Question:
Once Renaissance painters discovered how to ---- volume and depth, they were able to replace the medieval convention of symbolic, two-dimensional space with the more ---- illusion of actual space.
Once Renaissance painters discovered how to ---- volume and depth, they were able to replace the medieval convention of symbolic, two-dimensional space with the more ---- illusion of actual space.
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This question requires some basic knowledge of art history, but even without it, you can solve it by focusing on the logic. The sentence contrasts "symbolic, two-dimensional" with the new "illusion of actual space." The missing words must support this contrast between the non-lifelike and the lifelike.
Updated On: Oct 4, 2025
- reverse.. conventional
- portray.. abstract
- deny.. concrete
- adumbrate.. fragmented
- render.. realistic
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Solution and Explanation
Step 1: Understanding the Concept:
This sentence describes a key development in art history: the shift from medieval two-dimensional art to the three-dimensional illusionism of the Renaissance. The words in the blanks must reflect this transition.
Step 2: Detailed Explanation:
- The first blank describes what Renaissance painters learned to do with "volume and depth." They learned how to create or represent these qualities. Words like "portray," "represent," or "render" would fit. - The second blank describes the "illusion of actual space" they created, which replaced the old "two-dimensional space." This illusion would be lifelike. A word like "realistic" would fit perfectly. Let's evaluate the options:
(A) reverse.. conventional: "Reverse volume and depth" makes no sense.
(B) portray.. abstract: They moved away from symbolic/abstract conventions toward realism, not toward a more "abstract" illusion.
(C) deny.. concrete: "Deny volume and depth" is the opposite of what they did.
(D) adumbrate (to outline).. fragmented: "Fragmented" does not describe the unified, deep space of Renaissance painting.
(E) render.. realistic: To "render" means to represent or depict, especially artistically. This fits the first blank. A "realistic" illusion of space is precisely what contrasts with the symbolic, two-dimensional space of medieval art. This pair is a perfect fit.
Step 3: Final Answer:
The words "render" and "realistic" accurately describe the artistic innovation of the Renaissance painters.
This sentence describes a key development in art history: the shift from medieval two-dimensional art to the three-dimensional illusionism of the Renaissance. The words in the blanks must reflect this transition.
Step 2: Detailed Explanation:
- The first blank describes what Renaissance painters learned to do with "volume and depth." They learned how to create or represent these qualities. Words like "portray," "represent," or "render" would fit. - The second blank describes the "illusion of actual space" they created, which replaced the old "two-dimensional space." This illusion would be lifelike. A word like "realistic" would fit perfectly. Let's evaluate the options:
(A) reverse.. conventional: "Reverse volume and depth" makes no sense.
(B) portray.. abstract: They moved away from symbolic/abstract conventions toward realism, not toward a more "abstract" illusion.
(C) deny.. concrete: "Deny volume and depth" is the opposite of what they did.
(D) adumbrate (to outline).. fragmented: "Fragmented" does not describe the unified, deep space of Renaissance painting.
(E) render.. realistic: To "render" means to represent or depict, especially artistically. This fits the first blank. A "realistic" illusion of space is precisely what contrasts with the symbolic, two-dimensional space of medieval art. This pair is a perfect fit.
Step 3: Final Answer:
The words "render" and "realistic" accurately describe the artistic innovation of the Renaissance painters.
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