappy endings, full of detailed descriptions and arresting similes, and also full of purple passages in which words were used partly for the sake of their sound. I give all this background information because I do not think one can assess a writer's motives without knowing something of his early development.
His subject-matter will be determined by the age he lives in — at least this is true in tumultuous, revolutionary ages like our own — but before he ever begins to write he will have acquired an emotional attitude from which he will never completely escape. It is his job to discipline his temperament, but if he escapes from his early influences altogether, he will have killed his impulse to write. I think there are four great motives for writing, at any rate for writing prose. They are: (i) Sheer egoism: Desire to seem clever, to be talked about, to be remembered after death, to get your own back on grown-ups who snubbed you in childhood; (ii) Aesthetic enthusiasm: Desire to share an experience which one feels is valuable and ought not to be missed (iii) Historical impulse: Desire to see things as they are, to find out true facts and store them up for the use of posterity (iv) Political purpose: Desire to push the world in a certain direction, to alter other people's idea of the kind of society that they should strive after.
[Extracted with edits from George Orwell's "Why I Write"]