Step 1: Analyzing the options.
- (A) This option directly tests the hypothesis. If females are attracted to males with an artificially added large dorsal ridge, this provides evidence that the trait evolved due to sensory bias and sexual selection, rather than natural selection.
- (B) This option does not support the hypothesis, as it suggests that males without a ridge attract more females, which contradicts the idea of sexual selection favoring males with the trait.
- (C) This option describes a competitive advantage but does not address the preference of females for the trait, which is crucial for the hypothesis.
- (D) If females of species whose males have a dorsal ridge do not show a preference, it would contradict the idea of sexual selection driven by female preference for the trait.
Step 2: Conclusion.
The correct answer is (A), as it provides the evidence of female preference for the trait, supporting the hypothesis that the dorsal ridge evolved due to runaway sexual selection driven by sensory bias in females.
Final Answer: (A) Females of species in which males lack this trait are attracted to males that have a large dorsal ridge artificially attached to them.
Eight students (P, Q, R, S, T, U, V, and W) are playing musical chairs. The figure indicates their order of position at the start of the game. They play the game by moving forward in a circle in the clockwise direction.
After the 1st round, the 4th student behind P leaves the game.
After the 2nd round, the 5th student behind Q leaves the game.
After the 3rd round, the 3rd student behind V leaves the game.
After the 4th round, the 4th student behind U leaves the game.
Who all are left in the game after the 4th round?

Here are two analogous groups, Group-I and Group-II, that list words in their decreasing order of intensity. Identify the missing word in Group-II.
Abuse \( \rightarrow \) Insult \( \rightarrow \) Ridicule
__________ \( \rightarrow \) Praise \( \rightarrow \) Appreciate
The 12 musical notes are given as \( C, C^\#, D, D^\#, E, F, F^\#, G, G^\#, A, A^\#, B \). Frequency of each note is \( \sqrt[12]{2} \) times the frequency of the previous note. If the frequency of the note C is 130.8 Hz, then the ratio of frequencies of notes F# and C is: