Many Asian cultures are characterized as collectivistic due to their perception of the self in relation to others and the environment. Unlike individualistic cultures where the boundary between the self and others is relatively fixed, collectivistic cultures view these boundaries as fluid. This fluidity means that at times, the self may deeply connect with the group and the larger community (including nature and the cosmos), and at other times, more individual separation may be observed. This dynamic allows for a cultural ethos where the collective well-being is often prioritized over individual desires, promoting harmony, and interdependence.
Therefore, the correct option is: The boundary between self and others is shifting, thus at times fusing with the cosmos and at other times fully withdrawn.
Most Asian cultures are considered collectivistic because they emphasize the importance of the group over the individual. In these cultures, the self is often viewed as interconnected with others, allowing for varying degrees of fusion with the community and a recognition of interconnectedness. This contrasts with individualistic cultures, where the self is seen as a distinct entity, emphasizing personal goals, independence, and self-expression. In collectivistic cultures, harmony, relationships, and social responsibilities are prioritized over individual achievement.
Rearrange the parts to form a coherent sentence:
A) when it is no longer fun.
B) stop doing something
C) if you're not growing
D) or learning from it
A consumer experiences the following total utility from consuming a certain good:
If the price per unit is ₹4, at what quantity does the consumer stop purchasing under the equilibrium condition where M U m = 5?
The Darsanams of the Gosangi
Over the costumes, Gosangi wears various objects made up of leather, shells, metal and threads as ornaments. Traditionally, the prominent among them is known as Darsanam-s, which literally means vision or suggesting that which is visible. There are altogether seven Darsanams, which can be neither considered as costumes nor ornaments. But, for an outsider, they may look like ornaments. The first Darsanam that Gosangi wears,cover chest and the back. This is traditionally identified as Rommu Darsanam or Sanku Darsanam. The second one is tied around the neck and called as Kanta Darsanam. The third and fourth ones are tied around the arms of left and right hands. The fifth and sixth ones are tied to the left and right wrists. (For these specific names are mentioned by the performers). The seventh one is known as Siro Darsanam, and it is tied around the already tied hair (koppu). The performers also know all these Dasanam except the Rommu Darsanam and Dasthavejulu (records).
Percussive Musical Instruments of India
India is very rich in the number and variety of musical instruments. From time immemorial, musical instruments have been connected with various Gods and goddesses according to mythol ogy. Musical Instruments have been classified into Thata, Avanadha, Ghana and Sushira. We came across this classification first in Natyashastra. Thata variety, is an instrument with strings and played by plucking or bowing. The instruments like Veena, Sitar, violin, Sarangi etc. come under this category. The Avandha variety are instruments with skin-covered heads, and are played by beating on both sides or one side. Mridangam, Pakhawaj, Tabla etc. come under this category. Ghana vadyas are those made with metal content. Manjira, Ghatom etc. are some of the examples of Ghana Vadya. Sushira Vadya are those instruments with holes and make the sound by blowing air through the holes. Flute, Nagaswaram, Saxophone, Clarinet are some of the examples.