Step 1: Recall the publication context.
Tagore translated a selection of his Bengali lyrics into English and published them in London in 1912 as Gitanjali: Song Offerings. The slim volume (India Society edition) was issued with an Introduction by a leading Anglo-Irish poet who was then living in London and had personally met Tagore, praised his spiritual lyricism, and helped present him to English readers.
Step 2: Identify the introducer.
That eminent poet was W. B. Yeats. His Introduction (dated 1912) enthusiastically commends Tagore's "noble simplicity" and helped create immediate literary interest in the West, paving the way for Tagore's 1913 Nobel Prize.
Step 3: Eliminate the distractors with reasons.
\begin{itemize}
\item (A) T. S. Eliot — a contemporary modernist, but he had no editorial role in Gitanjali; his critical affiliations and aesthetics (impersonal classicism) were distant from Tagore's mystical lyric mode.
\item (B) Ezra Pound — he promoted many non-Anglo traditions and worked with Yeats in London, but did not write the Introduction to Gitanjali.
\item (C) W. H. Auden — a later-generation poet; he wrote notable forewords/essays elsewhere (e.g., on Yeats) but nothing to do with the 1912 Gitanjali Introduction.
\end{itemize}
\[
\boxed{\text{Therefore, (D) W. B. Yeats.}}
\]
Analyse the characters of William Douglas from ‘Deep Water’ and Mukesh from ‘Lost Spring’ in terms of their determination and will power in pursuing their goals.
The 12 musical notes are given as \( C, C^\#, D, D^\#, E, F, F^\#, G, G^\#, A, A^\#, B \). Frequency of each note is \( \sqrt[12]{2} \) times the frequency of the previous note. If the frequency of the note C is 130.8 Hz, then the ratio of frequencies of notes F# and C is:
Here are two analogous groups, Group-I and Group-II, that list words in their decreasing order of intensity. Identify the missing word in Group-II.
Abuse \( \rightarrow \) Insult \( \rightarrow \) Ridicule
__________ \( \rightarrow \) Praise \( \rightarrow \) Appreciate