“Why do they pull down and do away with crooked streets, I wonder, which are my delight, and hurt no man living? Every day the wealthier nations are pulling down one or another in their capitals and their great towns: they do not know why they do it; neither do I. It ought to be enough, surely, to drive the great broad ways which commerce needs and which are the life-channels of a modern city, without destroying all history and all the humanity in between: the islands of the past.” (From Hilaire Belloc’s “The Crooked Streets”)
Based only on the information provided in the above passage, which one of the following statements is true?
Understanding the Passage:
The passage highlights the author's concern about demolishing the crooked streets, which serve as historical reflections of past towns. The author questions why wealthier nations feel the need to remove these historical elements, suggesting discomfort with this practice.
Identifying the Correct Answer:
- Option (B) correctly captures the central idea of the passage, as it directly addresses the concern over wealthier nations tearing down these historical streets.
- Option (A) is incorrect because the author’s reaction is not one of delight or simple wonder, but rather of unease regarding the destruction of history.
- Options (C) and (D) do not align with the passage, as the discussion does not focus on protecting commerce or broader urban planning concerns.
Conclusion:
Since option (B) accurately reflects the main concern of the passage, it is the correct answer. The author’s viewpoint is centered on the loss of historical streets rather than on general urban development strategies.
“Why do they pull down and do away with crooked streets, I wonder, which are my delight, and hurt no man living? Every day the wealthier nations are pulling down one or another in their capitals and their great towns: they do not know why they do it; neither do I. It ought to be enough, surely, to drive the great broad ways which commerce needs and which are the life-channels of a modern city, without destroying all history and all the humanity in between: the islands of the past.”
(From Hilaire Belloc’s “The Crooked Streets”)
Based only on the information provided in the above passage, which one of the following statements is true?
Passage: Toru Dutt is considered the earliest Indian female writer in English. She travelled extensively in Europe from a young age with her family. She and her sister Aru became fascinated with Paris and French literature. In London, they came in contact with such august personages such as Sir Bartle Frere, the Gover- nor of Bombay from 1862 to 1867, and Sir Edward Ryan, the Chief Justice of the Supreme Court, Calcutta, from 1837 to 1843. Toru Dutt was greatly influenced in her writings by French Romantic poets like Victor Hugo and English writers like Elizabeth Browning, John Keats, Charlotte Bronte and Jane Austen. She was also intrigued by the legends and myths of India, and even learned Sanskrit. Her writings were marked by romantic melancholia and an obsession and preoccupation with death. This was partly due to her suffering and pain following the early tragic deaths of her siblings, especially her older sister Aru, with whom she was quite close. Her chosen subjects often portrayed separation, loneliness, captivity, dejec- tion, declining seasons and untimely death. She led an ”Ivory Tower existence” and her own death came quite early, at the age of 21, in the full bloom of her talent and on the eve of the awakening of her genius. Toru Dutt’s most famous work is A Sheaf Gleaned in French Fields, an anthology of poems translated from French to English. It also contained a few original poems that showcase her vast insight into French literature. She used to publish poems in the Bengal Magazine, under the pseudonym ”TD”. But most of her powerful work was published posthumously, in- cluding the French novel Le Journal de Mademoiselle D’Arvers and the unfinished English novel Bianca, or, the Young Spanish Maiden. Her work Ancient Ballads and Legends of Hindustan depicts a shrewd knowledge of Hindu mythology and an instinctive empathy with the conditions of life they represent. An assimilation of the Occident and the Orient nourished Toru’s poetic skills; in her, we find a tripartite influence of a French education, lectures at Cambridge and the study of Sanskrit literature.
For the beam and loading shown in the figure, the second derivative of the deflection curve of the beam at the mid-point of AC is given by \( \frac{\alpha M_0}{8EI} \). The value of \( \alpha \) is ........ (rounded off to the nearest integer).
In levelling between two points A and B on the opposite banks of a river, the readings are taken by setting the instrument both at A and B, as shown in the table. If the RL of A is 150.000 m, the RL of B (in m) is ....... (rounded off to 3 decimal places).