Step 1: Define postmodern narrative.
Postmodern literature typically features metafiction, self-reflexivity, playfulness, parody, fragmentation, intertextuality, and skepticism toward grand narratives (as discussed by theorists like Lyotard).
Step 2: Evaluate each option. \begin{itemize} \item (A) Calvino's If on a Winter's Night a Traveller — quintessential metafiction: a novel about reading a novel, foregrounding narrative construction. A core postmodern text. \item (B) Barth's Lost in the Funhouse — metafictional short stories, explicitly theorizing "literature of exhaustion" and playfully deconstructing storytelling. Postmodern hallmark. \item (C) Pynchon's V. — sprawling, fragmented, paranoid narrative with intertextuality and pastiche; a foundational postmodern novel. \item (D) Murdoch's The Bell — though innovative, it belongs to mid-20th-century realist/modernist tradition, not postmodern experimentation. \end{itemize} \[ \boxed{\text{Answer: (A), (B), and (C)}} \]
The 12 musical notes are given as \( C, C^\#, D, D^\#, E, F, F^\#, G, G^\#, A, A^\#, B \). Frequency of each note is \( \sqrt[12]{2} \) times the frequency of the previous note. If the frequency of the note C is 130.8 Hz, then the ratio of frequencies of notes F# and C is:
Here are two analogous groups, Group-I and Group-II, that list words in their decreasing order of intensity. Identify the missing word in Group-II.
Abuse \( \rightarrow \) Insult \( \rightarrow \) Ridicule
__________ \( \rightarrow \) Praise \( \rightarrow \) Appreciate