Comprehension

You may laugh at a hat, but what you are making fun of, in this case, is not the piece of felt or straw, but the shape that men have given it, -- the human caprice whose mould it has assumed. It is strange that so important a fact, and such a simple one too, has not attracted to a greater degree the attention of philosophers. Several have de ned man as "an animal which laughs." They might equally well have de ned him as an animal which is laughed at; for if any other animal, or some lifeless object, produces the same effect, it is always because of some resemblance to man, of the stamp he gives it or the use he puts it to. 
Here I would point out, as a symptom equally worthy of notice, the ABSENCE OF FEELING which usually accompanies laughter. It seems as though the comic could not produce its disturbing effect unless it fell, so to say, on the surface of a soul that is thoroughly calm and unru ed. Indifference is its natural environment, for laughter has no greater foe than emotion. I do not mean that we could not laugh at a person who inspires us with pity, for instance, or evenwith affection, but in such a case we must, for the moment, put our affection out of court and impose silence upon our pity. In a society composed of pure intelligences there would probably be no more tears, though perhaps there would still be laughter; whereas highly emotional souls, in tune and unison with life, in whom every event would be sentimentally prolonged and re-echoed, would neither know nor understand laughter. Try, for a moment, to become interested in everything that is being said and done; act, in imagination, with those who act, and feel with those who feel; in a word, give your sympathy its widest expansion: as though at the touch of a fairy wand you will see the imsiest of objects assume importance, and a gloomy hue spread over everything. Now step aside, look upon life as a disinterested spectator: many a drama will turn into a comedy. It is enough for us to stop our ears to the sound of music, in a room where dancing is going on, for the dancers at once to appear ridiculous. How many human actions would stand a similar test? Should we not see many of them suddenly pass from grave to gay, on isolating them from the accompanying music of sentiment? To produce the whole of its effect, then, the comic demands something like a momentary anesthesia of the heart. Its appeal is to intelligence, pure and simple

Question: 1

What does the author BEST mean when they say, “it seems as though the comic could not produce its disturbing effect unless it fell, so to say, on the surface of a soul that is thoroughly calm and unruffled?”

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Humor and laughter are best appreciated when emotions like pity, sadness, or anger are suspended. Detachment allows the mind to perceive incongruity without interference from strong feelings.
Updated On: Dec 17, 2025
  • Unless one is emotionally detached from the event, it is impossible to appreciate a comical view.
  • To appreciate humour with an unsettling tone, people benefit from being in a calm state.
  • Comics are the most effective when the audience is unaware of the context.
  • Comical behaviour disturbs those more deeply whose minds are calm and composed.
  • Relaxed people tend to find edgy or disturbing comedy funnier.
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The Correct Option is A

Approach Solution - 1

To understand what the author meant by saying "it seems as though the comic could not produce its disturbing effect unless it fell, so to say, on the surface of a soul that is thoroughly calm and unruffled," we need to analyze the idea presented in the provided reading passage. 

  1. The passage discusses how laughter typically occurs in an environment devoid of strong emotions. The author suggests that for something to be perceived as comic, the observer needs to be emotionally detached.
  2. This concept is highlighted by the phrase "absence of feeling" accompanying laughter. Laughter, according to the text, has no greater foe than emotion. This implies that to find something funny, individuals must temporarily suppress their emotions like pity or affection.
  3. The passage further explains that if someone becomes deeply involved or connected emotionally, many jokes or comical situations might lose their humor and become serious. Thus, it suggests a calm state of mind is necessary to fully appreciate comedy.
  4. Among the given options, “Unless one is emotionally detached from the event, it is impossible to appreciate a comical view” accurately captures this idea. This option emphasizes the need for emotional detachment, aligning with the author's point that a calm, detached demeanor is needed for humor to evoke laughter effectively.
  5. The other options do not closely align with the author’s mention of the need for a "thoroughly calm and unruffled" state. Instead, they imply conditions such as humor being unsettling or requiring ignorance of context, which are not supported by the passage.

In conclusion, the key idea is that emotional neutrality allows for a better appreciation of comedy, thus making the correct answer “Unless one is emotionally detached from the event, it is impossible to appreciate a comical view.”

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Approach Solution -2

Step 1: Focus on the author’s statement.
The line in question highlights that comic effect works only when the “soul is thoroughly calm and unruffled.” This implies that laughter requires absence of deep emotional involvement. If a person is emotionally stirred—whether by pity, grief, or strong sentiment—laughter cannot occur.
Step 2: Interpret the role of detachment.
The passage stresses the “absence of feeling” as the natural environment of laughter. Thus, to appreciate something as comical, one must not be emotionally entangled in the situation. In other words, detachment allows for a humorous interpretation.
Step 3: Evaluate options.
- Option A: Correct. It directly reflects the author’s point that emotional detachment is necessary for a comical view. - Option B: Partly correct, but it narrows the meaning by focusing on “unsettling tone” rather than the general necessity of detachment. - Option C: Incorrect. The author does not discuss audience unawareness of context, but rather emotional detachment. - Option D: Incorrect. Calm and composed minds are not “disturbed more deeply”; rather, they enable humor. - Option E: Incorrect. Relaxed people enjoying “edgy/disturbing” comedy is not the point being made.
Step 4: Conclude.
The author emphasizes detachment from emotion as the essential condition for laughter. Therefore, Option A best captures the intended meaning.
Final Answer: \[ \boxed{\text{A}} \]
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Question: 2

Based on the passage, which of the following statements CANNOT be inferred?

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When tackling inference questions, be careful with absolute words like “only,” “always,” or “never.” They usually distort the author’s nuanced point.
Updated On: Dec 17, 2025
  • Comic happens in a setting of emotional detachment, having a sense of distance.
  • Inanimate objects can become a subject of laughter because they may project human characteristics.
  • Humour only springs from experiences that demand momentary anesthesia.
  • When strong emotions are involved, laughter cannot be evoked.
  • When you laugh at a hat, you laugh at a human being it represents.
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The Correct Option is C

Approach Solution - 1

To determine which statement CANNOT be inferred from the passage, we examine each given option against the information provided in the comprehension. 

Comic happens in a setting of emotional detachment, having a sense of distance.

Explanation: The passage explicitly states that laughter requires an indifferent environment and is opposed by emotion. This suggests that the comic effect occurs when there is a sense of distance or detachment.

Inference: This statement can be inferred from the passage.

Inanimate objects can become a subject of laughter because they may project human characteristics.

Explanation: The passage talks about how inanimate objects or animals can evoke laughter when they resemble humans or reflect human traits. This correlation lies at the heart of their comedic potential.

Inference: This statement can be inferred from the passage.

Humour only springs from experiences that demand momentary anesthesia.

Explanation: While the passage discusses the concept of "momentary anesthesia of the heart" as a condition for experiencing humor, it does not say that humor only arises from such experiences. It suggests that this anesthesia is typical for comedy but does not classify it as the sole derivation source.

Inference: This statement cannot be fully inferred from the passage as it overgeneralizes the conditions under which humor arises.

When strong emotions are involved, laughter cannot be evoked.

Explanation: The passage mentions that laughter opposes strong emotions, which aligns with this statement. It implies that strong emotions could inhibit laughter.

Inference: This statement can be inferred from the passage.

When you laugh at a hat, you laugh at a human being it represents.

Explanation: The passage explains that laughing at an object like a hat is essentially laughing at the human characteristics or creations it symbolizes.

Inference: This statement can be inferred from the passage.

Conclusion: The statement

Humour only springs from experiences that demand momentary anesthesia.

cannot be directly inferred from the passage, making it the correct answer.

 

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Approach Solution -2

Step 1: Recall the main idea of the passage.
The passage stresses that laughter requires absence of deep feeling (emotional detachment). It can arise from objects resembling humans (like hats, animals, etc.) and cannot coexist with strong emotions like pity or sorrow.
Step 2: Check each option.
- Option A: True. The passage explicitly says laughter happens when the “soul is calm and unruffled,” i.e., emotional detachment. - Option B: True. The passage notes that even inanimate objects (like hats) can be laughed at when they carry resemblance to humans. - Option C: Incorrect. The passage says laughter is associated with absence of feeling, not that humor only springs from anesthesia-like experiences. The phrasing “only springs” overstates the case, making it not inferable. - Option D: True. The author stresses that strong emotions prevent laughter. - Option E: True. The author mentions laughing at a hat but actually at the human it represents.
Step 3: Conclude.
The only option that CANNOT be inferred is (C).
Final Answer: \[ \boxed{\text{C}} \]
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Question: 3

Based on the passage, which of the following statements will the author BEST agree with?

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For “author would BEST agree” questions, focus on the overall philosophy of the passage, not isolated phrases. Match the option that captures the central theme.
Updated On: Dec 17, 2025
  • Comedy is simply a funny way of being serious.
  • Life is a tragedy when seen in close up but a comedy in long-shot.
  • Comedy is an escape, not from truth but from despair.
  • A person who knows how to laugh at himself will never cease to be amused.
  • Comedy is but tragedy, cunningly disguised and popularized for the multitude.
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The Correct Option is B

Approach Solution - 1

The question requires us to determine which statement the author would most likely agree with based on the provided passage. Let's analyze the passage to identify the author's main idea and how it relates to the given options.

The passage explains that humor often arises from detachment and a lack of emotional involvement. The author suggests that by stepping back and viewing life from a distance or with disinterest, situations that typically appear serious may seem comedic. The passage points out that laughter is often tied to the absence of emotion and is more about intellectual detachment than emotional involvement.

Now, let's examine the options:

  1. Comedy is simply a funny way of being serious.
    - This contradicts the passage as it emphasizes laughter arising from detachment rather than the seriousness being presented in a funny manner.
  2. Life is a tragedy when seen in close up but a comedy in long-shot.
    - This aligns perfectly with the passage's argument. The author claims that viewing life from a detached point of view can turn serious, emotional scenarios into comedic ones.
  3. Comedy is an escape, not from truth but from despair.
    - This option introduces the idea of 'escape' which isn't directly addressed in the passage. The passage focuses on detached observation rather than escape.
  4. A person who knows how to laugh at himself will never cease to be amused.
    - This speaks of self-directed humor, which isn't directly discussed in the context of the passage.
  5. Comedy is but tragedy, cunningly disguised and popularized for the multitude.
    - This suggests the idea of comedy being crafted from tragedy, but the passage talks more about perspective and detachment rather than disguise.

Based on these analyses, the statement the author would MOST agree with is:

Life is a tragedy when seen in close up but a comedy in long-shot.

The author emphasizes that detachment turns drama into comedy, and hence, this statement effectively encapsulates the author's viewpoint of how perspective changes our interpretations of life events.

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Approach Solution -2

Step 1: Recall the passage’s perspective.
The passage emphasizes detachment and looking at life as a “disinterested spectator.” It suggests that from a calm, distant view, drama can turn into comedy, since emotions are absent.
Step 2: Check each option.
- Option A: Too simplistic. The author does not say comedy is just another way of being serious. - Option B: Correct. This matches the author’s argument that life, when viewed from close with emotions, appears tragic, but when seen with detachment (long-shot), it can become comic. - Option C: Incorrect. The passage does not frame comedy as an “escape from despair,” but rather as a perspective requiring detachment. - Option D: Too individualistic. The passage is about general conditions of laughter, not self-laughter. - Option E: Incorrect. The author does not reduce comedy to disguised tragedy.
Step 3: Conclude.
Option B perfectly aligns with the author’s philosophy of comedy.
Final Answer: \[ \boxed{\text{B}} \]
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