Mughal chronicles portrayed the emperors as supreme sovereigns primarily because the imperial ideology (or vision of empire) positioned the emperor as the pivotal, divinely-sanctioned ruler whose authority was absolute and unchallenged.
Divine Kingship (Farr-i-Izadi):
Centralized Authority:
Patronage & Symbolism:
Contrast with Regional Rulers:
The Mughal state’s self-image—crafted by court historians—was that of a centralized, indivisible empire where the emperor alone embodied sovereignty. This ideological projection, rather than ground realities (e.g., rebellions, noble factions), dominated chronicles.
Example:
Abul Fazl’s Akbarnama erases dissent, portraying Akbar as the sole architect of empire—a deliberate political narrative.
Thus, the chronicles’ portrayal reflected the imperial vision, not necessarily the fragmented political realities of the time.