Harold Pinter, the British playwright, whose gifts for finding the ominous in the everyday and the noise within silence made him the most influential and imitated dramatist of his generation. In more than 30 plays written between 1957 and 2000 and including masterworks like The Birthday Party, The Caretaker, The Homecoming and Betrayal, Pinter captured the anxiety and ambiguity of life in the second half of the 20th century with terse, hypnotic dialogue filled with gaping pauses and the prospect of imminent violence. Pinter became one of the few modern playwrights whose names instantly evoke a sensibility. The adjective 'Pinteresque' has become part of the cultural vocabulary as a byword for strong and unspecified menace.
An actor, essayist, screenwriter, poet, director and dramatist, Pinter was also publicly outspoken in his views on repression and censorship, at home and abroad. He used his Nobel acceptance speech to denounce Amer- ican foreign policy, saying that the United States had not only lied to justify waging war against Iraq, but that it had also 'supported and in many cases engendered every right-wing military dictatorship' in the last 50 years. His political views were implicit in much of his work. Though his plays deal with the slipperiness of memory and human character, they are also almost always about the struggle for power.
In Pinter's work 'words are weapons that the characters use to discomfort or destroy each other' said Peter Hall, who has staged more of Pinter's plays than any other director. But while Pinter's linguistic agility turned simple, sometimes obscene, words into dark, glittering and often mordantly funny poetry, it is what comes between the words that he is most famous for. And the stage direction 'pause' would haunt him throughout his career.
Intended as an instructive note to actors, the Pinter pause was a space for emphasis and breathing room. But it could also be as threatening as a raised fist. Pinter said that writing the word 'pause' into his first play was 'a fatal error'. It is certainly the aspect of his writing that has been most parodied. But no other playwright has consistently used pauses with such rhythmic assurance and to such fine-tuned manipulative effect. Early in his career, Pinter said his work was about 'the weasel under the cocktail cabinet'. Though he later regretted the image, it holds up as a metaphor for the undertow of danger that pervades his work.
Pinter was born in Hackney on October 10, 1930. With the outbreak of World War II, Harold was evacuated from London to a provincial town in Cornwall. His feelings of loneliness and isolation from that time were to surface later in his plays. Few writers have been so consistent over so many years in the tone and exe- cution of their work. Just before rehearsals began for the West End production of The Birthday Party half a century ago, Pinter sent a letter to his director, Peter Wood. In it he said, "The play is a comedy because the whole state of affairs is absurd and inglorious. It is, however, as you know, a very serious piece of work.'

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What is the most significant aspect noticed in his plays?

The Correct Option is D

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Select the synonym of the word 'mordantly' as used in the passage.

The Correct Option is

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Pinter was the most imitated dramatist of his times because

The Correct Option is B

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What was the most burlesqued aspect of Pinter's writing?

The Correct Option is C

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What was the tone of his plays?

The Correct Option is C

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Which of the following words, used in the passage, is a one-word substitute for the phrase, 'a figure of speech in which an expression is used to refer to something that it does not literally denote in order to suggest a similarity'?

The Correct Option is B

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What did he capture in his most celebrated works?

The Correct Option is A

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How did Pinter describe The Birthday Party?

The Correct Option is A

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