Step 1: Referencing Berlin and Kay's hierarchy of basic colour term evolution.
According to Berlin and Kay (1969), languages tend to acquire basic colour terms in a specific order: \[ {white} \rightarrow {black} \rightarrow {red} \rightarrow {green or yellow} \rightarrow {blue} \rightarrow {brown} \rightarrow {others} \] Step 2: Interpreting the five-colour stage.
At the 5-term stage, languages are predicted to have: \[ {white, black, red, green, yellow} \] Note that green and yellow are treated as alternatives or additions at this stage before blue enters.
Step 3: Evaluating options.
Only option (B) includes the correct five terms expected in the five-term stage, according to the sequence of universals.
Examine the given data. The value of X is ________ (in integer). 
12 buzbi
20 bizbu
22 bizbuzbi
13 busti
X tizbuzbi
Which of the following autosegmental representation/s violate/s the Well-Formed Conditions (WFC) in a tone language, where V is the tone-bearing unit (TBU) and T is a lexical tone?

Eight students (P, Q, R, S, T, U, V, and W) are playing musical chairs. The figure indicates their order of position at the start of the game. They play the game by moving forward in a circle in the clockwise direction.
After the 1st round, the 4th student behind P leaves the game.
After the 2nd round, the 5th student behind Q leaves the game.
After the 3rd round, the 3rd student behind V leaves the game.
After the 4th round, the 4th student behind U leaves the game.
Who all are left in the game after the 4th round?

The following figures show three curves generated using an iterative algorithm. The total length of the curve generated after 'Iteration n' is:

Here are two analogous groups, Group-I and Group-II, that list words in their decreasing order of intensity. Identify the missing word in Group-II.
Abuse \( \rightarrow \) Insult \( \rightarrow \) Ridicule
__________ \( \rightarrow \) Praise \( \rightarrow \) Appreciate
The 12 musical notes are given as \( C, C^\#, D, D^\#, E, F, F^\#, G, G^\#, A, A^\#, B \). Frequency of each note is \( \sqrt[12]{2} \) times the frequency of the previous note. If the frequency of the note C is 130.8 Hz, then the ratio of frequencies of notes F# and C is: