Step 1: Interpreting the lines.
These lines from A. K. Ramanujan’s "Self Portraits" express a sense of alienation from the self. The speaker reflects on his resemblance to everyone but himself, which suggests a lack of self-identity. There is also a reference to his father’s influence, which hints at the anxiety and conflict arising from familial expectations and relationships.
Step 2: Explanation of the options.
(A) is correct because the lines express existential alienation, where the speaker feels disconnected from his own identity and detached from his true self.
(B) is correct because the speaker experiences anxiety related to kinship structures, as indicated by the reference to his father’s influence and the sense of estrangement from his own image.
(C) is incorrect because there is no reference to artistic ecstasy in the poem; rather, the focus is on identity crisis and alienation.
(D) is incorrect because there is no sense of euphoria or joy in the marketplace, but rather an existential struggle and self-doubt.
“One of these days you’re going to talk yourself into a load of trouble,” her father said aggressively. What do you learn about Sophie’s father from these lines? (Going Places)
Eight students (P, Q, R, S, T, U, V, and W) are playing musical chairs. The figure indicates their order of position at the start of the game. They play the game by moving forward in a circle in the clockwise direction.
After the 1st round, the 4th student behind P leaves the game.
After the 2nd round, the 5th student behind Q leaves the game.
After the 3rd round, the 3rd student behind V leaves the game.
After the 4th round, the 4th student behind U leaves the game.
Who all are left in the game after the 4th round?

Here are two analogous groups, Group-I and Group-II, that list words in their decreasing order of intensity. Identify the missing word in Group-II.
Abuse \( \rightarrow \) Insult \( \rightarrow \) Ridicule
__________ \( \rightarrow \) Praise \( \rightarrow \) Appreciate
The 12 musical notes are given as \( C, C^\#, D, D^\#, E, F, F^\#, G, G^\#, A, A^\#, B \). Frequency of each note is \( \sqrt[12]{2} \) times the frequency of the previous note. If the frequency of the note C is 130.8 Hz, then the ratio of frequencies of notes F# and C is: