In the 1980s there was a proliferation of poetry collections, short stories, and novels published by women of Latin American descent in the United States. By the end of the decade, another genre of U.S. Latina writing, the autobiography, also came into prominence with the publication of three notable autobiographical collections: Loving in the War Years: Lo Que Nunca Pasó Por Sus Labios, by Cherríe Moraga; Getting Home Alive, by Aurora Levins Morales and Rosario Morales; and Borderlands/ La Frontera, by Gloria Anzaldúa.
These collections are innovative at many levels. They confront traditional linguistic boundaries by using a mix of English and Spanish, and they each address the politics of multiple cultural identities by exploring the interrelationships among such factors as ethnicity, gender, and language. This effort manifests itself in the generically mixed structure of these works, which combine essays, sketches, short stories, poems, and journal entries without, for the most part, giving preference to any of these modes of presentation.br> In Borderlands/La Frontera, Anzaldúa presents her personal history and the history of the Mexican American community to which she belongs by juxtaposing narrative sequences and poetry. Moraga’s Loving in the War Years is likewise characterized by a mixture of genres, and, as she states in her introduction, the events in her life story are not arranged chronologically, but rather in terms of her political development. According to one literary critic who specializes in the genre of autobiography, this departure from chronological ordering represents an important difference between autobiographies written by women and those traditionally written by men. Getting Home Alive departs even further from the conventions typical of autobiography by bringing together the voices of two people, a mother and her daughter, each of whom authors a portion of the text. The narratives and poems of each author are not assigned to separate sections of the text, but rather are woven together, with a piece by one sometimes commenting on a piece by the other. While this ordering may seem fragmentary and confusing, it is in fact a fully intentional and carefully designed experiment with literary structure. In a sense, this mixing of structures parallels the content of these autobiographies: the writers employ multigeneric and multivocal forms to express the complexities inherent in the formation of their identities.
The passage mentions which of the following as a feature of the 1980s postmodernist wave?
Show Hint
- It resisted Frye’s fixing of meaning with the contention that the text is fluid.
- It led the deconstruction of Anatomy of Deconstruction.
- It condemned Frye’s censure of the canonized literature of dead white males.
- All of the above.
The Correct Option is D
Solution and Explanation
The 1980s postmodernist wave introduced several key features mentioned in the passage, aligning with the options provided. Firstly, this era resisted Frye’s fixing of meaning by suggesting that the text is fluid. This concept focuses on the evolving nature of texts and the varied interpretations they can have, reflecting a fluid, dynamic quality consistent with postmodernist literature. Secondly, the passage indicates that there was an engagement in the deconstruction of established norms, which aligns with the mentioned topic of 'deconstructing Anatomy of Deconstruction'. Finally, there was an underlying critique against the canonization of white male dominated literature, reflecting the idea that postmodernism sought to challenge such traditional literary standards. Therefore, the characteristics discussed in the passage align with all the options provided:
- Resisting fixed texts with fluid interpretations.
- Engaging in deconstructive practices.
- Critiquing canonized, traditional literary views.
Therefore, the correct feature of the 1980s postmodernist wave, as mentioned, incorporates all of the above elements, supporting the correct answer: All of the above.
According to the passage; romance, comedy, tragedy and irony are:
Show Hint
- common symbols that populate all of literature.
- the four essential moulds into which every story could be fit.
- Atwood’s interpretation of ancient myths that abound in contemporary novels.
- Jungian archetypes that perpetuate themselves in canonical texts.
The Correct Option is B
Solution and Explanation
The passage discusses various literary forms and innovations, particularly those brought to prominence by Latina women in the United States during the 1980s. It touches on the blending of different genres and the departure from traditional structures, particularly in autobiographies. Regarding the specific question, the passage doesn't directly reference romance, comedy, tragedy, and irony. However, it implies that these elements represent fundamental storytelling types or structures.
Given the options, let's evaluate:
Common symbols that populate all of literature - The passage doesn't suggest that romance, comedy, tragedy, and irony are symbols present throughout all literature.
The four essential moulds into which every story could be fit - This option aligns with the idea of fundamental storytelling types that can categorize stories, echoing the passage's theme of structuring and categorizing literature in innovative ways.
Atwood’s interpretation of ancient myths that abound in contemporary novels - The passage does not discuss Atwood or her interpretations of myths.
Jungian archetypes that perpetuate themselves in canonical texts - While Jungian archetypes can be relevant, the passage doesn't directly connect these elements to Jungian theory or canonical texts.
Therefore, the most fitting answer is that romance, comedy, tragedy, and irony are the four essential moulds into which every story could be fit.
In the context of the passage, the word “soluble” means:
Show Hint
- decipherable
- slippery
- polysemic
- interpretable
The Correct Option is C
Solution and Explanation
The question asks for the meaning of "soluble" in the context of the passage. To determine this, we need to understand the themes and descriptions given in the passage.
The passage discusses the innovative and experimental nature of U.S. Latina autobiographies from the 1980s, focusing on how these works transcend traditional boundaries by integrating multiple languages and genres. It reflects on the blended and multifaceted nature of the autobiographies, where different literary forms like essays, poems, and narratives are mixed in a non-traditional, non-chronological order.
Based on this, "soluble" in the context refers to something capable of being dissolved or combined into a single entity, highlighting the merging of genres and cultural identities. Therefore, the term "polysemic," which means having multiple meanings or interpretations, fits perfectly with the context of conveying complex cultural and identity issues through a blend of narrative forms.
Correct answer: polysemic
Top Questions on Reading Comprehension
- ”In recent years, technological advancements in AI and machine learning have fundamentally altered how we approach daily tasks. The growing reliance on these systems brings both challenges and opportunities, especially in areas like automation, healthcare, and customer service.”
What is the primary concern regarding the increased use of AI in daily tasks as mentioned in the passage?
- NMAT - 2025
- English Language Comprehension
- Reading Comprehension
Meta is recalibrating content on its social media platforms as the political tide has turned in Washington, with Mark Zuckerberg announcing last week that his company plans to fire its US fact-checkers. Fact-checking evolved in response to allegations of misinformation and is being watered down in response to accusations of censorship. Social media does not have solutions to either. Community review — introduced by Elon Musk at X and planned by Zuckerberg for Facebook and Instagram — is not a significant improvement over fact-checking. Having Washington lean on foreign governments over content moderation does not benefit free speech. Yet, that is the nature of the social media beast, designed to amplify bias.
Information and misinformation continue to jostle on social media at the mercy of user discretion. Social media now has enough control over all other forms of media to broaden its reach. It is the connective tissue for mass consumption of entertainment, and alternative platforms are reworking their engagement with social media. Technologies are shaping up to drive this advantage further through synthetic content targeted precisely at its intended audience. Meta’s algorithm will now play up politics because it is the flavour of the season.
The Achilles’ Heel of social media is informed choice which could turn against misinformation. Its move away from content moderation is driven by the need to be more inclusive, yet unfiltered content can push users away from social media towards legacy forms that have better moderation systems in place. Lawmakers across the world are unlikely to give social media a free run, even if Donald Trump is working on their case. Protections have already been put in place across jurisdictions over misinformation. These may be difficult to dismantle, even if the Republicans pull US-owned social media companies further to the right.
Media consumption is, in essence, evidence-based judgement that mediums must adapt to. Content moderation, not free speech, is the adaptation mechanism. Musk and Zuckerberg are not exempt- IPMAT - 2025
- Verbal and Logical Ability
- Reading Comprehension
According to the French philosopher Jean Baudrillard, commodities available for consumption are not inherently negative things. Baudrillard tried to interpret consumption in modern societies by engaging with the ’cargo myth’ prevalent among the indigenous Melanesian people living in the South Pacific. The Melanesians did not know what aeroplanes were. However,they saw that these winged entities descended from the air for white people and appeared to make them happy. They also noted that aeroplanes never descended for the Melanesian people. The Melanesian natives noted that the white people had placed objects similar to the aeroplane on the ground. They concluded that these objects were attracting the aeroplanes in the air and bringing them to the ground. Through a magical process, the aeroplanes were bringing plenty to the white people and making them happy. The Melanesian people concluded that they would need to place objects that simulated the aeroplane on the ground and attract them from the air. Baudrillard believes that the cargo myth holds an important analogy for the ways in which consumers engage with objects of consumption.
According to Baudrillard, the modern consumer ”sets in place a whole array of sham objects, of characteristic signs of happiness, and then waits for happiness to alight”. For instance, modern consumers believe that they will get happiness if they buy the latest available version of a mobile phone or automobile. However, consumption does not usually lead to happiness. While consumers should ideally be blaming their heightened expectations for their lack of happiness, they blame the commodity instead.
They feel that they should have waited for the next version of a mobile phone or automobile before buying the one they did. The version they bought is somehow inferior and therefore cannot make them happy. Baudrillard argues that consumers have replaced ’real’ happiness with ’signs’ of happiness. This results in the endless deferment of the arrival of total happiness. In Baudrillard’s words, ”in everyday practice, the blessings of consumption are not experienced as resulting from work or from a production process; they are experienced as a miracle”. Modern consumers view consumption in the same magical way as the Melanesian people viewed the aeroplanes in the cargo myth. Television commercials also present objects of consumption as miracles. As a result, commodities appear to be distanced from the social processes which lead to their production. In effect, objects of consumption are divorced from the reality which produces them.- IPMAT - 2025
- Verbal and Logical Ability
- Reading Comprehension
CONVERSATION ANALYSIS: Read the following transcript and choose the answer that is closest to each of the questions that are based on the transcript.
Lucia Rahilly (Global Editorial Director, The McKinsey Podcast): Today we’re talking about the next big arenas of competition, about the industries that will matter most in the global business landscape, which you describe as arenas of competition. What do we mean when we use this term?
Chris Bradley (Director, McKinsey Global Institute): If I go back and look at the top ten companies in 2005, they were in traditional industries such as oil and gas, retail, industrials, and pharmaceuticals. The average company was worth about $250 billion. If I advance the clock forward to 2020, nine in ten of those companies have been replaced, and by companies that are eight times bigger than the old guards.
And this new batch of companies comes from these new arenas or competitive sectors. In fact, they’re so different that we have a nickname for them. If you’re a fan of Harry Potter, it’s wizards versus muggles.
Arena industries are wizardish; we found that there’s a set of industries that play by very different set of economic rules and get very different results, while the rest, the muggles (even though they run the world, finance the world, and energize the world), play by a more traditional set of economic rules.
Lucia Rahilly: Could we put a finer point on what is novel or different about the lens that you applied to determine what’s a wizard and what’s a muggle?
Chris Bradley: Wizards are defined by growth and dynamism. We looked at where value is flowing and the places where value is moving. And where is the value flowing? What we see is that this set of wizards, which represent about ten percent of industries, hog 45 percent of the growth in market cap. But there’s another dimension or axis too, which is dynamism. That is measured by a new metric we’ve come up with called the ”shuffle rate.” How much does the bottom move to the top? It turns out that in this set of wizardish industries, or arenas, the shuffle rate is much higher than it is in the traditional industry.
Lucia Rahilly: So, where are we seeing the most profit?
Chris Bradley: The economic profit, which is the profit you make minus the cost for the capital you employ is in the wizard industries. It’s where R&D happens; they’re two times more R&D intensive. They’re big stars, the nebulae, where new business is born.- IPMAT - 2025
- Verbal and Logical Ability
- Reading Comprehension
- On the first day of January 2025, the Indian Meteorological Department [IMD] announced that 2024 was the hottest year on record. A study by the Council on Energy, Environment and Water shows that nearly eight out of ten Indians live in districts that are at risk of either a flood, a cyclone, or a drought. Nearly twenty three States in India are heatwave-prone. In the summer of 2024, India recorded more than 44,000 cases of heatstroke and over 300 heat-related mortalities, as per the bulletin of the Ministry of Health and Family Welfare. Water reservoirs and the energy demand that keeps India powered are impacted too. During a ten-day long heatwave in Delhi, peak power demand was 16% higher than the previous year.
- IPMAT - 2025
- Verbal and Logical Ability
- Reading Comprehension
Questions Asked in CAT exam
- There is a sentence that is missing in the paragraph below. Look at the paragraph and decide where (option 1, 2, 3, or 4) the following sentence would best fit.
Sentence: Understanding central Asia’s role helps developments make more sense not only across Asia but in Europe, the Americas and Africa.
Paragraph: The nations of the Silk Roads are sometimes called ‘developing countries’, but they are actually some of the world’s most highly developed countries, the very crossroads of civilization, in advanced states of disrepair. ___(1)___. These countries lie at the centre of global affairs: they have since the beginning of history. Running across the spine of Asia, they form a web of connections fanning out in every direction, routes along which pilgrims and warriors, nomads and merchants have travelled, goods and produce have been bought and sold, and ideas exchanged, adapted and refined. ___(2)___ .They have carried not only prosperity, but also death and violence, disease and disaster. ___(3)___. The Silk Roads are the world’s central nervous system, connecting otherwise far-flung peoples and places…. ___(4)___. It allows us to see patterns and links, causes and effects that remain invisible if one looks only at Europe, or North America.- CAT - 2024
- Para Completion
- Let $x$, $y$, and $z$ be real numbers satisfying
\(4(x^2 + y^2 + z^2) = a,\)
\(4(x - y - z) = 3 + a.\)
Then $a$ equals ?- CAT - 2024
- Algebra
- The passage given below is followed by four alternate summaries. Choose the option that best captures the essence of the passage.
Certain codes may, of course, be so widely distributed in a specific language community or culture, and be learned at so early an age, that they appear not to be constructed – the effect of an articulation between sign and referent – but to be ‘naturally’ given. Simple visual signs appear to have achieved a ‘near-universality’ in this sense: though evidence remains that even apparently ‘natural’ visual codes are culture specific. However, this does not mean that no codes have intervened; rather, that the codes have been profoundly naturalized. The operation of naturalized codes reveals not the transparency and ‘naturalness’ of language but the depth, the habituation and the near-universality of the codes in use. They produce apparently ‘natural’ recognitions. This has the (ideological) effect of concealing the practices of coding which are present.- CAT - 2024
- Para Summary
- There is a sentence that is missing in the paragraph below. Look at the paragraph and decide where (option 1, 2, 3, or 4) the following sentence would best fit.
Sentence: Comprehending a wide range of emotions, Renaissance music nevertheless portrayed all emotions in a balanced and moderate fashion.
Paragraph: A volume of translated Italian madrigals were published in London during the year of 1588. This sudden public interest facilitated a surge of English Madrigal writing as well as a spurt of other secular music writing and publication. ___(1)___. This music boom lasted for thirty years and was as much a golden age of music as British literature was with Shakespeare and Queen Elizabeth I. ___(2)___. The rebirth in both literature and music originated in Italy and migrated to England; the English madrigal became more humorous and lighter in England as compared to Italy. Renaissance music was mostly polyphonic in texture. ___(3)___. Extreme use of and contrasts in dynamics, rhythm, and tone colour do not occur. ___(4)___. The rhythms in Renaissance music tend to have a smooth, soft flow instead of a sharp, well-defined pulse of accents.- CAT - 2024
- Para Completion
- There is a sentence that is missing in the paragraph below. Look at the paragraph and decide where (option 1, 2, 3, or 4) the following sentence would best fit.
Sentence: [T]he Europeans did not invent globalization.
Paragraph: The first phase of globalization occurred long before the introduction of either steam or electric power…Chinese consumers at all social levels consumed vast quantities of spices, fragrant woods and unusual plants. The peoples of Southeast Asia who lived in forests gave up their traditional livelihoods and completely reoriented their economies to supply Chinese consumers….___(1)___. These exchanges of the year 1000 opened some of the routes through which goods and peoples continued to travel after Columbus traversed the mid-Atlantic. ___(2)___. Yet the world of 1000 differed from that of 1492 in important ways….the travellers who encountered one another in the year 1000 were much closer technologically. ___(3)___. They changed and augmented what was already there since 1000. ___(4)___. If globalization hadn’t yet begun, Europeans wouldn’t have been able to penetrate the markets in so many places as quickly as they did after 1492.- CAT - 2024
- Para Completion