Comprehension

You may laugh at a hat, but what you are making fun of, in this case, is not the piece of felt or straw, but the shape that men have given it, -- the human caprice whose mould it has assumed. It is strange that so important a fact, and such a simple one too, has not attracted to a greater degree the attention of philosophers. Several have de ned man as "an animal which laughs." They might equally well have de ned him as an animal which is laughed at; for if any other animal, or some lifeless object, produces the same effect, it is always because of some resemblance to man, of the stamp he gives it or the use he puts it to. 
Here I would point out, as a symptom equally worthy of notice, the ABSENCE OF FEELING which usually accompanies laughter. It seems as though the comic could not produce its disturbing effect unless it fell, so to say, on the surface of a soul that is thoroughly calm and unru ed. Indifference is its natural environment, for laughter has no greater foe than emotion. I do not mean that we could not laugh at a person who inspires us with pity, for instance, or evenwith affection, but in such a case we must, for the moment, put our affection out of court and impose silence upon our pity. In a society composed of pure intelligences there would probably be no more tears, though perhaps there would still be laughter; whereas highly emotional souls, in tune and unison with life, in whom every event would be sentimentally prolonged and re-echoed, would neither know nor understand laughter. Try, for a moment, to become interested in everything that is being said and done; act, in imagination, with those who act, and feel with those who feel; in a word, give your sympathy its widest expansion: as though at the touch of a fairy wand you will see the imsiest of objects assume importance, and a gloomy hue spread over everything. Now step aside, look upon life as a disinterested spectator: many a drama will turn into a comedy. It is enough for us to stop our ears to the sound of music, in a room where dancing is going on, for the dancers at once to appear ridiculous. How many human actions would stand a similar test? Should we not see many of them suddenly pass from grave to gay, on isolating them from the accompanying music of sentiment? To produce the whole of its effect, then, the comic demands something like a momentary anesthesia of the heart. Its appeal is to intelligence, pure and simple

Question: 1

What does the author BEST mean when they say, “it seems as though the comic could not produce its disturbing effect unless it fell, so to say, on the surface of a soul that is thoroughly calm and unruffled?”

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Humor and laughter are best appreciated when emotions like pity, sadness, or anger are suspended. Detachment allows the mind to perceive incongruity without interference from strong feelings.
Updated On: Sep 4, 2025
  • Unless one is emotionally detached from the event, it is impossible to appreciate a comical view.
  • To appreciate humour with an unsettling tone, people benefit from being in a calm state.
  • Comics are the most effective when the audience is unaware of the context.
  • Comical behaviour disturbs those more deeply whose minds are calm and composed.
  • Relaxed people tend to find edgy or disturbing comedy funnier.
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The Correct Option is A

Solution and Explanation

Step 1: Focus on the author’s statement.
The line in question highlights that comic effect works only when the “soul is thoroughly calm and unruffled.” This implies that laughter requires absence of deep emotional involvement. If a person is emotionally stirred—whether by pity, grief, or strong sentiment—laughter cannot occur.
Step 2: Interpret the role of detachment.
The passage stresses the “absence of feeling” as the natural environment of laughter. Thus, to appreciate something as comical, one must not be emotionally entangled in the situation. In other words, detachment allows for a humorous interpretation.
Step 3: Evaluate options.
- Option A: Correct. It directly reflects the author’s point that emotional detachment is necessary for a comical view. - Option B: Partly correct, but it narrows the meaning by focusing on “unsettling tone” rather than the general necessity of detachment. - Option C: Incorrect. The author does not discuss audience unawareness of context, but rather emotional detachment. - Option D: Incorrect. Calm and composed minds are not “disturbed more deeply”; rather, they enable humor. - Option E: Incorrect. Relaxed people enjoying “edgy/disturbing” comedy is not the point being made.
Step 4: Conclude.
The author emphasizes detachment from emotion as the essential condition for laughter. Therefore, Option A best captures the intended meaning.
Final Answer: \[ \boxed{\text{A}} \]
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Question: 2

Based on the passage, which of the following statements CANNOT be inferred?

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When tackling inference questions, be careful with absolute words like “only,” “always,” or “never.” They usually distort the author’s nuanced point.
Updated On: Sep 4, 2025
  • Comic happens in a setting of emotional detachment, having a sense of distance.
  • Inanimate objects can become a subject of laughter because they may project human characteristics.
  • Humour only springs from experiences that demand momentary anesthesia.
  • When strong emotions are involved, laughter cannot be evoked.
  • When you laugh at a hat, you laugh at a human being it represents.
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The Correct Option is C

Solution and Explanation

Step 1: Recall the main idea of the passage.
The passage stresses that laughter requires absence of deep feeling (emotional detachment). It can arise from objects resembling humans (like hats, animals, etc.) and cannot coexist with strong emotions like pity or sorrow.
Step 2: Check each option.
- Option A: True. The passage explicitly says laughter happens when the “soul is calm and unruffled,” i.e., emotional detachment. - Option B: True. The passage notes that even inanimate objects (like hats) can be laughed at when they carry resemblance to humans. - Option C: Incorrect. The passage says laughter is associated with absence of feeling, not that humor only springs from anesthesia-like experiences. The phrasing “only springs” overstates the case, making it not inferable. - Option D: True. The author stresses that strong emotions prevent laughter. - Option E: True. The author mentions laughing at a hat but actually at the human it represents.
Step 3: Conclude.
The only option that CANNOT be inferred is (C).
Final Answer: \[ \boxed{\text{C}} \]
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Question: 3

Based on the passage, which of the following statements will the author BEST agree with?

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For “author would BEST agree” questions, focus on the overall philosophy of the passage, not isolated phrases. Match the option that captures the central theme.
Updated On: Sep 4, 2025
  • Comedy is simply a funny way of being serious.
  • Life is a tragedy when seen in close up but a comedy in long-shot.
  • Comedy is an escape, not from truth but from despair.
  • A person who knows how to laugh at himself will never cease to be amused.
  • Comedy is but tragedy, cunningly disguised and popularized for the multitude.
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The Correct Option is B

Solution and Explanation

Step 1: Recall the passage’s perspective.
The passage emphasizes detachment and looking at life as a “disinterested spectator.” It suggests that from a calm, distant view, drama can turn into comedy, since emotions are absent.
Step 2: Check each option.
- Option A: Too simplistic. The author does not say comedy is just another way of being serious. - Option B: Correct. This matches the author’s argument that life, when viewed from close with emotions, appears tragic, but when seen with detachment (long-shot), it can become comic. - Option C: Incorrect. The passage does not frame comedy as an “escape from despair,” but rather as a perspective requiring detachment. - Option D: Too individualistic. The passage is about general conditions of laughter, not self-laughter. - Option E: Incorrect. The author does not reduce comedy to disguised tragedy.
Step 3: Conclude.
Option B perfectly aligns with the author’s philosophy of comedy.
Final Answer: \[ \boxed{\text{B}} \]
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