The word "perennial" refers to something that lasts for a long time or is constant.
The antonym of "perennial" would describe something that is not long-lasting or temporary.
The correct antonym of "perennial" is "temporary".
The word "metamorphosis" refers to a complete change or transformation, especially in the form or structure of an organism.
The synonym of "metamorphosis" is "transformation", as both words refer to a significant change in appearance or form.
The correct answer is "Transformation".
The correct answer is "A blockbuster animated film".
"Finding Nemo" is a famous animated film, which is why option (B) is the correct choice.
The other options refer to organizations or entities mentioned in the passage, but they are not related to the film "Finding Nemo".
The correct answer is "A blockbuster animated film".
The correct one-word substitute for "a place to brood eggs of hens and fish" is "Hatchery".
A "hatchery" is a place where eggs of various species, including hens and fish, are hatched and raised.
Since none of these terms match the meaning of a place where eggs are hatched, they are incorrect options.
The correct answer is "Hatchery".
According to the passage, NBFGR helps villagers in Maharashtra’s mangrove belt make a living by “cashing in on the popularity of clownfish.”
The phrase "cashing in on" means taking advantage of a demand or market opportunity. In this context, it refers to utilizing the popularity of clownfish to create income opportunities for villagers.
The correct answer is:
(A) Cashing in on the popularity of clownfish
The correct answer is "cashing in on the popularity of clownfish".
Passage: Toru Dutt is considered the earliest Indian female writer in English. She travelled extensively in Europe from a young age with her family. She and her sister Aru became fascinated with Paris and French literature. In London, they came in contact with such august personages such as Sir Bartle Frere, the Gover- nor of Bombay from 1862 to 1867, and Sir Edward Ryan, the Chief Justice of the Supreme Court, Calcutta, from 1837 to 1843. Toru Dutt was greatly influenced in her writings by French Romantic poets like Victor Hugo and English writers like Elizabeth Browning, John Keats, Charlotte Bronte and Jane Austen. She was also intrigued by the legends and myths of India, and even learned Sanskrit. Her writings were marked by romantic melancholia and an obsession and preoccupation with death. This was partly due to her suffering and pain following the early tragic deaths of her siblings, especially her older sister Aru, with whom she was quite close. Her chosen subjects often portrayed separation, loneliness, captivity, dejec- tion, declining seasons and untimely death. She led an ”Ivory Tower existence” and her own death came quite early, at the age of 21, in the full bloom of her talent and on the eve of the awakening of her genius. Toru Dutt’s most famous work is A Sheaf Gleaned in French Fields, an anthology of poems translated from French to English. It also contained a few original poems that showcase her vast insight into French literature. She used to publish poems in the Bengal Magazine, under the pseudonym ”TD”. But most of her powerful work was published posthumously, in- cluding the French novel Le Journal de Mademoiselle D’Arvers and the unfinished English novel Bianca, or, the Young Spanish Maiden. Her work Ancient Ballads and Legends of Hindustan depicts a shrewd knowledge of Hindu mythology and an instinctive empathy with the conditions of life they represent. An assimilation of the Occident and the Orient nourished Toru’s poetic skills; in her, we find a tripartite influence of a French education, lectures at Cambridge and the study of Sanskrit literature.
“Why do they pull down and do away with crooked streets, I wonder, which are my delight, and hurt no man living? Every day the wealthier nations are pulling down one or another in their capitals and their great towns: they do not know why they do it; neither do I. It ought to be enough, surely, to drive the great broad ways which commerce needs and which are the life-channels of a modern city, without destroying all history and all the humanity in between: the islands of the past.”
(From Hilaire Belloc’s “The Crooked Streets”)
Based only on the information provided in the above passage, which one of the following statements is true?
“Why do they pull down and do away with crooked streets, I wonder, which are my delight, and hurt no man living? Every day the wealthier nations are pulling down one or another in their capitals and their great towns: they do not know why they do it; neither do I. It ought to be enough, surely, to drive the great broad ways which commerce needs and which are the life-channels of a modern city, without destroying all history and all the humanity in between: the islands of the past.” (From Hilaire Belloc’s “The Crooked Streets”)
Based only on the information provided in the above passage, which one of the following statements is true?