Comprehension
"Free of the taint of manufacture" – that phrase, in particular, is heavily loaded with the
ideology of what the Victorian socialist William Morris called the "anti-scrape", or an
anticapitalist conservationism (not conservatism) that solaced itself with the vision of a
preindustrial golden age. In Britain, folk may often appear a cosy, fossilised form, but when you look more closely, the idea of folk – who has the right to sing it, dance it, invoke it, collect it, belong to it or appropriate it for political or cultural ends – has always been contested territory. . . .
In our own time, though, the word "folk" . . . has achieved the rare distinction of occupying
fashionable and unfashionable status simultaneously. Just as the effusive floral prints of the
radical William Morris now cover genteel sofas, so the revolutionary intentions of many folk
historians and revivalists have led to music that is commonly regarded as parochial and
conservative. And yet – as newspaper columns periodically rejoice – folk is hip again,
influencing artists, clothing and furniture designers, celebrated at music festivals, awards
ceremonies and on TV, reissued on countless record labels. Folk is a sonic "shabby chic",
containing elements of the uncanny and eerie, as well as an antique veneer, a whiff of Britain's heathen dark ages. The very obscurity and anonymity of folk music's origins open up space for rampant imaginative fancies. . . .
[Cecil Sharp, who wrote about this subject, believed that] folk songs existed in constant
transformation, a living example of an art form in a perpetual state of renewal. "One man sings
a song, and then others sing it after him, changing what they do not like" is the most concise
summary of his conclusions on its origins. He compared each rendition of a ballad to an acorn
falling from an oak tree; every subsequent iteration sows the song anew. But there is tension in newness. In the late 1960s, purists were suspicious of folk songs recast in rock idioms.
Electrification, however, comes in many forms. For the early-20th-century composers such as
Vaughan Williams and Holst, there were thunderbolts of inspiration from oriental mysticism,
angular modernism and the body blow of the first world war, as well as input from the
rediscovered folk tradition itself.
For the second wave of folk revivalists, such as Ewan MacColl and AL Lloyd, starting in the 40s, the vital spark was communism's dream of a post-revolutionary New Jerusalem. For their
younger successors in the 60s, who thronged the folk clubs set up by the old guard, the lyrical
freedom of Dylan and the unchained melodies of psychedelia created the conditions for
folkrock's own golden age, a brief Indian summer that lasted from about 1969 to 1971. . . . Four decades on, even that progressive period has become just one more era ripe for fashionable emulation and pastiche. The idea of a folk tradition being exclusively confined to oral transmission has become a much looser, less severely guarded concept. Recorded music and television, for today's metropolitan generation, are where the equivalent of folk memories are seeded. . . .
ideology of what the Victorian socialist William Morris called the "anti-scrape", or an
anticapitalist conservationism (not conservatism) that solaced itself with the vision of a
preindustrial golden age. In Britain, folk may often appear a cosy, fossilised form, but when you look more closely, the idea of folk – who has the right to sing it, dance it, invoke it, collect it, belong to it or appropriate it for political or cultural ends – has always been contested territory. . . .
In our own time, though, the word "folk" . . . has achieved the rare distinction of occupying
fashionable and unfashionable status simultaneously. Just as the effusive floral prints of the
radical William Morris now cover genteel sofas, so the revolutionary intentions of many folk
historians and revivalists have led to music that is commonly regarded as parochial and
conservative. And yet – as newspaper columns periodically rejoice – folk is hip again,
influencing artists, clothing and furniture designers, celebrated at music festivals, awards
ceremonies and on TV, reissued on countless record labels. Folk is a sonic "shabby chic",
containing elements of the uncanny and eerie, as well as an antique veneer, a whiff of Britain's heathen dark ages. The very obscurity and anonymity of folk music's origins open up space for rampant imaginative fancies. . . .
[Cecil Sharp, who wrote about this subject, believed that] folk songs existed in constant
transformation, a living example of an art form in a perpetual state of renewal. "One man sings
a song, and then others sing it after him, changing what they do not like" is the most concise
summary of his conclusions on its origins. He compared each rendition of a ballad to an acorn
falling from an oak tree; every subsequent iteration sows the song anew. But there is tension in newness. In the late 1960s, purists were suspicious of folk songs recast in rock idioms.
Electrification, however, comes in many forms. For the early-20th-century composers such as
Vaughan Williams and Holst, there were thunderbolts of inspiration from oriental mysticism,
angular modernism and the body blow of the first world war, as well as input from the
rediscovered folk tradition itself.
For the second wave of folk revivalists, such as Ewan MacColl and AL Lloyd, starting in the 40s, the vital spark was communism's dream of a post-revolutionary New Jerusalem. For their
younger successors in the 60s, who thronged the folk clubs set up by the old guard, the lyrical
freedom of Dylan and the unchained melodies of psychedelia created the conditions for
folkrock's own golden age, a brief Indian summer that lasted from about 1969 to 1971. . . . Four decades on, even that progressive period has become just one more era ripe for fashionable emulation and pastiche. The idea of a folk tradition being exclusively confined to oral transmission has become a much looser, less severely guarded concept. Recorded music and television, for today's metropolitan generation, are where the equivalent of folk memories are seeded. . . .
Question: 1
The author says that folk “may often appear a cosy, fossilised form” because:
The author says that folk “may often appear a cosy, fossilised form” because:
Updated On: Aug 20, 2024
- it has been arrogated for various political and cultural purposes.
- folk is a sonic “shabby chic” with an antique veneer.
- the notion of folk has led to several debates and disagreements.
- of its nostalgic association with a pre-industrial past.
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The Correct Option is D
Solution and Explanation
The term "fossilized" implies something that is preserved or has become fixed and unchanging, often carrying connotations of being outdated or reminiscent of the past. In the given context, where the attribute "fossilized" is applied, it suggests a connection to or a reminder of historical or past elements. Analyzing the choices:
- Option 4, "old-fashioned," aligns perfectly with the concept of something being fossilized, as it denotes a style or idea that is reminiscent of the past.
- The other options do not convincingly capture the essence of "fossilized." Options 1, 2, and 3 may convey an enduring quality, but they do not explicitly convey the sense of being outdated or belonging to the past.
In conclusion, Option 4, "old-fashioned," is the most appropriate choice that convincingly reflects the meaning of "fossilized" in the given context.
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Question: 2
All of the following are causes for plurality and diversity within the British folk tradition EXCEPT:
All of the following are causes for plurality and diversity within the British folk tradition EXCEPT:
Updated On: Sep 17, 2024
- paradoxically, folk forms are both popular and unpopular.
- that British folk continues to have traces of pagan influence from the dark ages.
- that British folk forms can be traced to the remote past of the country.
- the fluidity of folk forms owing to their history of oral mode of transmission.
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The Correct Option is A
Solution and Explanation
The solution to this question lies in a careful reading and understanding of the options.
If there is a long history of past influence, diversity is likely to emerge, a concept supported by both Option 1 and Option 2.
Additionally, Option 4, which highlights the fluidity of folk forms, aligns with the idea of adaptability or flexibility, thus justifying diversity.
However, Option 1 is eliminated as popularity or unpopularity is unrelated to the concept of diversity.
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Question: 3
At a conference on folk forms, the author of the passage is least likely to agree with which one of the following views?
At a conference on folk forms, the author of the passage is least likely to agree with which one of the following views?
Updated On: Aug 20, 2024
- The power of folk resides in its contradictory ability to influence and be influenced by the present while remaining rooted in the past.
- Folk forms, despite their archaic origins, remain intellectually relevant in contemporary times.
- Folk forms, in their ability to constantly adapt to the changing world, exhibit an unusual poise and homogeneity with each change.
- The plurality and democratising impulse of folk forms emanate from the improvisation that its practitioners bring to it.
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The Correct Option is C
Solution and Explanation
Throughout the passage, the author expresses admiration for how modern musicians have utilized folk forms and commends the fusion of folk music with other genres. Examining the provided options:
- Option 1 aligns with the author's viewpoint, asserting that folk forms have the capacity to both influence and be influenced by other musical styles, a sentiment that the author is likely to support.
- Option 2 supports the author's contention that folk forms were relevant in the past and continue to be relevant today, making it consistent with the author's perspective.
- Option 4 also resonates with the author's point, suggesting that folk forms have a lasting impact and relevance.
- Option 3 is the correct choice because it introduces the idea of "unusual homogeneity" in folk music. Given the author's emphasis on the adaptability and fusion of folk music with other genres, the notion of homogeneity contradicts the author's stance. The author is more likely to assert that folk music, through its influences and interactions, becomes heterogeneous rather than homogenous.
Therefore, Option 3 is the most appropriate choice as it presents a statement that the author is unlikely to agree with based on the overall context of the passage.
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Question: 4
The primary purpose of the reference to William Morris and his floral prints is to show:
The primary purpose of the reference to William Morris and his floral prints is to show:
Updated On: Aug 20, 2024
- the pervasive influence of folk on contemporary art, culture, and fashion.
- that what was once derided as genteel is now considered revolutionary.
- that what is once regarded as radical in folk, can later be seen as conformist.
- that despite its archaic origins, folk continues to remain a popular tradition.
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The Correct Option is C
Solution and Explanation
While our team encountered challenges in providing the precise explanation for this question, through a process of elimination and careful consideration of the context, we can determine that option 3 is the most fitting choice.
This selection is supported by a nuanced understanding of the given information.
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Question: 5
Which of the following statements about folk revivalism of the 1940s and 1960s cannot be inferred from the passage?
Which of the following statements about folk revivalism of the 1940s and 1960s cannot be inferred from the passage?
Updated On: Aug 20, 2024
- Even though it led to folk-rock’s golden age, it wasn’t entirely free from critique.
- Electrification of music would not have happened without the influence of rock music.
- Freedom and rebellion were popular themes during the second wave of folk revivalism.
- It reinforced Cecil Sharp’s observation about folk’s constant transformation.
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The Correct Option is B
Solution and Explanation
The question requires selecting a choice that cannot be inferred from the passage. Let's examine the options based on the provided explanations:
- Option 2 cannot be inferred from the passage because the author mentions that electrification comes in many forms, not just through rock idioms.
- Option 4 can be inferred as the passage discusses Cecil Sharp and the adaptability of folk music, supporting the idea presented in this option.
- Choice 1, referring to purists as critics, aligns with the passage, as it mentions that purists in the late 1960s were suspicious of folk songs recast in rock idioms.
- Choice 3 is supported by the passage, which mentions "the lyrical freedom of Bob Dylan" in the context of folk music.
Therefore, Option 2 is the choice that cannot be inferred from the passage.
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Top Questions on Reading Comprehension
- Read the excerpt from a Handicrafts Manual: ‘Advanced Knitting Techniques’ and answer the following questions by choosing the most appropriate answer.
THE FAIR ISLE METHOD: Fair Isle knitting is a traditional technique that involves using two or more colours of yarn in a single row to create intricate patterns and designs. This method requires careful tension management to ensure even stitches and prevent puckering. To begin, select your colours and cast on the desired number of stitches. As you knit, alternate between colours every few stitches, carrying the unused yarn along the back of the work. Mastering the Fair Isle technique allows you to create stunning visual effects in garments, accessories, and home textiles.
THE CONTINENTAL STYLE: The Continental knitting style, often referred to as “picking,” involves holding the yarn in the left hand while the right hand manipulates the needles. This method allows for greater speed and efficiency, particularly when working with complex patterns or multiple colours. To practice this style, start by casting on your stitches and using your left hand to tension the yarn. With each stitch, simply “pick” the yarn with your right needle, forming a quick and fluid motion. As you become comfortable with this technique, you may find that your overall knitting speed and comfort improve significantly.
THE SHORT-ROW TECHNIQUE: Short-row knitting is an advanced technique that allows for the creation of shaped garments, such as sleeves and shoulders, without the need for complex shaping. To make a sleeve using this technique, begin by casting on the required number of stitches. Work a portion of the row, then turn your work and return without completing the full row to create the “short rows” that shape the curves of the sleeve. To prevent holes at the turn, wrap the stitch before you turn your work. Repeat this process as needed to achieve the desired shaping and dimension of the sleeve. Once you have shaped the sleeve, you can then sew the side seams to connect the pieces of your garment and finally, complete the edges to ensure a clean finish. This method not only helps shape curves but also adds dimension to your piece, allowing you to enhance fit and style.- AILET BALLB (Hons.) - 2025
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- Reading Comprehension
- Read the following passage and answer the following questions by choosing the most appropriate answer.
The Story of Coffee
Coffee, a beloved beverage enjoyed by millions around the globe, has a rich and captivating history that spans centuries. The story of coffee begins in the ancient highlands of Ethiopia, where, according to legend, a goat herder named Kaldi discovered the stimulating effects of coffee beans. One day, Kaldi noticed his goats frolicking with unusual energy after eating red berries from a certain tree. Curious, he tried the berries himself and experienced a newfound alertness. This discovery soon spread to monasteries, where monks used it to stay awake during long hours of prayer. From Ethiopia, coffee cultivation and consumption spread to the Arabian Peninsula, particularly in Yemen, where the practice of roasting coffee beans and brewing the drink began to take shape. By the 15th century, coffee had become a popular beverage in the Islamic world, with coffee houses known as ‘qahveh khaneh’ emerging as social hubs for conversation, music, and intellectual exchange. These coffee houses became centers of culture and commerce, influencing the spread of coffee to Turkey and beyond, eventually reaching Europe. In Europe, coffee initially faced resistance from religious authorities who considered it a ‘Muslim drink’ and tried to ban it. However, its popularity persisted, and by the 17th century, coffee houses had sprung up in major European cities, becoming important gathering places for artists, writers, and thinkers. The stimulating effects of coffee were embraced during the Age of Enlightenment, where it was seen as a catalyst for intellectual discussion and innovation. The journey of coffee continued with the establishment of colonial plantations in tropical regions such as the Caribbean, Central and South America, and Southeast Asia. These plantations fuelled the global demand for coffee, transforming it from a regional specialty to a major commodity. The industrial revolution further accelerated coffee production and consumption, leading to innovations in coffee brewing methods and the development of instant coffee. In the modern era, coffee has evolved into a deeply ingrained part of daily life for people worldwide. Its cultural significance spans from the bustling cafes of Paris to the quiet coffee farms of Colombia. Today, coffee remains not only a popular beverage but also a symbol of social interaction, productivity, and enjoyment. Whether sipped slowly over a conversation with friends or grabbed hastily on the way to work, the story of coffee continues to unfold, intertwining with the histories and cultures of countless societies across the globe.- AILET BALLB (Hons.) - 2025
- English
- Reading Comprehension
- Read the following passage and answer the following questions by choosing the most appropriate answer.
The intricate world of modern manufacturing is a web of precision and innovation, where even the tiniest components play a pivotal role. One such element, often overlooked but crucial, is the sub-subpart. Whether it’s a carpenter fashioning a bespoke piece of furniture or an automobile engineer designing the next generation of vehicles, the creation of sub-subparts is a fundamental process that demands meticulous craftsmanship and cutting-edge technology. In the realm of woodworking, carpenters frequently work with sub-subparts like dowels, screws, and hinges. These minute components may appear insignificant, yet they determine the structural integrity and functionality of the final product. Crafting a dowel, for instance, begins with selecting the appropriate wood species, followed by precision cutting and shaping. The result is a perfectly cylindrical, sturdy sub-subpart that seamlessly joins two larger pieces of wood. The advent of computer-aided design (CAD) and computer numerical control (CNC) machines has revolutionised this process, enabling carpenters to create sub-subparts with unparalleled precision.
Similarly, in the automobile industry, sub-subparts are the unsung heroes of vehicle construction. Take, for instance, the ball bearing—a minuscule but essential component in the wheels and transmission system. Manufacturing these precision-engineered spheres involves intricate processes like forging, heat treatment, and precision machining. Modern techniques such as laser cutting and 3D printing have streamlined production, ensuring that these sub-subparts meet the demanding standards of the automotive sector. The manufacturing of sub-subparts is a testament to the convergence of traditional craftsmanship and cutting-edge technology. Whether it’s a carpenter’s workshop or a high-tech automotive assembly line, the quest for perfection in sub-subpart creation remains unwavering. The attention to detail and precision required in these processes is a testament to the dedication of craftsmen and engineers alike.
To conclude, while sub-subparts may be small in size, their significance in various industries cannot be overstated. Whether it’s a carpenter working on a timeless piece of furniture or an automotive engineer striving for superior performance, the manufacturing of sub-subparts is a crucial step towards achieving excellence in craftsmanship and technology. This fusion of tradition and innovation accentuates the essence of modern manufacturing.- AILET BALLB (Hons.) - 2025
- English
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- Read the book descriptions for three different books and answer the questions by choosing the most appropriate options.
\(\text{The Politics of Change}\) \(\text{The Change in Politics}\) \(\text{Politics and Change:}\) A Global Perspective} In "The Politics of Change," political analyst Dr. Emily Harper examines the dynamics of social movements and their impact on policy reform. Through detailed case studies, she explores how grassroots organizations, protests, and advocacy campaigns shape public opinion and influence lawmakers. Dr. Harper provides insights into the strategies that successful movements employ and discusses the challenges they face in a complex political landscape. She discusses key strategies, such as coalition-building, media engagement, and the use of digital platforms to amplify voices. This book by veteran journalist Mark Stevens investigates the shifting political landscape in the 21st century. Focusing on major elections, emerging political parties, and the role of social media, Stevens analyzes how technology and demographics are transforming political engagement and voter behaviour. Through interviews with political leaders, campaign strategists, and everyday voters, Stevens uncovers how demographic shifts and technological advancements are reshaping political discourse in urban areas. He analyzes the implications of these changes for traditional political institutions and explores how movements like #MeToo and Black Lives Matter have disrupted conventional narratives. In this insightful work, international relations scholar Dr. Anika Patel presents a global analysis of political change across various regions. She explores the factors that drive political transitions, including economic shifts, cultural movements, and international influences. Dr. Patel emphasizes the interconnectedness of global politics and how local changes can have far-reaching implications. She analyzes various factors driving political transitions, including economic upheaval, cultural shifts, and the impact of globalization. She provides case studies from diverse regions, such as the Arab Spring, democratic movements in Latin America, and shifts in power in Asia. The book serves as a vital resource for understanding the complexities of political evolution in a rapidly changing world. - AILET BALLB (Hons.) - 2025
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- The levels of dissolved oxygen in the world's ocean waters are declining precipitously. Just like humans, fish need oxygen to survive, and so in ocean areas experiencing significant levels of oxygen scarcity, or hypoxia, fish populations are plummeting. Although some hypoxic areas, called "dead zones," occur naturally, hypoxia in coastal areas and inland waters is caused mainly by agricultural run-off and by discharge of industrial wastewater. More than one hundred permanent dead zones, many covering thousands of square miles, exist worldwide today.
Since reproductive success is the most critical factor in the sustainability of any species, the extent of this threat to marine life and genetic diversity can hardly be overstated. After several months in hypoxic waters, female fish produce fewer eggs. Moreover, hypoxic conditions serve to alter the normal ratio between two particular hormones manufactured during the embryonic stage when a fish's gender is determined. During gestation and under these conditions, the mother produces more testosterone (and less estradiol), which inhibits the development of female reproductive organs and other female characteristics in the embryo, while promoting the development of male traits.
The implications of declining oxygen levels extend beyond individual species to entire ecosystems. Marine biodiversity is at risk as species that cannot adapt to hypoxic conditions may face extinction, leading to a cascade of effects throughout the food web. Predators may struggle to find adequate prey, while other marine organisms, such as coral reefs, which rely on healthy fish populations for symbiotic relationships, may also deteriorate. The loss of biodiversity can disrupt ecosystem services that are essential for human communities, including fisheries, tourism, and coastal protection.- AILET BALLB (Hons.) - 2025
- English
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