Question

In the paintings from Pablo Picasso’s blue period, colours are chosen from one part of the colour-wheel. They yield tonality of blue, in spite of the presence of yellowish green, bluish green, bluish purple and so on. Therefore, it can be said that tonality is an outcome of:

• A. Split complementary combination
• B. Double complementary combination
• C. Simple analogous combination
• D. Triadic colour combination

Hint:

Analogous color schemes use colors adjacent on the color wheel, creating a harmonious and soothing effect in visual compositions.

Answer 1

The Correct Option is C

1. Understanding the Blue Period:
- Picasso's blue period predominantly used shades and tones of blue, often accompanied by neighboring colors on the color wheel such as bluish green, bluish purple, and yellowish green.
- These neighboring colors maintain a harmonious tonality, which is a hallmark of an analogous color scheme.
2. Analysis of Color Combinations:
- Option A (Split complementary combination): Involves using one base color and the two colors adjacent to its complementary color. This does not align with the blue period's tonality.
- Option B (Double complementary combination): Involves two complementary color pairs, which is not evident in the paintings.
- Option C (Simple analogous combination): Involves colors adjacent to each other on the color wheel, creating a unified and harmonious tonality. This matches Picasso's blue period perfectly.
- Option D (Triadic color combination): Uses three colors evenly spaced on the color wheel, which does not align with the observed tonality.
Conclusion: The tonality in Picasso’s blue period paintings is an outcome of a simple analogous combination.