Step 1: Define Theatre of the Absurd
The Theatre of the Absurd (term popularized by Martin Esslin, 1960s) refers to post-WWII plays highlighting existentialism, meaninglessness, and illogical structures. Key dramatists include Samuel Beckett, Eugène Ionesco, Harold Pinter, and Edward Albee.
Step 2: Evaluate options
(A) Harold Pinter — yes, absurdist dramatist, known for The Birthday Party, The Dumb Waiter, famous for "Pinteresque" pauses. ✔
(B) Edward Albee — yes, though American, he is associated with absurdist drama; plays like The Zoo Story show absurdist traits. ✔
(C) John Osborne — key figure in "Angry Young Men" movement; wrote Look Back in Anger. Not Absurdist, but realist/working-class concerns. ✘
(D) Eugene O'Neill — early 20th century American dramatist (Long Day's Journey Into Night); expressionist, not Absurdist. ✘
\[
\boxed{\text{Absurdist dramatists here: (A) Harold Pinter and (B) Edward Albee}}
\]

Eight students (P, Q, R, S, T, U, V, and W) are playing musical chairs. The figure indicates their order of position at the start of the game. They play the game by moving forward in a circle in the clockwise direction.
After the 1st round, the 4th student behind P leaves the game.
After the 2nd round, the 5th student behind Q leaves the game.
After the 3rd round, the 3rd student behind V leaves the game.
After the 4th round, the 4th student behind U leaves the game.
Who all are left in the game after the 4th round?

The 12 musical notes are given as \( C, C^\#, D, D^\#, E, F, F^\#, G, G^\#, A, A^\#, B \). Frequency of each note is \( \sqrt[12]{2} \) times the frequency of the previous note. If the frequency of the note C is 130.8 Hz, then the ratio of frequencies of notes F# and C is:
Here are two analogous groups, Group-I and Group-II, that list words in their decreasing order of intensity. Identify the missing word in Group-II.
Abuse \( \rightarrow \) Insult \( \rightarrow \) Ridicule
__________ \( \rightarrow \) Praise \( \rightarrow \) Appreciate