The question asks about a specific chronicle that states the entire kingdom must follow the king’s orders. This is a historical inquiry into how royal decrees were recorded and perceived in terms of governance within a kingdom.
Among the given options, "Akbar Nama" is the correct answer. "Akbar Nama" is a historical document authored by Abul Fazl, which chronicles the reign of the Mughal Emperor Akbar. It is known for detailing the administrative system, culture, and lives during Akbar's rule, making it a significant source of understanding the centralized power and importance of royal commands requiring adherence throughout the empire.
Chronicle | Description |
---|---|
Urdu Akhbar | A publication likely related to later periods, not specific to royal commands of Akbar's era. |
Badshah Nama | Chronicles the reign of Shah Jahan, another Mughal Emperor, focusing on different achievements and events. |
Akbar Nama | Documents the reign of Akbar and explicitly states that the kingdom must follow the king’s orders. |
Kitabkhana | A term related to a library or repository of books rather than a specific chronicle. |
From the table above, it's evident that "Akbar Nama" specifically relates to the notion of royal orders being imperative for the kingdom to follow, aligning with the context of the question. This key interpretation of governance underpins Akbar's legacy as a ruler whose policies had widespread impact and compliance.
The correct answer is Ain-i-Akbari, part of Akbarnama, authored by Abul Fazl.
Key Evidence from Ain-i-Akbari:
The imperial karkhanas
Bernier is perhaps the only historian who provides a detailed account of the working of the imperial karkhanas or workshops:
Large halls are seen at many places, called karkhanas or workshops for the artisans. In one hall, embroiderers are busily employed, superintended by a master. In another, you see the goldsmiths; in a third, painters; in a fourth, varnishers in lacquer-work; in a fifth, joiners, turners, tailors and shoe-makers; in a sixth, manufacturers of silk, brocade and fine muslins …
The artisans come every morning to their karkhanas where they remain employed the whole day; and in the evening return to their homes. In this quiet regular manner, their time glides away; no one aspiring for any improvement in the condition of life wherein he happens to be born.
How did Bernier’s description reflect the economic significance of the karkhanas in the Mughal empire?
The imperial karkhanas
Bernier is perhaps the only historian who provides a detailed account of the working of the imperial karkhanas or workshops:
Large halls are seen at many places, called karkhanas or workshops for the artisans. In one hall, embroiderers are busily employed, superintended by a master. In another, you see the goldsmiths; in a third, painters; in a fourth, varnishers in lacquer-work; in a fifth, joiners, turners, tailors and shoe-makers; in a sixth, manufacturers of silk, brocade and fine muslins …
The artisans come every morning to their karkhanas where they remain employed the whole day; and in the evening return to their homes. In this quiet regular manner, their time glides away; no one aspiring for any improvement in the condition of life wherein he happens to be born.
Analyse the relationship between the Mughal empire and its artisans.
The imperial karkhanas
Bernier is perhaps the only historian who provides a detailed account of the working of the imperial karkhanas or workshops:
Large halls are seen at many places, called karkhanas or workshops for the artisans. In one hall, embroiderers are busily employed, superintended by a master. In another, you see the goldsmiths; in a third, painters; in a fourth, varnishers in lacquer-work; in a fifth, joiners, turners, tailors and shoe-makers; in a sixth, manufacturers of silk, brocade and fine muslins …
The artisans come every morning to their karkhanas where they remain employed the whole day; and in the evening return to their homes. In this quiet regular manner, their time glides away; no one aspiring for any improvement in the condition of life wherein he happens to be born.
How did the crafts in the karkhanas reflect the cultural diversity of the Mughal empire?