In a recent New York Times Sunday magazine article on school textbooks, writer Robert Reinhold described California’s new history series as “. . . filled with colorful charts, graphs, time lines, maps, photographs in a format suggestive of the newspaper USA Today.” There it is again.
Since when did USA Today become the national design ideal? Everywhere you look you find USA Today used as an analogy to describe a noteworthy design format. Making ideas “accessible” is the operative term for the information age. But too often information is drained of its significance in the name of accessibility.
Some things are designed for reading: scholarly journals, literary reviews, financial pages, and their ilk are fairly impenetrable to the casual page flipper. Other objects like USA Today, annual reports, fashion magazines, and so on are for looking. (Haven’t you heard in the course of a design project someone say, only half in jest, “No one actually reads the copy, just make it look good.”) Then there are the gray areas. These include newsmagazines and textbooks, which imply reading but are increasingly about looking. If you compare Time or Newsweek or a fifth grade schoolbook of twenty years ago to their present incarnations, the change is remarkable. The headlines are bigger, the captions are bigger, and the photographs, charts and call-outs are all bigger. Something had to go, someone must have decided, and what went was the text.