Bhatta Nayaka's Rasa theory is based on 'Sadharanikarana', which means the process of making the emotions of a performer universally accessible to the audience, allowing them to experience the rasa, or essence, of the emotions conveyed in a performance.
List-I(Sthayi Bhavas) | List-II(Rasas) | ||
|---|---|---|---|
| A | Vismaya | I | Veera |
| B | Krodha | II | Shringara |
| C | Utsaha | III | Adbhuta |
| D | Rati | IV | Roudra |
