Question:
Gitanjali pod 11o Tagoreni janapani gita poedoo gita sulsul sebo.
A. Bi·chae dongaoni ong·katbabo, nang·ni pulchina aro sa·sat so·ako dontongbo!
B. Mikaoe nibohching, Isol nang· milkkango dongjake!
C. Olakkiram do·gako chipe noksik andalao na·ara sako saksan olakkia?
D. Ia ring·ani, mingani aro ripok birong chananiko donbo!
Gitanjali pod 11o Tagoreni janapani gita poedoo gita sulsul sebo.
A. Bi·chae dongaoni ong·katbabo, nang·ni pulchina aro sa·sat so·ako dontongbo!
B. Mikaoe nibohching, Isol nang· milkkango dongjake!
C. Olakkiram do·gako chipe noksik andalao na·ara sako saksan olakkia?
D. Ia ring·ani, mingani aro ripok birong chananiko donbo!
A. Bi·chae dongaoni ong·katbabo, nang·ni pulchina aro sa·sat so·ako dontongbo!
B. Mikaoe nibohching, Isol nang· milkkango dongjake!
C. Olakkiram do·gako chipe noksik andalao na·ara sako saksan olakkia?
D. Ia ring·ani, mingani aro ripok birong chananiko donbo!
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When arranging poetic sequences, always follow the emotional flow: invocation → introspection → realization → conclusion.
Updated On: Oct 10, 2025
- A, B, D, C
- D, C, B, A
- B, A, C, D
- D, A, C, B
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The Correct Option is C
Solution and Explanation
Step 1: Understanding the context.
The question refers to the sequencing of the translated Garo version of the 11th poem of Tagore’s Gitanjali. Each line (A–D) represents a verse that must be arranged in its correct poetic order to maintain rhythm and meaning.
Step 2: Interpreting the verses.
The logical and poetic flow begins with B, where the speaker calls upon the divine (Isol), setting the tone of reverence and invocation.
Next follows A, which expresses inner reflection and emotion, continuing the spiritual tone.
The third verse, C, deepens the questioning and emotional dialogue with God, portraying a sense of wonder.
Finally, D concludes the poem with a peaceful closure, expressing devotion and fulfillment.
Step 3: Verification.
By reading the sequence together — B → A → C → D — the narrative becomes coherent, matching the spiritual progression of prayer, reflection, realization, and conclusion.
Step 4: Conclusion.
Thus, the correct order of verses is (3) B, A, C, D.
The question refers to the sequencing of the translated Garo version of the 11th poem of Tagore’s Gitanjali. Each line (A–D) represents a verse that must be arranged in its correct poetic order to maintain rhythm and meaning.
Step 2: Interpreting the verses.
The logical and poetic flow begins with B, where the speaker calls upon the divine (Isol), setting the tone of reverence and invocation.
Next follows A, which expresses inner reflection and emotion, continuing the spiritual tone.
The third verse, C, deepens the questioning and emotional dialogue with God, portraying a sense of wonder.
Finally, D concludes the poem with a peaceful closure, expressing devotion and fulfillment.
Step 3: Verification.
By reading the sequence together — B → A → C → D — the narrative becomes coherent, matching the spiritual progression of prayer, reflection, realization, and conclusion.
Step 4: Conclusion.
Thus, the correct order of verses is (3) B, A, C, D.
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